{"title":"Theory And Interpretation Of Narrative","description":null,"products":[{"product_id":"why-we-read-fiction-book-lisa-zunshine-lisa-zunshine-9780814251515","title":"Why We Read Fiction","description":"\u003ci\u003eWhy We Read Fiction\u003c\/i\u003e offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as Theory of Mind and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson's\u003ci\u003e Clarissa\u003c\/i\u003e, Dostoyevski's \u003ci\u003eCrime and Punishment\u003c\/i\u003e, and Austen's \u003ci\u003ePride and Prejudice\u003c\/i\u003e to Woolf's \u003ci\u003eMrs. Dalloway\u003c\/i\u003e, Nabokov's \u003ci\u003eLolita\u003c\/i\u003e, and Hammett's\u003ci\u003e The Maltese Falcon\u003c\/i\u003e. Zunshine's surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49515837030673,"sku":"GOR008416056","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50304703955217,"sku":"CIN081425151XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50559308300561,"sku":"CIN081425151XVG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51892182581521,"sku":"NIN9780814251515","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52592346202385,"sku":"NLS9780814251515","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/081425151X.jpg?v=1751043679"},{"product_id":"unnatural-voices-book-brian-richardson-9780814251577","title":"Unnatural Voices","description":"Brian Richardson presents a study that explores in depth one of the most significant aspects of late modernist, avant-garde, and postmodern narrative. \u003ci\u003eUnnatural Voices\u003c\/i\u003e analyzes in depth the creation, fragmentation, and reconstitution of experimental narrative voices that transcend familiar first- and third-person perspectives. Going beyond standard theories that are based in rhetoric or linguistics, this book focuses on what innovative authors actually do with narration. Richardson identifies the wide range of unusual narrators, acts of narration, and dramas with the identity of the speakers in late modern, avant-garde, and postmodern texts that have not previously been discussed in a sustained manner from a theoretical perspective. He draws attention to the more unusual practices of Conrad, Joyce, and Woolf as well as the work of later authors like Beckett and recent postmodernists. \u003ci\u003eUnnatural Voices\u003c\/i\u003e chronicles the transformation of the narrator figure and the function of narration over the course of the twentieth century and provides chapters on understudied modes such as second-person narration, \"we\" narration, and multiperson narration. It explores a number of distinctively postmodern strategies, such as unidentified interlocutors, erased events, the collapse of one voice into another, and the varieties of postmodern unreliability. It offers a new view of the relations between author, implied author, narrator, and audience and, more significantly, of the \"unnatural\" aspects of fictional narration. Finally, it offers a new model of narrative that can embrace the many non- and anti-realist practices discussed throughout the book. \u003cb\u003eBrian Richardson\u003c\/b\u003e is professor of English at the University of Maryland.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49534153949457,"sku":"GOR013487931","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50245400690961,"sku":"CIN0814251579G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51008325124369,"sku":"NIN9780814251577","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52590278738193,"sku":"NLS9780814251577","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814251579.jpg?v=1763127988"},{"product_id":"imagining-minds-book-kay-young-9780814251744","title":"Imagining Minds","description":"Jane Austen, George Eliot, and Thomas Hardy three great masters of the English novel are three remarkable imagining minds.As readers of their novels, we feel ourselves to be in contact with their authorial minds and conjure the minds they create spread across the pages of their narrative worlds. In the way that we believe in and hold in mind the idea that other human beings have minds of their own do we as readers of the novel believe we are in the presence of these other minds. But how?Imagining Minds explores how the novels of Austen, Eliot, and Hardy create the felt-quality of their authoring minds and of the minds they author by bringing their writing in relation to cognitive neuroscience accounts of the mind-brain, especially of William James and Antonio Damasio. It is in that relational space between the novels and theories of mind-brain that Kay Young works through her fundamental claim: the novel writes about the nature of mind, narrates it at work, and stimulates us to know deepened experiences of consciousness in its touching of our reading minds.While, in addition to James and Damasio, Young draws on a range of theories of mind-brain generated by current research in philosophy, neuroscience, cognitive science, psychology, psychiatry, and psychoanalysis to help her understand the novel s imagining of mind, her claim is that those disciplines cannot themselves perform the more fully integrated because embodied and emotionally stimulating mind work of thenovel mind work that prompts us as their readers to better know our own minds.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49777383244049,"sku":"GOR013781609","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":49999528362257,"sku":"CIN0814251749G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51915496653073,"sku":"CIN0814251749VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814251749.jpg?v=1750915007"},{"product_id":"narrative-bonds-book-alexandra-valint-9780814214633","title":"Narrative Bonds","description":"\u003cdiv\u003eWhile narrative fracturing, multiplicity, and experimentalism are commonly associated with modernist and postmodern texts, they have largely been understudied in Victorian literature. \u003ci\u003eNarrative Bonds: Multiple Narrators in the Victorian Novel\u003c\/i\u003e focuses on the centrality of these elements and address the proliferation of multiple narrators in Victorian novels. 