{"title":"Volker Fischer","description":null,"products":[{"product_id":"vw-golf-by-ulrich-von-mende-book-volker-fischer-9783931317898","title":"The VW Golf by Ulrich Von Mende","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49511455981841,"sku":"GOR007150226","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3931317897.jpg?v=1750838973"},{"product_id":"wings-of-the-crane-50-years-of-lufthansa-design-book-volker-fischer-9783932565533","title":"The Wings of the Crane, 50 Years of Lufthansa Design","description":"Text in English and German. The basic features of Deutsche Lufthansa's present corporate image emerged almost 45 years ago. It was created by Otl Aicher, one of the principal figures at the now legendary Hochschule für Gestaltung in Ulm. Another work by Aicher that spoke to the whole of Germany, as it were (and still does, in rudiments), is the 1972 corporate image for the Zweites Deutsches Fernsehen. The corporate image he created for the Olympic Games in Munich, which made an essential contribution to the ambience of the event, has also remained memorable. Since the ideas developed by Aicher and his colleagues were implemented in the early sixties, the airline has been seen world-wide as a perfect example of a consistently developed corporate image. Aicher based himself on ideas from the Deutscher Werkbund and took the company's entire inventory into consideration: \"house colours, pictorial and typographic logos, typeface, graphic and typographic rules and standards, photographic style, quality of support materials, packaging, exhibition systems, architectural characteristics, forms (design) of interior furnishings and equipment, style of work and service clothes\". As well as Otl Aicher, numerous other product and graphic designers, fashion designers and advertising and marketing agencies have worked for Lufthansa. They include Otto Firle, whose ideas led to the crane logo, Hartmut Esslinger and his company frog design, Priestman \u0026amp; Goode, Müller Romca Industriedesign, Don Wallance, Wilhelm Wagenfeld, Hans Theo Baumann, Nick Roericht, Wolfgang Karnagel, Topel \u0026amp; Pauser and the bhar design practice, fashion designers Uli Richter, Ursula Tautz and Werner Machnick, Jürgen Weiss, Gabriele Strehle and the Jobis company as well as the agencies Zintzmeyer \u0026amp; Lux, the Peter Schmidt Group, Ogilvy \u0026amp; Mather, Young \u0026amp; Rubicam, Spiess\/Ermisch\/Abel, Springer \u0026amp; Jacoby, McCann \u0026amp; Erickson and Fanghänel \u0026amp; Lohmann. An exhibition of the same name at the Museum for Applied Arts in Frankfurt deals with the same subject as the book.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739344642321,"sku":"NGR9783932565533","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3932565533.jpg?v=1751429016"},{"product_id":"postmoderne-moderne-a-post-modern-modernism-book-volker-fischer-9783433023075","title":"Eine Postmoderne Moderne \/ A Post-Modern Modernism","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49800293613841,"sku":"CIN3433023077G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3433023077.jpg?v=1750806880"},{"product_id":"nicholas-grimshaw-halle-3a-messe-frankfurt-book-volker-fischer-9783930698417","title":"Nicholas Grimshaw, Halle 3a, Messe Frankfurt","description":"Text in English and German. The internationally known British architect Nicholas Grimshaw is better than almost anyone else at making structural and architectural requirements cohere in his High-Tech buildings. And his most recent building, Hall 3 of the Frankfurt Fair and Exhibition Centre, one of Europe's largest exhibition halls, covering 220 X 120 m, is particularly striking because it combines architecture and engineering so ingeniously. Six gigantic steel girders looking like the skeleton of a dinosaur span the 160 m length of the two-storey exhibition area 45 m above the ground, making a total of 40000 m2 available. The roof structure makes luxurious daylight illumination possible for the upper storey, and this is also continued on the ground floor, as the light is handled so skilfully. The architects have confronted this roof structure, which is delicate despite its size, with two solid four-storey foyer and access blocks at the ends. Thus Grimshaw blends high-tech lightness with traditional mass. The mezzanine level between the two exhibition levels contains technical equipment and also a large number of work-stations with computer facilities. And of course the building, which concludes the large central 'Agora' of the Centre on its south side, is connected to the internal access system of the site, the 'Via Mobile'. The hall does not simply function as a logistical architectural key for the firms exhibiting there, but can also be used for political, cultural and other events. It enhances the architectural landscape of the Frankfurt Fair and Exhibition Centre, which includes Helmut Jahn's Messeturm, the Torhaus, the Galleria and the Halle 9 designed by Oswald Mathias Ungers as well