Defining Russia Musically by Richard Taruskin

Defining Russia Musically by Richard Taruskin

In this text, musicologist Richard Taruskin uses music, together with history and politics, to illustrate the many ways in which Russian national identity has been constructed, both from within Russia and from the Western perspective. He contends that it is through music that the powerful myth of Russia's national character can best be understood. The book begins by showing how enlightened aristocrats, reactionary romantics and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. It then examines how Russia as a whole shaped its identity in contrast to an "East" during the age of its imperialist expansion, and in contrast to two different musical "Wests" - Germany and Italy, during the formative years of its national consciousness. The final section of the book, expanded from a series of Christian Gauss seminars presented at Princeton in 1993, focuses on four individual composers, each characterized both as a self-consciously Russian creator and as a European, and each placed in perspective within a revealing hermeneutic scheme.

"Richard Taruskin – 2017 Kyoto Prize Laureate in Arts and Philosophy, Prize Field: Music, Inamori Foundation"
"One of Choice's Outstanding Academic Titles for 1997"
"A passionate vision of what Russian music has meant both as an expression and as a shaping force of the country's character. . . [Taruskin is] an exceptionally gifted critic. . . . [T]he connections between technique and expression are formidably argued, and it is the capacity to do this, with patience and depth of understanding and with a vast knowledge of the literature, that gives Taruskin's criticism its quality."---John Warrack, Time Literary Supplement
"Taruskin's work is far too rich and multi-layered, steeped in Russian intellectual history, literature, and culture, even to synopsize in a short review. . . . His newest book is essential for musicologists wishing to understand Russia's place in music, and for Slavists wishing to understand music's place in Russia."---Robert W. Oldani, The Russian Review
"More than a musicologist, Richard Taruskin is a cultural critic who deserves non-scholarly readers. His brilliant and alarmingly timely book Defining Russia Musically is about the battle for a nation's soul--fought between Europe and Asia, modernity and primitivism--in the music of Tchaikovsky and Shostakovich."---Peter Conrad, The Observer
"Taruskin's hallmarks are evident throughout: research of almost astonishing breadth, impatience with facile views and those who propound them, and contempt for formalist modes of analysis that ignore the extramusical. This is an important, challenging book; no other book in English covers this ground with equal depth or brilliance." * Choice *
"When this controversial book first appeared in hardback, it sparked a debate . . . both because of and despite the way it tore into big names in the musicological world. Now it seems like a landmark. . . Richard Taruskin raises important questions about how cultural and artistic judgements are made." * Literary Review *

Richard Taruskin, Professor of Music at the University of California, Berkeley, is a regular contributor to New Republic, The New York Times, The New York Review of Books, Opera News, and many scholarly publications. His books include Opera and Drama in Russia, Stravinsky and the Russian Traditions, and Musorgsky: Eight Essays and an Epilogue, now available through Princeton University Press in paperback.

SKU	Unavailable
ISBN 13	9780691011561
ISBN 10	0691011567
Title	Defining Russia Musically
Author	Richard Taruskin
Condition	Unavailable
Publisher	Princeton University Press
Year published	1997-05-04
Number of pages	600
Cover note	Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
Note	Unavailable