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Integrating narrative theory, gothic theory, and disability studies with analyses of works by Charles Dickens, Robert Louis Stevenson, Wilkie Collins, Emily Brontë, and Bram Stoker, this comprehensive and illuminating study illustrates the significance and impact of the multi-narrator structure in Victorian novels.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51157359853841,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51157365555473,"sku":"NGR9780814214633","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51500950618385,"sku":"GOR014305179","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52123849752849,"sku":"NLS9780814214633","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814214630.jpg?v=1750745556"},{"product_id":"surprised-by-shame-book-deborah-a-martinsen-9780814259030","title":"Surprised by Shame","description":"\u003cdiv\u003e \u003cp\u003eIn \u003ci\u003eSurprised by Shame,\u003c\/i\u003e Deborah A. 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The first section applies unnatural narrative theory and analysis to ideologically charged areas such as feminism, postcolonial studies, cultural alterity, and subaltern discourse. The book goes on to engage with and intervene in theoretical debates in several areas of both critical theory and narrative theory, including affect studies, immersion, narration, character theory, frames, and theories of reception and interpretation. Antimimetic perspectives are also extended to additional fields, including autobiography, graphic narratives, drama and film, performance studies, and interactive gamebooks. 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Drawing on the narratological concept of focalization, which describes the filtering of a story through the minds of characters and narrators, Silke Horstkotte and Nancy Pedri analyze comics from a range of genres, including graphic memoir, graphic historiography, silent comics, and metafictional comics. Through a series of close readings--including Jason Lutes's \u003ci\u003eBerlin\u003c\/i\u003e, Charles Burns's \u003ci\u003eBlack Hole\u003c\/i\u003e, Ellen Forney's \u003ci\u003eMarbles\u003c\/i\u003e, Eric Drooker's \u003ci\u003eFlood!\u003c\/i\u003e, and Craig Thompson's \u003ci\u003eHabibi\u003c\/i\u003e--Horstkotte and Pedri argue that the visual form of comics storytelling is uniquely suited to invite readers into storyworld experiences. The authors break down the ways focalization in comics is cued by features such as color, style, panel size and positioning, and genre--showing how these features regulate how readers access the experiences of characters and narrators.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51887020769553,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51887020835089,"sku":"NIN9780814215029","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52453124866321,"sku":"NLS9780814215029","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814215029.jpg?v=1772708385"},{"product_id":"novelization-book-jan-baetens-9780814254738","title":"Novelization","description":"\u003cdiv\u003eStudies of adaptation from novels to film are common, but not as widely known are adaptations with the opposite relationship. In \u003ci\u003eNovelization: From Film to Novel\u003c\/i\u003e, Jan Baetens explores how transforming an original film or screenplay into a novel establishes a new genre and revises our understanding of narrative theory more broadly. A typical example of popular literature, novelization has remained an overlooked practice in spite of the cultural and commercial importance of the genre, which is as old as cinema itself.\u003cbr\u003e   \u003cbr\u003e \u003ci\u003eNovelization\u003c\/i\u003e offers a historical overview of the genre, focusing on the various formats that have been adopted since the first decades of the twentieth century until today: daily and weekly novelizations, cheap brochures, pocket books, and trade editions. It studies the specific features of the genre from various points of view: narrative style, illustrations, authorship, and marketing. By studying novelization from a broad historical perspective, Baetens reframes our understanding of adaptation and the relationship between cinema and literature. Rather than assume that cinematic adaptations either cannibalize or rejuvenate literature, \u003ci\u003eNovelization\u003c\/i\u003e ultimately offers the opportunity to rethink the adaptation paradigm of film and literary studies.