{"title":"Paul Liss","description":"\u003cp\u003eDive into the world of Paul Liss, a master of historical fiction and thrilling adventures. Discover tales brimming with suspense, intrigue, and meticulously researched historical detail. Start your journey here!\u003c\/p\u003e","products":[{"product_id":"portrait-of-an-artist-book-paul-liss-9781999314545","title":"Portrait of an Artist","description":"This publication examines how artist’s portray themselves in self-portraits and how they portray their fellow artists. The artist’s studio, models and milieu (friends, family etc) are also considered. Most of Liss Llewellyn’s projects in the last twenty five years have involved working directly with artists’ studios. Amongst the thousands and thousands of images that until now had lain undisturbed, often hardly seen since the day they were created, some occasionally stand out. Often modest in size and not obviously works of importance; a scrap of paper recording the intense introspective gaze of an artist, or a moment of intimacy suggesting the artist was in love with his subject – be it his or her spouse, model or children. This portrait of an artist is the result of twenty years of collecting and brings together a remarkable group of works which, large or small, minor or major all have in common one quality – the ability to transport the viewer momentarily into the artist’s milieu.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49526098166033,"sku":"GOR011906602","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1999314549.jpg?v=1751381512"},{"product_id":"karl-hagedorn-1889-1969-book-paul-liss-9780993088476","title":"Karl Hagedorn (1889-1969)","description":"Originating from Berlin Hagedorn moved to Manchester in 1905 to train in textile production. Having studied art under Adolphe Valette at the local Manchester School ofArt and then The Slade School of Art, his training was completed by a period in1912-13 where, working under Maurice Denis, he absorbed a range of avant-garde styles. On his return to England, he made a consciously pioneering attempt to introduce Modernism into Manchester through his work as both painter and designer, exhibiting at the Manchester Society of Modern Painters, RA, RBA, RSMA and with the NEAC.. He became a British subject in 1914 and served as a Lance-Corporal in the Middlesex Regiment during World War I. In 1925 he received the Grand Prix at the International Exhibition of Decorative Art, Paris and in 1935 he was elected RBA. He exhibited at a number of leading galleries in London and the provinces, and was elected to the Royal Society of British Artists, the Royal Institute of Painters in Water Colours, the Royal Society of Marine Artists, the New English Art Club and the NS. Hagedorn has only been the subject of one exhibition and publication: ‘Manchester’s First Modernist’, a catalogue produced by the Chris Beetles Gallery on the occasion of the retrospective organised in conjunction with the Whitworth Art Gallery, Manchester.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49548205850897,"sku":"GOR009841459","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49731178135825,"sku":"NGR9780993088476","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0993088473.jpg?v=1751447804"},{"product_id":"hubert-arthur-finney-1905-1991-book-paul-liss-9781999314521","title":"Hubert Arthur Finney (1905-1991)","description":"Hugh Finney was a painter, draughtsman and teacher who trained initially at Bromley School of Art, where he attended evening classes from 1915, and then at Beckenham School of Art to where he won a trade scholarship in 1918. He studied painting with Amy Katherine Browning and etching with Eric Gill. Around 1927 he won a scholarship to the Royal College of Art, where he studied under William Rothenstein. Horton, Houthuesen, Ososki and Freedman were amongst his friends at the college. In 1929 after graduation he took up a travelling scholarship to Rome returning to teach part-time at Chelsea School of Art under Percy Jowett and later Harold Sandys Williamson. From 1927-1934 he exhibited at the NEAC. In 1935 his painting Mother and Child was acquired by Carlisle Art Gallery. During WW2 Finney worked for the light rescue service of the Civil Defense. After the war he taught part time under Anthony Betts at Reading University and was in charge of life drawing there when he retired in 1970. Although he was reclusive and reluctant to show his work he did exhibit at the RA Summer exhibition (in 1950 and 1954) and the Portrait Society and at The Paris Salon. A large solo exhibition took place at the University of Oxford’s Institute of Education in 1964.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49581855080721,"sku":"GOR011020965","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":52518745178385,"sku":"GOR014548543","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1999314522.jpg?v=1750998780"},{"product_id":"john-cecil-stephenson-a-modernist-in-hampstead-book-paul-liss-9781999314569","title":"John Cecil Stephenson: a Modernist in Hampstead","description":"By the end of John Cecil Stephenson’s art school training – first a scholarship to Leeds Art School then to The Royal College of Art – he was in a position to produce still lives, landscapes and portraits in a professional capacity. Like many painters of his generation, who had received similarly conventional instruction, he became a competent teacher, appointed in 1922, as Head of Art at The Northern Polytechnic. In this mould Stephenson might have remained a largely undistinguished painter – but in the early 1930s he found himself at the centre of a group of artists with avant-garde credentials, and his own art underwent a remarkable transformation.      By 1934 he was exhibiting groundbreaking works such as Mask (CAT. 7), at the 7 \u0026amp; 5 Society, and in 1937 was a key contributor to the watershed publication and exhibition Circle, where his work was showcased alongside that of luminaries such as Kazimir Malevich, Le Corbusier, Fernand Léger, Alberto Giacometti and Pablo Picasso. What led Stephenson to become, in the words of the celebrated art critic Herbert Read, ‘one of the earliest artists in the country to develop a completely abstract style’?      Between March 1919 and November 1965, John Cecil Stephenson lived in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the father figure of what Read christened ‘a nest of gentle artists’, his next door neighbours included, during the course of the decade leading up to World War II, Barbara Hepworth, John Skeaping, Ben Nicholson and Henry Moore. Such fertile ground was further enriched by visits from artists fleeing persecution – including Piet, László Moholy-Nagy and Alexander Calder – just a few of the many internationally acclaimed artists who, whilst passing through London, formed part of the art set who congregated around Read’s house at No. 3 Mall Studios.