{"title":"Nigel Spivey","description":"\u003cp\u003eDelve into the world of art and its enduring influence with Nigel Spivey. Perfect for art history enthusiasts and those seeking insightful cultural commentary, discover Spivey's engaging works.\u003c\/p\u003e","products":[{"product_id":"panorama-of-the-classical-world-book-nigel-spivey-9780500287712","title":"Panorama of the Classical World","description":"The starting-point for everything we understand about philosophy, science, literature and art, the world of ancient Greece and Rome makes an extraordinary story in its own right. New in paperback, this lavishly illustrated, popular reference book draws not only on the original sources but also on the fascinating new approaches to Classical life and civilization that have been developed in recent decades. Panorama of the ClassicalWorld brings Greeks, Etruscans and Romans to vivid life for the general reader, and even significantly expands the knowledge of the professional scholar. 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Most of us would like to know the Greek myths better than we do, and the power of ancient texts still retain their power to enchant and enthral. And yet the modern translations of the Greek myths have sought to instruct, to edify, or to impart a personal philosophy. Songs on Bronze is different. With this book, Nigel Spivey - a young Cambridge classicist and rising broadcaster - gives us the Greek myths as the spellbinding stories they are. In bold, sensuous prose, he tells of Demeter and Persephone, of Jason and the Argonauts, of the wrath of Achilles and the travels of Odysseus, of Oedipus's crime and Orpheus's excursion into the underworld. In his hands, these stories are revealed anew as outsize tales of love and strife, of secret compacts and open rivalries, of lust and desire.   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Chapter IV considers the natural setting and its manipulation by agriculture. Chapter V deals with man as citizen - of the city (Greece) and the empire (Rome). Chapter VI treats the family, slaves and domestic economy. Chapter VII turns to ideas, the formulations of philosophy that are still with us. Chapter VIII explores the vivid difference between the realms of Dionysos (instinct) and Apollo (intellect). 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Embarking with the motto 'Everyone is an artist', Nigel Spivey takes us on a quest to find out when and how we humans acquired and then exploited our unique capacity for symbolic   representation. In the late nineteenth century, the first discoveries of prehistoric painting were greeted with incredulity. How could there have been such deft and skilful artists in the world over 30,000 years ago?       The exploration of this mystery leads to a trail of further intriguing problems. Images came to us before the written word  so how did we use images to tell stories? The representation of our human form has been a preoccupation of artists through the centuries  so why is it that from the very beginning we have preferred images of the body with distorted or exaggerated features? By what means did we define some supernatural presence as immortal and invisible, and then attempt to visualize it? And when did our environment become styled as a landscape? 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Embarking with the motto, Everyone is an artist, Spivey takes us on a quest to find out when and how we humans began to explore the deepest questions of life, using visual artforms.  With the help of vivid color illustrations of some of the worlds most moving and enduring works of art, Spivey shows how that art has been used as a means of mass persuasion, essential to the creation of hierarchical societies, and finally, the extent to which art has served as a mode of terror management in the face of our inevitable death.  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Illustrated with diverse examples, this text draws upon literary, historical, and archaeological evidence to explain the techniques of the manufacture of Greek sculpture, tracing its production over a period of some 700 years from the eighth century BC to the Hellenistic period.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50191533408529,"sku":"GOR003472655","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50446193361169,"sku":"GOR012282056","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0500237107.jpg?v=1750846011"},{"product_id":"enduring-creation-book-nigel-spivey-9780520230224","title":"Enduring Creation","description":"Nigel Spivey takes on one of the greatest taboos in Western culture in this brilliantly original work of cultural history: why is so much pain depicted in the art of the West? Beginning with a meditation on Auschwitz, the prizewinning author then takes us on a journey that encompasses the stone-bound screams of classical sculpture, the many depictions of the Crucifixion, the Massacre of the Innocents and St. Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.  Beauty and disfigurement, violence and thrill, horror and comfort--these are pairings fostered throughout Western art, for causes as various as religious martyrdom, judicial torment, artistic virtuosity, and erotic gratification. The ancient Greeks invented tragic drama: but how far was pity for tragedy's victims tempered by the notion of just deserts? The first Christians preached Christ Crucified: why then did it take some five hundred years before images appeared of Christ on the cross? The Massacre of the Innocents was an event that never happened: for what reasons were artists of the Italian Renaissance so eager to show it convincingly? Enduring Creation reveals the amazing power of art to console, to warn, to prepare the viewer for the harsher experiences of life, raising intriguing questions: Can pain be beautiful? Do we always pity suffering? Are sainthood and sadomasochism linked? 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