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52088867094801,"sku":"NLS9780814254738","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814254738.jpg?v=1756904489"},{"product_id":"social-minds-in-the-novel-book-alan-palmer-9780814211410","title":"Social Minds in the Novel","description":"\u003cp\u003eSocial Minds in the Novel is the highly readable sequel to Alan Palmer s award-winning and much-acclaimed Fictional Minds. Here he argues that because of its undue emphasis on the inner, introspective, private, solitary, and individual mind, literary theory tells only part of the story of how characters in novels think. In addition to this internalist view, Palmer persuasively advocates an externalist perspective on the outer, active, public, social, and embodied mind. His analysis reveals, for example, that a good deal of fictional thought is intermental joint, group, shared, or collective.Social Minds in the Novel\u003c\/p\u003e\u003cp\u003eSocial minds are not of marginal interest; they are central to our understanding of fictional storyworlds. The purpose of this groundbreaking and important book is to put the complex and fascinating relationship between social and individual minds at the heart of narrative theory. The book will be of interest to scholars in narrative theory, cognitive poetics or stylistics, cognitive approaches to literature, philosophy of mind, social psychology, and the nineteenth-century novel.focuses primarily on the epistemological and ethical debate in the nineteenth-century novel about the extent of our knowledge of the workings of other minds and the purposes to which this knowledge should be put. Palmer s illuminating approach is pursued through skillful and provocative readings of Bleak House, Middlemarch, and Persuasion, and, in addition, Evelyn Waugh s Men at Arms and Ian McEwan s Enduring Love.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52099570925841,"sku":"GOR007264154","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814211410.jpg?v=1757086444"},{"product_id":"novelization-book-jan-baetens-9780814213674","title":"Novelization","description":"\u003cdiv\u003eStudies of adaptation from novels to film are common, but not as widely known are adaptations with the opposite relationship. In \u003ci\u003eNovelization: From Film to Novel\u003c\/i\u003e, Jan Baetens explores how transforming an original film or screenplay into a novel establishes a new genre and revises our understanding of narrative theory more broadly. 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A function, in this theory, is a position in a causal sequence. A set of functions provides a vocabulary to analyze and compare interpretations of the causes and consequences of events-in our world, in narratives about our world, and in fictional narratives. Focusing throughout on the temporal dimension of the cognitive process, this study considers perceivers' interpretations of causality in response to nonfiction as well as to fiction, to visual as well as to verbal communication, and to events we perceive directly as well as to reported events. Many of the narratives analyzed are fictional and range from fairy tales to canonical literature (Shakespeare, Poe, Henry James, Kafka, Racine, Balzac) to recent novels (Robbe-Grillet, Sebald). But in the same ways that fictional narratives guide readers' interpretations of causality, so too, the author reminds and warns us, do the newspaper accounts, friends' stories, and other narratives through which we learn about events in our world. 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While narrative theory has for some time recognized the importance of context in the analysis of fiction, this recognition has not quickly translated into substantial work in fields like postcolonialism, where situated questions of value and ideology have been brought to the fore. Postcolonial criticism, on the other hand, has often neglected the formal qualities of fiction in preference for ideological thematic interpretations, precisely because of the suspect legacy of formalism. The volume, then, stages a meeting between these two fields, negotiating both narratological and postcolonialist concerns by addressing specific features of narrative form and technique in the ideological analysis of key postcolonial texts. \u003cp\u003e\u003c\/p\u003e The thirteen essays in \u003ci\u003eNarratology and Ideology\u003c\/i\u003e offer compelling readings of individual novels, with a focus upon South Asian literature, that provide a cumulative case study on the value of postcolonial narratology. The essays show not only how narrative theory can be productively applied in service of postcolonial criticism but also how such attention to postcolonial fictions can challenge and refine our theoretical understanding of narrative.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52135124730129,"sku":"NLS9780814254752","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814254752.jpg?v=1757547321"},{"product_id":"unnatural-narratology-book-jan-alber-9780814255643","title":"Unnatural Narratology","description":"\u003cdiv\u003e\n\u003ci\u003eUnnatural Narratology: Extensions, Revisions, and Challenges\u003c\/i\u003e offers a number of developments, refinements, and defenses of key aspects of unnatural narrative studies. The first section applies unnatural narrative theory and analysis to ideologically charged areas such as feminism, postcolonial studies, cultural alterity, and subaltern discourse. The book goes on to engage with and intervene in theoretical debates in several areas of both critical theory and narrative theory, including affect studies, immersion, narration, character theory, frames, and theories of reception and interpretation. Antimimetic perspectives are also extended to additional fields, including autobiography, graphic narratives, drama and film, performance studies, and interactive gamebooks. Written by an international assemblage of distinguished and emerging narrative scholars and theorists, this collection promises to greatly enhance the study of narrative and further advance the frontiers of narrative theory.