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49582692729105,"sku":"GOR012359489","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49744495313169,"sku":"NGR9781999314569","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50732124504337,"sku":"GOR014053400","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1999314565.jpg?v=1750901961"},{"product_id":"david-evans-1929-1988-book-paul-liss-9780993088469","title":"David Evans (1929-1988)","description":"David Evans’ death in a road accident in 1988, at the age of 59, bought to an abrupt end the career of one of the most distinguished watercolourists of his generation. The recent discovery of pictures remaining in his studio, nearly thirty years after the memorial tribute staged by the Redfern Gallery in 1988, provides the opportunity for a new generation to discover his work, though the publication of this first ever book on David Evans and the accom- panying touring exhibition. Evans’ strikingly large watercolours, (typically they measure over one metre in height or breadth), span two decades from the late 1960s to the late 1980s, evoking a vision that is still surprisingly potent today. They have all the period charm of the glam-rock era they so powerfully evoke but at the same time they are highly charged with the political energy of the pe- riod and mirror Thatcher’s Britain, with its Industrial unrest, its towns and country undergoing transformation, the Faulklands war and threat of the Evil Empire, the building of nuclear power stations and the dawn of awareness about Climate Change as a political issue. Evans was an ardent campaigner and environmentalist. The landscapes, (a homage to his native Suffolk) are peppered with industrial plants, landfill, scrap heaps, and encroaching roads and army maneuvers. Urban subjects, similar in some ways to the compo- sitions of Lowry, show factory plants, spectators’ sports, cafeterias, the interiors of museums, city centers and beach scenes.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49585490231569,"sku":"GOR008529535","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0993088465.jpg?v=1750884953"},{"product_id":"private-public-finding-the-modern-british-garden-book-paul-liss-9781739603304","title":"Private \u0026 Public: Finding the Modern British Garden","description":"This catalogue examines the ways in which Modern British artists of the interwar period engaged with private and public spaces. The publication begins by exploring the private realms of artists, as many retreated to planting and painting their own gardens in the wake of the First World War. But while some withdrew, other artists sought pleasure and escapism, and amidst the rise of new technologies and popular entertainment, public gardens became arenas for a modern experience which they strove to capture.      Moreover, this catalogue explores the blurring of boundaries between private and public spaces, as the car and other modes of transport opened up areas of the countryside beyond the orbit of the railways. And then there were the houses and gardens of estates such as Garsington Manor – brought into the public eye by artists who attended the gatherings of the great chatelaine and salonnière, Lady Ottoline Morrell. So perhaps these worlds of private and public were not mutually exclusive, after all.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49589364064529,"sku":"GOR013018416","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1739603303.jpg?v=1751216158"},{"product_id":"british-paintings-1880-1980-book-paul-liss-9781739603311","title":"British Paintings 1880-1980","description":"This catalogue brings together one hundred years of British Painting, from 1880 – 1980\\. Women are at the forefront: the essential process of rewriting their work into the narrative continues.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49753227460881,"sku":"NGR9781739603311","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50701214089489,"sku":"GOR014040295","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1739603311.jpg?v=1751025823"},{"product_id":"british-drawings-1890-1990-book-paul-liss-9781999314590","title":"British Drawings 1890-1990","description":"‘Drawings’ is a collaborative venture combining two exhibitions that have been timed to coincide: British Drawings: 1890-1990 at Sotheran’s and Drawings 1990-2022 at Purdy Hicks Gallery. Both shows emphasise the importance of drawing to artists of the last 120 years: though many of the artists have used myriad other art forms, they have invariably returned to the honesty of drawing, time and time again.  The artists reflect their times. The artists from 1890-1980 are very much associated with strong schools of thought. One school in particular, the Slade School of Fine Art, dominates. Its rigorous process of drawing underpins much that we see, but is of course interpreted differently artist by artist. There was most definitely a British School, and in terms of drawing its greatest, though largely unacknowledged, triumph can be found in the remarkable works produced by the artists of the British School at Rome with their use of drawing techniques dating back to the Renaissance. This catalogue contains outstanding examples by Winifred Knights, Evelyn Gibbs, Anne Newland, Thomas Monnington, Robert Austin, Alan Sorrell and Reginald Brill. Slade student Winifred Knights exemplified the teachings of Henry Tonks, (Professor of Fine Art at the Slade from 1918 to 1930), with her observation of nature and meticulous methodology, working through endless studies, which were in turn painstakingly transferred to create finished works. Gilbert Spencer, another of the Professor’s students, recalled how Tonks talked of dedication, the privilege of being an artist, that to do a bad drawing was like living with a lie, and he proceeded to implant these ideals by ruthless and withering criticism. I remember once coming home and feeling like flinging myself under a train, and Stan telling me not to mind as he did it to everyone.  Methodology aside, many of the artists in this catalogue share common traits – an obsession with the minutiae of nature, an unbreakable attachment to landscape, an immersion in the narrative tradition, and an inability to resist humour and affection for the quirky and mundane.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49753250562321,"sku":"NGR9781999314590","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53646548074769,"sku":"GOR014991179","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/199931459X.jpg?v=1750933438"},{"product_id":"sanctuary-artist-gardeners-1919-1939-book-christopher-woodward-9781999314552","title":"Sanctuary: Artist-Gardeners 1919-1939","description":"This publication concerns aspects of the garden as seen through the eyes of 35 20th-century British artists.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49918001053969,"sku":"GOR010728311","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1999314557.jpg?v=1751188105"}],"url":"https:\/\/www.worldofbooks.com\/en-ie\/collections\/author-books-by-paul-liss.oembed","provider":"World of Books ","version":"1.0","type":"link"}