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November, 3am, and two young lovers are about to meet on the Heathrow Express. A side street in an unknown city: Felix Morning wakes with no memory. In his pocket is a membership card for a nightclub, The Bunker. With the help of the beautiful Flick, he must recover what he has lost.  Deep into a dangerous love affair, Esther and Iain believe the other can replace what they each have lost – a heart, a gift – but is Esther’s price too high for Iain to pay, and can their love survive?  Who is Esther, where has she come from, and what has she got to do with the woman in the labyrinth? Does Flick belong to the past or to the future? What is memory, and what remains of us without it?  And She Was demands our attention, its startling and dazzling writing asking us to be carried away as we read, but returning us by its end to a place both resolved and transformed.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49514016932113,"sku":"GOR006793045","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1781381798.jpg?v=1751216267"},{"product_id":"red-wardrobe-book-sarah-corbett-9781854112163","title":"The Red Wardrobe","description":"Sarah Corbett is less interested in the everyday aspects of reality than in what moves beneath the surface of my own, and others' experience. This infuses her poems with mystery and with the intent of discovery. They resound with atmosphere and frequently invoke images from the natural world. Two notable themes (each with a series of poems) recur. The first is based on the author's experience of her mother's absence as a young child. In some poems the mother appears like a benevolent ghost, a figure the protagonist is always waiting for, in others she is more ambiguous, or even an imposter. The second major series derives from the author's childhood in rural Wales and her particular fascination for horses. 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Written from an intimate knowledge of the countryside of the Calder Valley, many of these poems respond to a landscape as beautiful as it is disquieting, troubled by a warming climate and by violence and loss both public and private. A central sequence - part found poem, part assemblage - draws on the Grasmere Journals of Dorothy Wordsworth, poems that question the nature of the visionary, the in-between worlds that this poet claims as her territory; here nature is held up as a mirror where we might see ourselves and our actions reflected. Over all haunts the presence-in-absence of Sylvia Plath, whose burial place the author can see from her bedroom window. 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From how to think about the medium itself, to looking at colour, fonts, size and message, here is inspiration for every detail of your creation. \u003c\/p\u003e \u003cp\u003eIn today's world it's easy to feel helpless, but here is a book to initiate debates rather than shouting matches, to enable collaboration in place of confrontation. Gentleness can be a great strength, and quiet action can sometimes speak as powerfully amid the noise as the loudest voice. 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In this little volume, Sarah Corbett introduces some of the ideas behind craftivism alongside how-to instructions for a selection of craftivist projects and hints and tips for beginners. 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