This study places the novel, first published in 1830, in the context of its time and highlights the interpretration of the personal and the fictional in Stendhal's writing. The realism of the novel is derived from an incorporation of history and legal reportage.
Stendhal's great novel The Red and the Black, published in 1830, is seen as one of the most distinguished monuments of literary realism. In this introductory study, Stirling Haig shows how this realism derives from the incorporation of both history and legal reportage into the novel, and how it combines autobiography with mimesis. Professor Haig locates the novel in the context of Stendhal's own experiences as a Commissariat officer in the Napoleonic army, journalist, opera-lover, salon dandy and traveller in Italy and Restoration France, and highlights the constant inter-penetration of personal, documentary, and fictional elements in Stendhal's writings.
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"...a concise yet perspicacious treatment of the most important features of the novel." Nineteenth-Century French Studies
Table of Contents
Acknowledgements; Note on translations; Chronology; 1. The Red and the Black: the background; 2. The Red and the Black: the novel; 3. Stendhal's mirrors; Guide to further reading.
Stendhal: The Red and the Black by Stirling Haig
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Cambridge University Press
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