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52137163587857,"sku":"NLS9780814255643","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814255643.jpg?v=1763127143"},{"product_id":"suture-and-narrative-book-george-butte-9780814253939","title":"Suture and Narrative","description":"\u003cdiv\u003e \u003cp\u003e\u003ci\u003eSuture and Narrative: Deep Intersubjectivity in Fiction and Film\u003c\/i\u003e by George Butte offers a new phenomenological understanding of how fiction and film narratives use particular techniques to create and represent the experience of community. Butte turns to the concept of suture from Lacanian film theory and to the work of Merleau-Ponty to contribute a deeper and broader approach to intersubjectivity for the field of narrative theory.\u003c\/p\u003e \u003cp\u003eButte's approach allows for narratives that represent insight as well as blindness, love, and loss, locating these connections and disconnections in narratological techniques that capture the crisscrossing of perspectives, such as those in fiction's free indirect discourse and in the oblique angle of film's shot\/reverse shot convention. Butte studies the implications of this chiasmus in the novels and film adaptations of later Henry James works, Barrie's Peter Pan tales and film adaptations, and the films \u003ci\u003eSilence of the Lambs\u003c\/i\u003eand \u003ci\u003eNothing But a Man\u003c\/i\u003e. Suture's story in the twentieth century, according to Butte, is a story of the loss of immediacy and community. Yet in concluding this, Butte finds optimism in the Coen brothers' \u003ci\u003eRaising Arizona\u003c\/i\u003e as well as in \u003ci\u003eWhy Be Happy When You Could Be Normal?\u003c\/i\u003e by Jeanette Winterson and Marc Webb's film \u003ci\u003e(500) Days of Summer\u003c\/i\u003e.\u003c\/p\u003e \u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52335240446225,"sku":"NLS9780814253939","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814253939.jpg?v=1758159417"},{"product_id":"aesthetics-of-narrative-performance-book-claudia-breger-9780814252574","title":"An Aesthetics of Narrative Performance","description":"\u003cdiv\u003eThe contemporary moment has been described in terms of both a \"narrative\" and a \"performative turn,\" but the overlap between these two has largely escaped attention. This curious gap is explained by the ways in which scholars across the humanities have defined narrative and performance as opposite forces, emphasizing their respective affiliations with time vs. space and identity constitution vs. its undoing. Although the opposition has been acknowledged as false by many in this simple form, its shifting instantiations continue to shape the ways we make sense of the arts as well as society. Instead, \u003ci\u003eAn Aesthetics of Narrative Performance: Transnational Theater, Literature, and Film in Contemporary Germany\u003c\/i\u003e by Claudia Breger maps the complexities of imaginative worldmaking in contemporary culture through an aesthetics of narrative performance: an ensemble of techniques exploring the interplay of rupture and recontextualization in the process of configuration. 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These readings focus on the rich configurations of contemporary worldmaking \"at location Germany.\" In the discussed representations of German unification, contemporary cultures of migration, and the transnational War on Terror, the aesthetics of narrative performance finds its identity as a multifaceted imaginative response to the post\/modern crisis of narrative authority.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52336014033169,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52336014491921,"sku":"NLS9780814252574","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814252574.jpg?v=1758161970"},{"product_id":"contemporary-french-and-francophone-narratology-book-john-pier-9780814256046","title":"Contemporary French and Francophone Narratology","description":"\u003cdiv\u003e \u003cp\u003eThe essays included in this collection seek to take the pulse of recent developments in narratological research in the French-speaking countries. Theorists in these countries heavily participated in and shaped narratology, an outgrowth of the structuralist movement during the 1960s and 1970s. While US, German, and Scandinavian theorists took the forefront in the 1990s, narratology in France faded into the background. It was not until the turn of the century that a new interest in narratological issues among French researchers emerged. Activity in the field has since intensified, spurred on, in part, by the realization that narratology cannot be summed up by its formalist and structuralist origins.\u003cbr\u003e \u003cbr\u003e Well-versed in French narrative theory, both classical and more recent, the authors in this collection also draw on scholarship coming from other research traditions. The result is that these contributions offer a number of syntheses and perspectives representative of recent French-language scholarship in the field that readers may not be familiar with or that provide them with further insight into subjects they may have encountered in other contexts. This volume will leave readers with a greater awareness of the directions taken by present-day French-language narratology as well as new and developing themes in narrative theory generally.