Art Incorporated
Art Incorporated
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Summary
An attempt to define what is 'contemporary' about contemporary art, and the changes that have taken place in the last 20 years. Stallabrass reveals the inclusiveness of the contemporary art world, pointing to the greatly increased visibility for women and non-western artists, and the blurring of boundaries between art and other areas of culture.
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Art Incorporated by Julian Stallabrass
Tunnels and sculptures made from human hair; photos of rats running through drains, sharks in formaldehyde - is this what art is about today? This is a controversial and fascinating attempt to define what is 'contemporary' about contemporary art, and the dramatic changes that have taken place in the last twenty years. Stallabrass reveals the growing inclusiveness of the contemporary art world, pointing to the greatly increased visibility for women and non-western artists, and the blurring of boundaries between art and other areas of culture. Does this modernization threaten to undermine the world of art as we know it, or is this just another example of a global market demanding a certain product? And where are the artists in all this?
CYJO, born 1974 in Seoul, is a Korean American who immigrated to the US in 1976. Her most recent work, Substructure, is a photographic, textual, and video portrait series documenting fifty Chinese immigrants in Beijing. CYJO's work has been exhibited nationally and internationally at the Smithsonian's National Portrait Gallery, Washington, D.C., T. Art Center, Beijing and The Korea Society, New York. Her work has been featured in numerous publications and broadcasts including A+A Magazine, ELLE Korea, Eloquence Magazine, Global Times, La Lettre De La Photographie, The New York Times, Vision Magazine, CBS News and PBS Sunday Arts News. She has lectured at The KACC, The 3rd Asian American Conference, The Korea Society, Miami University, The New York Life Company, NYU APA, Overseas Korean Foundation and The Rubin Museum of Art.
MARIE MYUNG-OK LEE teaches at the Center for the Study of Race & Ethnicity in America at Brown University. Founder and former board president of the Asian American Writers' Workshop, she is the author of the novel Somebody's Daughter. Her fiction has appeared in The Kenyon Review, Witness, The American Voice, TriQuarterly, Guernica, and she has won fellowships from the MacColl Johnson Foundation, the Rhode Island State Council on the Arts, and a honorable mention in the O. Henry Awards. Essays and reporting have appeared in The New York Times, The New York Times Magazine, Newsweek, The Washington Post, The Los Angeles Times, The Atlantic, and Slate.
JULIAN STALLABRASS is a writer, curator, photographer and professor in Art
History at the Courtauld Institute of Art. Author of Art Incorporated, Internet Art, Paris Pictured, and Gargantua, Stallabrass writes regularly for publications including Tate, Art Monthly and the New Statesman. Board member of Art History, New Left Review and Third Text, he curated the 2008 Brighton Photo Biennial, Memory of Fire: Images of War and the War of Images.
MARIE MYUNG-OK LEE teaches at the Center for the Study of Race & Ethnicity in America at Brown University. Founder and former board president of the Asian American Writers' Workshop, she is the author of the novel Somebody's Daughter. Her fiction has appeared in The Kenyon Review, Witness, The American Voice, TriQuarterly, Guernica, and she has won fellowships from the MacColl Johnson Foundation, the Rhode Island State Council on the Arts, and a honorable mention in the O. Henry Awards. Essays and reporting have appeared in The New York Times, The New York Times Magazine, Newsweek, The Washington Post, The Los Angeles Times, The Atlantic, and Slate.
JULIAN STALLABRASS is a writer, curator, photographer and professor in Art
History at the Courtauld Institute of Art. Author of Art Incorporated, Internet Art, Paris Pictured, and Gargantua, Stallabrass writes regularly for publications including Tate, Art Monthly and the New Statesman. Board member of Art History, New Left Review and Third Text, he curated the 2008 Brighton Photo Biennial, Memory of Fire: Images of War and the War of Images.
| SKU | Unavailable |
| ISBN 13 | 9780192801654 |
| ISBN 10 | 0192801651 |
| Title | Art Incorporated |
| Author | Julian Stallabrass |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Oxford University Press |
| Year published | 2004-10-07 |
| Number of pages | 256 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |