Introduction
Chapter 1: Making Simple Tonal and Colour Changes 1. Manipulating Contrast Using Curves
2. Boosting Contrast Using Levels
3. Increasing and Decreasing Saturation
4. Dealing With Colour Casts in Photoshop
5. Dealing With Colour Casts in ACR
6. Using Gradient and Quick Mask
7. Adding a Graduated Colour Filter
8. Creating a High Dynamic Range (HDR) Image
9. HDR Using Tone Mapping in Photomatix Pro
10. Creating an HDR File Manually
11. Creating an HDR Image From a Single Raw File
12. Making Local Colour and Tonal Changes Using Selections
13. Making Selections Using Color Range
14. Dodging and Burning Using a Gray Fill Layer
15. Making Tonal Adjustments Using the Shadows/Highlights Command
16. Producing High-Key Images
17. Adding a Soft Filter Effect
Chapter 2: Mono Effects 18. Converting a File to Monochrome
19. Sepia Toning
20. Blue Toning
21. Copper Toning
22. Dual Toning Using Duotone
23. Creating an Infrared Effect
24. Creating a Lith Effect
25. Creating a Digital Cyanotype
26. Adding Grain for a Film Noir Effect
27. Going for Gold
28. Selective Colouring
Chapter 3: Creative Use of Filters 29. Improving a Portrait Using Blur Filters
30. A Digital Model Makeover Using Surface Blur
31. Differential Focusing Using Lens Blur
32. Creating the 'Big Stopper' Effect
33. Bas-Relief Effect Using the Find Edges Filter
34. Simulating a Speeding Car Using Motion Blur
35. Noise and How To Overcome It
36. Reflected Water Using Motion Blur and Ripple
37. Creating a Ghostly Effect Using Radial Blur
38. Creating a Retro Comic-Book Effect
39. Achieving the Pop Art Look
Chapter 4: Further Image Manipulation 40. Cropping
41. Removing Intrusive Elements Using Contents Aware
42. Removing Intrusive Elements Manually
43. Removing Intrusive Elements Using the Clone Tool
44. Correcting Sloping Horizons
45. Correcting Converging Verticals Using Transform
46. Sharpening the Image
47. Constructing Panoramas
48. Making Adjustments Using Adobe Camera Raw
Chapter 5: Retro Photography 49. Creating a Pinhole Camera Digitally
50. Creating the Lomo Effect
51. Mimicking the Cross-Processing Effect Digitally
52. Distressing the Image
53. Adding a Polaroid Border
54. Adding Further Borders and Edges
Chapter 6: Composites and Further Special Effects 55. Dropping in a Sky
56. Blending in a Sky
57. Producing Sunbeams
58. Constructing a Narrative
59. Producing Droplets of Water
60. Creating a Composite by Making Simple Selections
61. Creating a Composite Using Blending Mode
62. Creating a Composite Using Refine Edge
63. Making Selections Using Channels
64. Creating a Composite With Multiple Layers
65. Generating a Reflection
66. Creating a Shadow on a Hard Surface
67. Creating a Shadow on a Soft Surface
68. Creating a Rainbow Using the Gradient Tool
69. Producing the Illusion of Lightning
70. Presenting Images in Sequences
71. Making a Constructed Image
72. Celebrating Texture Using the Blending Mode
73. Creating a 'Joiner' or 'Still Movie'
74. Creating a Mirror Image
75. Joining Two Landscapes
Index