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eContributors\u003c\/b\u003e\u003cbr\u003e Raphaël Baroni, Denis Bertrand, Olivier Caïra, Claude Calame, Benoît Hennaut, Françoise Lavocat, Sylvie Patron, John Pier, Françoise Revaz, and Richard Saint-Gelais\u003c\/p\u003e \u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52336193896721,"sku":"NLS9780814256046","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814256046.jpg?v=1780566997"},{"product_id":"narrative-in-the-anthropocene-book-erin-james-9780814215074","title":"Narrative in the Anthropocene","description":"\u003cdiv\u003eIn \u003ci\u003eNarrative in the Anthropocene\u003c\/i\u003e, Erin James poses two complementary questions: What can narrative teach us about our current geological epoch, defined and marked by the irrevocable activity of humans on the Earth's geology and ecosystems? and What can our current geological epoch teach us about narrative? Drawing from a wide range of sources--including Jane Austen's \u003ci\u003eMansfield Park\u003c\/i\u003e, Maria Popova's collective biography \u003ci\u003eFiguring\u003c\/i\u003e, Richard McGuire's graphic novel \u003ci\u003eHere\u003c\/i\u003e, Indigenous and Afrofuturist speculative fiction, and more--James argues that a richer understanding of the forms and functions of narrative in the Anthropocene provides us with invaluable insight into how stories shape our world. At the same time, she contends that the Anthropocene alters the very nature of narrative. Throughout her exploration of these themes, James lays the groundwork for an \"Anthropocene narrative theory,\" introducing new modes of reading narrative in the Anthropocene; new categories of narrative time, space, narration, and narrativity; and a new definition of narrative itself as a cognitive and rhetorical tool for purposeful worldbuilding.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52349144432913,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52349148201233,"sku":"NLS9780814215074","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814215074.jpg?v=1772099266"},{"product_id":"digital-fiction-and-the-unnatural-book-astrid-ensslin-9780814214565","title":"Digital Fiction and the Unnatural","description":"\u003ci\u003eDigital Fiction and the Unnatural: Transmedial Narrative Theory, Method, and Analysis\u003c\/i\u003e offers the first comprehensive and systematic theoretical, methodological, and analytical examination of unnatural narratology as a medium-specific and transmedial phenomenon. It applies and adapts key concepts of narrative theory and analysis to digital-born fictions ranging from hypertext and interactive fiction to 3D-narrative video games, app fiction, and virtual reality. The book addresses the unique affordances of digital fiction by focusing on multilinearity and narrative contradiction, interactional metalepsis, impossible time and space, extreme digital narration, and medium-specific forms of textual you. In so doing, the book refines, critiques, and expands unnatural, cognitive, and transmedial narratology by placing the form of these new narratives front and center.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52401556652305,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52401557274897,"sku":"NLS9780814214565","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814214565.jpg?v=1758755055"},{"product_id":"environment-and-narrative-book-erin-james-9780814214206","title":"Environment and Narrative","description":"\u003cdiv\u003eNever before has a collection of original essays strived to create such constructive, shared discourse between ecocritical, narrative scholars and environmental humanities scholars interested in narrative. Erin James and Eric Morel's volume \u003ci\u003eEnvironment and Narrative: New Directions in Econarratology\u003c\/i\u003e explores the complexity of pairing material environments and their representations with narrative forms of understanding.\u003cbr\u003e To explore the methodological possibilities within \"econarratology,\" the contributors evaluate the mechanics of how narratives convey environmental understanding via building blocks such as the organization of time and space, characterization, focalization, description, and narration. They also query how readers emotionally and cognitively engage with such representations and how the process of encountering different environments in narratives stands to affect real-world attitudes and behaviors. 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But with the proliferation of antimimetic writing, traditional narrative theory has been inadequate for conceptualizing and theorizing a vast body of innovative narratives. In \u003ci\u003eA Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives\u003c\/i\u003e, Brian Richardson proposes a new model for evaluating literature--returning to the basis of narrative theory to illuminate how authors play with and help clarify the boundaries of narrative theory. While he focuses on late modernist, postmodern, and contemporary narratives, the study also includes many earlier works, spanning from Aristophanes and Shakespeare through James Joyce and Virginia Woolf to Salman Rushdie and Angela Carter.\u003cbr\u003e \u003cbr\u003e By exploring fundamental questions about narrative, Richardson provides a detailed, nuanced, and comprehensive theory that includes neglected categories of storytelling and significantly enhances our treatment of traditional areas of analysis. Ultimately, this book promises to transform and expand the study of story and plot.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52403899629841,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52403900285201,"sku":"NLS9780814255544","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814255544.jpg?v=1763041814"},{"product_id":"writer-in-the-well-book-gary-weissman-9780814253748","title":"The Writer in the Well","description":"\u003cdiv\u003eIn \u003ci\u003eThe Writer in the Well: On Misreading and Rewriting Literature\u003c\/i\u003e, Gary Weissman takes readers inside Ira Sher's short story \"The Man in the Well,\" about a group of children who discover a man trapped in an old well and decide not to help him. While absorbing readers in the pleasurable activity of interpreting this haunting tale, Weissman draws on dozens of his students' responses to the short story, as well as his dialogue with its author, to show that the deepest engagement with literature occurs when we approach literary analysis as a collaborative enterprise conducted largely through writing.