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Monster. Savage. Psycho. The glowering menace of Mike Tyson has spooked us for almost two decades. And still we remain fascinated. Why? Ellis Cashmore's answer is disturbing: white society has created Tyson as vengeance for the loss of privilege produced by civil rights.   Cashmore's eviscerating analysis of Tyson's life and the culture in which he grew up, rose to prominence and descended into disgrace provokes the reader into re-thinking the role of one of the most controversial and infamous figures of recent history. Told as an odyssey-style homeward journey to Tyson's multi-pathological origins in the racially-explosive ghettos of the 1960s, Tyson's story is part biography, part tragedy and part exposition. His associations with people like Al Sharpton, Don King and Tupac Shakur shaped his life; and events, such as the O J Simpson trial and the Rodney King riots, formed a turbulent background for the Tyson psychodrama.     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The second edition of Beckham updates the original’s arguments, covering the events that have shaped the Beckham phenomenon: the Flying Boot that symbolized the growing disquiet at Manchester United, the replacement of his first agents SFX with Simon Fuller (the creator of Pop Idol), the failed attempt to capture a US market, the growing presence of adidas, the sportswear giants, and the transfer saga that took Beckham to Madrid – and his influence beyond.     Among the other features of the second edition are chapters on: Manchester United, the club that provided Beckham with his first showcase; Rupert Murdoch’s takeover of British football; Beckham’s ambiguous sexual image and his gay following; the importance of Madonna in kick-starting the age of celebrity in which Beckham prospered; Beckham’s curious relationships with the legacy of Warhol.     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Nick Stevenson has written a sympathetic and critical study of one of the enduring stars of popular music. David Bowie is a subtle and accessible exploration of the complex cultures of celebrity.   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