Primitivism, Cubism, Abstraction by Gillian Perry

Primitivism, Cubism, Abstraction by Gillian Perry

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Summary

Presents a survey of art from the first two decades of the 20th century. The volume explores the invocation of the primitive at the end of the 19th century, analyzes Cubist works based on semiotic theory, and considers some problems of interpretation and evolution posed by some specific examples.

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Primitivism, Cubism, Abstraction by Gillian Perry

This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian.
Francis Frascina and Gill Perry are Lecturers in Art History, Nigel Blake is Lecturer in Educational Technology, and Charles Harrison is Staff Tutor and Reader in Art History at the Open University. Briony Fer and Tamar Garb are Lecturers in Art History at University College, London University.
SKU Unavailable
ISBN 13 9780300055160
ISBN 10 0300055161
Title Primitivism, Cubism, Abstraction
Author Gillian Perry
Series Open University: Modern Art - Practices And Debates
Condition Unavailable
Binding Type Paperback
Publisher Yale University Press
Year published 1993-05-26
Number of pages 276
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.