\u003cbr\u003e Rethinking the methods and goals of literary analysis, Weissman's study redefines the nature of authorial intention and reconceives literary interpretation as a writing-based practice. By integrating writing pedagogy with older and newer schools of thought--from psychoanalytic, reader-response, and poststructuralist theories to rhetorical narrative theory and cognitive literary studies--and bridging the fields of literary studies, composition and rhetoric, and creative writing, \u003ci\u003eThe Writer in the Well\u003c\/i\u003e  argues that the richest understanding of a literary work lies in probing how it has been misinterpreted and reconceived and offers a new \"writer-response theory.\"\u003cbr\u003e This highly accessible and thought-provoking book, which includes the full text of Sher's \"The Man in the Well,\" is designed to engage scholars, teachers, students, and avid readers of literature.\u003cbr\u003e  \u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52405132755217,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52405133410577,"sku":"NLS9780814253748","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814253748.jpg?v=1758766243"},{"product_id":"writer-in-the-well-book-gary-weissman-9780814213193","title":"The Writer in the Well","description":"\u003cdiv\u003eIn \u003ci\u003eThe Writer in the Well: On Misreading and Rewriting Literature\u003c\/i\u003e, Gary Weissman takes readers inside Ira Sher's short story \"The Man in the Well,\" about a group of children who discover a man trapped in an old well and decide not to help him. 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In modern entertainment formats, seriality and popularity can seem so obviously connected that scholarship has long neglected to address their specific interrelations. This volume looks closely at the relationship between seriality, popularity, media, and narrative form and asks: What are the structural conditions of serial stories? Which historical circumstances are presupposed or supported by series and serials? How do commercial types of seriality differ from serial structures in other cultural fields?\u003cbr\u003e \u003ci\u003eMedia of Serial Narrative \u003c\/i\u003efocuses on key sites and technologies of popular seriality since the mid-nineteenth century and up to today: newspapers, comics, cinema, television, and digital communication. Paying close attention to the affordances of individual media, as well as to their historical interactions, the fourteen chapters survey the forms, processes, and functions of popular serial storytelling. With individual chapters by Frank Kelleter, Jared Gardner, Daniel Stein, Christina Meyer, Scott Higgins, Shane Denson, Ruth Mayer, Kathleen Loock, Constantine Verevis, Jason Mittell, Sudeep Dasgupta, Sean O'Sullivan, Henry Jenkins, Christine Hämmerling, Mirjam Nast, and Andreas Sudmann, \u003ci\u003eMedia of Serial Narrative \u003c\/i\u003eis an exciting and broad-ranging intervention in the fields of seriality, media, and narrative studies.\u003cbr\u003e  \u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52430997192977,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52430997782801,"sku":"NLS9780814253991","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814253991.jpg?v=1776938121"},{"product_id":"return-of-the-omniscient-narrator-book-paul-dawson-9780814252598","title":"The Return of the Omniscient Narrator","description":"\u003cdiv\u003e\n\u003ci\u003eThe Return of the Omniscient Narrator: Authorship and Authority in Twenty-First Century Fiction\u003c\/i\u003e by Paul Dawson argues that the omniscient narrator, long considered a relic of the eighteenth- and nineteenth-century novel, has reemerged as an important feature of contemporary British and American literary fiction. 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Essays range in focus from musical narrativity and rhetorical narrative theory to comic strips and re-examinations of classical and postclassical narratology. All of the essays contribute fresh understandings of foundational concepts in the field of narratology.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52475793867025,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52475795013905,"sku":"NLS9780814212967","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814212967.jpg?v=1759843077"},{"product_id":"reading-conrad-book-j-hillis-miller-9780814254356","title":"Reading Conrad","description":"\u003cdiv\u003eFor half a century, J. Hillis Miller has been a premier figure in English and comparative literature, influencing and leading the direction of literary studies. What is less well-known is that he has been equally influential in Conrad studies with his work on nihilism, language, and narrative in Joseph Conrad's fiction. Returning to Conrad at different stages of his long career--reading and rereading him in light of new critical trends--Miller continually discovered new aspects of the influential author's fiction. This volume, edited by John G. Peters and Jakob Lothe, charts Miller's shifting insights into Joseph Conrad's fiction and also highlights the potential of Conrad studies to illuminate core questions in studies of narrative theory, aesthetics, and history.