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Naipaul has won nearly every major British writing award, including the prestigious Booker Award (in 1971 for In a Free State) and in 1990 was knighted for his literary accomplishments. Born of Indian parents in Trinidad in 1932, he has little sympathy for the land of his birth or forefathers. All that he puts under his microscope--nations, peoples, religions, or ethnic groups--are targets of his clear-sightedness, and he shows no patience with pretense or delusions.  This collection brings together interviews from a thirty-six-year span and reveals a witty, sometimes scathing talker with a free-ranging curiosity, but one who dreads intimacy and cherishes a solitary detachment. This collection shows the changing faces of this world-class author. In early interviews, mostly given to such fellow writers and colleagues as Derek Walcott and the poet Eric Roach, Naipaul is clipped, brusque, and clearly impatient with interviewers. 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These are joined by three Chicano writers from the U.S. All fourteen included here write in English, a language they have chosen for their creative expression, and all write their novels at a time when codes of the colonial past are targets of revisionism. In this fascinating collection of fourteen interviews (eleven previously unpublished) the interviewers speak with leading writers from Kenya, Nigeria, Somalia, India, Pakistan, New Zealand, and the Caribbean islands, as well as with three Chicano writers. Largely considered non-canonical, they address questions about the effects of colonialism, their place in English-language literature, the politics of language in non-Western societies, and the value of their work in helping those with Western perspectives to understand their cultures. Noted writers from Africa-Ngugi wa Thiong'o from Kenya and Chinua Achebe from Nigeria--engage in the most important discussion in African literature today, whether or not to write in English. Nigeria's leading feminist writer, Buchi Emecheta discusses the role of women in a primarily male literary environment. South Asian writers are represented by two well-known Indian writers, Raja Rao and Anita Desai, and by two noted Pakistani writers, Zulfikar Ghose and Bapsi Sidhwa. Sharing a common colonial history, these writers generally display less desire to differentiate their work from the Western tradition. The collection also includes an interview with the Somali writer Nuruddin Farah, who is culturally as well as geographically somewhere between the Easternand Western cultures. Also included are four interviews with minority writers from countries where English is the dominant language, the Maori writer Witi Ihimaera from New Zealand and the three Chicano Americans, Rudolfo Anaya, Rolando Hinojosa, and Sandra Cisneros, whose situa\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52337811751185,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52337812341009,"sku":"NLS9780878055722","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780878055722.jpg?v=1758167853"},{"product_id":"memory-voice-and-identity-book-feroza-jussawalla-9780367569761","title":"Memory, Voice, and Identity","description":"Muslim women have been stereotyped by Western academia as oppressed and voiceless. This volume problematizes this Western academic representation. 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Women speaking on trauma need to be given voice, recognition, and exposure.\u003cbr\u003e-Bapsi Sidhwa, author of Cracking India \u003cp\u003e\u003c\/p\u003eI was deeply moved by this wonderful collection of diasporic women's voices, writing from the depths of their hearts, expressing truth and pain, but also resolution and triumph. An inspiring and authentic anthology, well worth the reader's time and attention.\u003cbr\u003e-Chitra Banerjee Divakaruni, author of Palace of Illusions and The Last Queen \u003cp\u003e\u003c\/p\u003eSing Slivered Tongue is a chorus of women's voices from the South Asian diaspora that speaks to the traumatic and triumphant realities of worlds severed, shattered, and somehow still surviving. This collec tion is an impressive contribution to the ancient tra ditions of women poets whose words inform not only our view of the world, but ourselves and each other through time and place. -Kao Kalia Yang, Author of \u003ci\u003eWhere Rivers Part\u003c\/i\u003e and \u003ci\u003eWhat God is Honored Here. \u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eThis important collection is a correction of the often forcible, gendered and cultural silencing of wom en's voices; the poets included recast known stories, honor victims of violence and of history itself, and share their own embodied traumas, locating strength and resilience in the intergenerational act of survival Through ruptures and fragments, metaphors and renaming, the poems gathered in Sing, Slivered Tongue make palpable the ways trauma, pain, and loss hold power to disrupt one's very sense of self-but also show the ways in which poetry can shine light into those fissures and create a new kind of wholeness that is simultaneously scarred and beautiful.\u003cbr\u003e-Ann E. 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From the exploration of the Andalusian poet Wallāda Bint al-Mustakfi in the Middle Ages to contemporary British diaspora writers, Afghani women, Chic Lit authors and playwrights, and discussions on Hindutva issues, this book showcases the diverse and persistent voices of Muslim women. The chapters in this book challenge the notion of women as subaltern by illustrating how Muslim women emerge as empowering figures socially, politically, and academically. Through essays that defend the veil as a symbol of identity and explore themes of rights and resistance, this collection is a testament to the indomitable spirit of Muslim women authors.  This constellation of essays is an essential resource for students, scholars, and general readers interested in feminist studies, postcolonial theory, and global literature. It is particularly relevant to those studying subaltern studies, gender studies, and Islamic culture. The essays span a wide range of subject areas, including historical perspectives on Arab women in the Middle Ages, contemporary British diaspora literature, Chic Lit, and political and social resistance in the context of Muslim women’s lives. With its vast comparative scope, this collection offers valuable insights into the persistent voices of Muslim women across time and space.  Many of the chapters in this book were originally published in Women's Studies: An Interdisciplinary Journal and are now accompanied by four new chapters and an updated introduction.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":53269854781713,"sku":"NGR9781041105503","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781041105503.jpg?v=1774001083"}],"url":"https:\/\/www.worldofbooks.com\/fr-fr\/collections\/auteur-livres-de-feroza-jussawalla.oembed","provider":"World of Books ","version":"1.0","type":"link"}