\u003cbr\u003e  \u003cbr\u003e \u003ci\u003eReading Conrad\u003c\/i\u003e by J. Hillis Miller demonstrates a surprising cohesiveness across Miller's career as well as the richness of Conrad's fiction, which affords varied opportunities for critical approaches as different as phenomenology, new criticism, deconstruction, narrative theory, and narrative ethics. Miller's analyses emphasize literature's rhetorical and performative power, ultimately suggesting that while narrative fiction is an effect of a series of complex phenomena in society and in the human psyche, as literary language it can also refer to the external world indirectly and contribute to the formation of history from within. \u003cbr\u003e  \u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52480453476625,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52480454918417,"sku":"NLS9780814254356","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814254356.jpg?v=1776938217"},{"product_id":"narrative-theory-unbound-book-robyn-r-warhol-9780814212806","title":"Narrative Theory Unbound","description":"\u003cdiv\u003eUnder the bold banner of \u003ci\u003eNarrative Theory Unbound: Queer and Feminist Interventions,\u003c\/i\u003e editors Robyn Warhol and Susan S. Lanser gather a diverse spectrum of queer and feminist challenges to the theory and interpretation of narrative. The first edited collection to bring feminist, queer, and narrative theories into direct conversation with one another, this anthology places gender and sexuality at the center of contemporary theorizing about the production, reception, forms, and functions of narrative texts.      Through twenty-one essays prefaced by a cogent history of the field, \u003ci\u003eNarrative Theory Unbound\u003c\/i\u003e offers new perspectives on narrative discourse and its constituent elements; on intersectional approaches that recognize race, religion, and national culture as integral to understanding sexuality and gender; on queer temporalities; on cognitive research; and on lifewriting in graphic, print, and digital constellations. 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Weese explores intersections among rhetorical, unnatural, and feminist narrative theories and post-postmodern theory to argue that an expanded rhetorical poetics offers the most comprehensive model for illuminating recent works that employ unnatural devices for feminist purposes. This pluralist narratological framework is a vital counterpoint to theorists' tendency to read twentieth- and twenty-first-century novels through a post-postmodernist or metamodernist lens that overlooks unnatural, feminist, and rhetorical narrative theories.\u003cbr\u003e \u003cbr\u003e Examining Ali Smith's \u003ci\u003eThe Accidental\u003c\/i\u003e and \u003ci\u003eHotel World,\u003c\/i\u003e Barbara Kingsolver's \u003ci\u003eThe Poisonwood Bible,\u003c\/i\u003e Toni Morrison's \u003ci\u003eBeloved,\u003c\/i\u003e Kate Atkinson's \u003ci\u003eA God in Ruins\u003c\/i\u003e and \u003ci\u003eLife After Life,\u003c\/i\u003e and Ruth Ozeki's \u003ci\u003eA Tale for the Time Being,\u003c\/i\u003e Weese demonstrates how various narratological theories inform rather than compete with one another. Through an expanded rhetorical poetics, including a refined version of James Phelan's MTS (mimetic, thematic, synthetic) model, she reframes post-postmodern theorists' concerns with communicative function through a narratological lens to make the case that exploring the rhetorical function of unnatural devices challenges and extends the claims of narrow metamodern readings.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52532018118929,"sku":"NLS9780814215999","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814215999.jpg?v=1760659069"},{"product_id":"invisible-author-book-christine-brooke-rose-9780814253113","title":"Invisible Author","description":null,"brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52543199117585,"sku":"NLS9780814253113","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814253113.jpg?v=1760689864"},{"product_id":"audionarratology-book-lars-bernaerts-9780814214725","title":"Audionarratology","description":"\u003cdiv\u003eRadio drama has been around for more than one hundred years and is still vibrant in many countries. A narrative-dramatic genre and art form in its own right, radio drama has traditionally crossed medial and generic boundaries and continues to do so in our age of digitization. \u003ci\u003eAudionarratology: Lessons from Audio Drama,\u003c\/i\u003e edited by Lars Bernaerts and Jarmila Mildorf, explores radio drama from a narratological angle. The contributions cover key questions surrounding audiophonic meaning-making, storyworld creation, mediation, focalization, suspense, unreliability, and ambiguity as well as the relationship between script and performance, seriality, antinarrative tendencies, and radio drama's political implications now and in its early days. The book thus explores the interplay between sound, voices, music, language, silence, electroacoustic manipulation, and narrative structures. Providing examples from American, Australian, British, Dutch, and German radio drama--such as \u003ci\u003eI Love a Mystery\u003c\/i\u003e, \u003ci\u003eThe War of the Worlds, and\u003c\/i\u003e\u003ci\u003eThe\u003c\/i\u003e\u003ci\u003eHitchhiker's Guide to the Galaxy\u003c\/i\u003e--this book has important insights for scholars working in transmedial narratology, media studies, literary and cultural studies, theatre and performance studies, and communication studies as well as for practitioners and lovers of radio drama alike.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52586744611089,"sku":"NLS9780814214725","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814214725.jpg?v=1761055056"},{"product_id":"with-bodies-book-marco-caracciolo-9780814214800","title":"With Bodies","description":"\u003cdiv\u003eWe read not only with our eyes and minds, but with our entire body. 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Susanne Keen traces his reading from his early twenties until his old age in sources such as \u003ci\u003eThe Literary Notebooks,\u003c\/i\u003e collections of reading notes made by Hardy from the 1860s onward. In showing how Hardy the reader informed Hardy the novelist and poet, she gives new insight into the unusual techniques Hardy used to represent fictional consciousness in his fiction and shows how the image schemas in his poetry embody his convictions.\u003cbr\u003e \u003cbr\u003e This study reveals how Hardy made sense of diverse sources of an affective human psychology, a discipline that expanded significantly during Hardy's working life. From the 1870s to the turn of the twentieth century, the tools and techniques for studying the structures and function of the nervous system developed rapidly. 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What makes a narrative slow, and what conceptual and analytical tools are best suited to account for this slowness? Is slowness a feature of certain narratives, an experiential response to these narratives, or both? How is narrative slowness related to the pace and rhythm of plot, and how does it carry cultural significance?\u003cbr\u003e \u003cbr\u003e \u003ci\u003eSlow Narrative across Media\u003c\/i\u003e illuminates the concept of slow narrative and demonstrates how it manifests across media forms: from short stories to novel cycles, to comics, to music, to experimental film. 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Lanser gather a diverse spectrum of queer and feminist challenges to the theory and interpretation of narrative. The first edited collection to bring feminist, queer, and narrative theories into direct conversation with one another, this anthology places gender and sexuality at the center of contemporary theorizing about the production, reception, forms, and functions of narrative texts.   \u003cbr\u003e  \u003cbr\u003e Through twenty-one essays prefaced by a cogent history of the field, \u003ci\u003eNarrative Theory Unbound\u003c\/i\u003e offers new perspectives on narrative discourse and its constituent elements; on intersectional approaches that recognize race, religion, and national culture as integral to understanding sexuality and gender; on queer temporalities; on cognitive research; and on lifewriting in graphic, print, and digital constellations. 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Thus far, space has traditionally been viewed by narratologists as a backdrop to plot. This study argues that space serves important but under-explored narrative roles: It can be a focus of attention, a bearer of symbolic meaning, an object of emotional investment, a means of strategic planning, a principle of organization, and a supporting medium.\u003cbr\u003e Space intersects with narrative in two principal ways: ''Narrating space'' considers space as an object of representation, while ''spatializing narrative'' approaches space as the environment in which narrative is physically deployed. The inscription of narrative in real space is illustrated by such forms as technology-supported locative narratives, street names, and historical\/heritage site and museum displays. While narratologists are best equipped to deal with the narration of space, geographers can make significant contributions to narratology by drawing attention to the spatialization of narrative. 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Marsh examines the familiar, overt plot of the motherless daughter growing into maturity and argues that it is accompanied by a covert plot. Marsh's insightful analyses of nineteenth- and twentieth-century Anglophone novels reveal that these novels are far richer and more complexly layered than the overt plot alone suggests. According to Marsh, as the daughter approaches adulthood and marriage, she seeks validation for her pleasure in her mother's story. However, because the mother's pleasure is taboo under patriarchy and is therefore unnarratable, the daughter must seek her mother's story by repeating it. 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Byram proposes a new category--the dynamic observer form--to describe a narrative situation that emerges when stories about others become an avenue to negotiate a narrator's own identity across past and present. Focusing on German-language fiction from the nineteenth and twentieth centuries, Byram demonstrates how the dynamic observer form highlights historical tensions and explores the nexus of history, identity, narrative, and ethics in the modern moment. \u003ci\u003eEthics and the Dynamic Observer Narrator\u003c\/i\u003e contributes to scholarship on both narrative theory and the historical and cultural context of German and Austrian literary studies. Narrative theory, according to Byram, should understand this form to register complex interactions between history and narrative form. 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In this manner the essays manage to produce new insights into many key issues in narratology. \u003cp\u003eThe contributors also demonstrate that narratologists nowadays see the object of their research as more variegated than was the case twenty years ago: they resort to a number of different methods in combination when approaching a problem, and they tend to ground their analyses in a rich contextual framework.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52599028711697,"sku":"NLS9780814251751","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814251751.jpg?v=1761077313"},{"product_id":"with-bodies-book-marco-caracciolo-9780814258088","title":"With Bodies","description":"\u003cdiv\u003eWe read not only with our eyes and minds, but with our entire body. 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