as Friedrich von Thiersch's Festhalle from the beginning of this century, by adding another significant landmark building. The Messe Frankfurt itself sees this building as the first step towards a new infrastructural dimension, as it has for some time now had the chance to expand further south on disused railway land. The internationally known architecture and design historian Volker Fischer was vice director of the Deutsches Architekturmuseum in Frankfurt for over 10 years. Since 1995 he has been building up a new design department in the Museum fur Kunsthandwerk in Frankfurt; in addition to his museum work he teaches history of architecture and design at the Hochschule fur Gestaltung in Offenbach. Waltraud Krase studied at the Fachakademie fur Fotodesign in Munich and lives in Frankfurt am Main. She has photographed buildings by many prominent architects, among them Max Dudler, Frank O. Gehry, James Stirling and Oswald mathias Ungers.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51501013565713,"sku":"","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51501014253841,"sku":"GOR007037284","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3930698412.jpg?v=1751384003"},{"product_id":"turbo-basic-in-beispielen-book-volker-fischer-9783519025481","title":"TURBO-BASIC in Beispielen","description":"BASIC wird sicherlich noch f r geraume Zeit die wohl verbreitetste Programmiersprache darstellen. Den Vorteilen der leichten Erlern- barkeit und der interaktiven Programmerstellung stehen allerdings einige Nachteile gegen ber, die bei der Verwendung von Turbo BASIC entfallen, ohne da  die Vorteile des Interpreter-BASIC aufgegeben werden m  ten. Die Vorteile von Turbo BASIC lassen sich jedoch nur dann umfassend nutzen, wenn man von einigen Techniken der  blichen BASIC-Program- mierung Abstand nimmt: Verwendung von Programmablaufpl nen, Voran- stellen von Zeilennummern mit der Formulierung von unbedingten Sprunganweisungen zu diesen Nummern, Ausgliederung von Unterpro- grammen, die lediglich mittels GOSUB und RETURN angesprochen werden. Die Strukturierungsm glichkeiten von Turbo BASIC, die die Ermitt- lung der Probleml sungen vereinfachen und die Programme  bersicht- licher werden lassen, sind nur dann optimal zu nutzen, wenn man anstelle der Programm-Ablauf-Pl ne Struktogramme (Nassi-Shneider- man-Diagramme) verwendet. Zeilennummern k nnen eingesetzt werden; sie sind jedoch abgesehen von F llen der Fehlersuche mittels Trace-L ufen, bei denen sie gezielt an kritischen Punkten des Programmes einzuf gen sind,  ber- fl ssig und sollten daher auch entfallen, um nicht doch zu einem GOTO 597 zu verleiten. Da Turbo BASIC anders als z.B. Pascal - s mtliche Struktur- rungselemente vollst ndig durch schl sselworte klammert, l  t sich ein Struktogramm eins zu eins in ein Turbo-BASIC-Programm  bertra- gen - umgekehrt l  t sich aus einem Turbo-BASIC-Programm direkt das zugrundeliegende Struktogramm ablesen, sofern der im Abschnitt 2.4 vorgeschlagene Weg der Einr ckung der Programmzeilen verfolgt wird.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52410224214289,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52410224673041,"sku":"NLS9783519025481","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783519025481.jpg?v=1758777181"},{"product_id":"comal-in-beispielen-book-volker-fischer-9783519025382","title":"COMAL in Beispielen","description":"Im Bereich der privaten Computeranwendung ist BASIC weitverbrei- tet. Dennoch lohnt es sich, einmal die Sprache COMAL COMmon Algorithmic Language naher zu betrachten. FUr die im Vorwort angesprochene Gruppe der SchUler, Studenten und Hobby-Programmierer ist von besonderer Bedeutung, daB der Weg von der Problemlosung zum lauffahigen Programm moglichst kurz und ein- fach gehalten ist; der Umgang z.B. mit mehreren Bedienungsebenen ist zu Ubungsintensiv. Der Weg von der Problemlosung zum Programm ist bei der Sprache BASIC extrem kurz - das ist sicher zumindest einer der GrUnde fUr ihre weite Verbreitung. Den Vorteilen der Sprache BASIC - Dialogfahigkeit, gute Fehler- lokalisierung, Fehlen von zusatzlichen Befehlstrennzeichen infolge der Zeilenorientierung der Sprache - stehen jedoch einige Nach- teile gegenUber, die insbesondere dann zum Tragen kommen, wenn die zu erstellenden Programme Uber den 'IO-Zeiler' hinausgehen. So gibt es in den verbreiteten BASIC-Dialekten zwar die Zahl- schleife, es fehlen jedoch Sprachelemente, die es gestatten, eine Folge von Anweisungen zu wiederholen, solange eine bestimmte Bedingung erfUllt ist bzw. bis eine Bedingung erfUllt ist. Die Simulation derartiger Moglichkeiten mit Hilfe von 'goto Zeilen- nummer' - Anweisungen erschwert die Lesbarkeit von Programmen wesentlich. UnglUcklich ist weiterhin die Verwendung eines Symbols fUr zwei Zusammenhange. Der dynamische Vorgang, einer Variablen ein n Wert zuzuweisen, sollte streng von dem statischen Vorgang des Uber- prUfens der Ubereinstimmung zweier Terme getrennt werden - in der Sprache BASIC Ubernimmt das '='-Zeichen beide Bedeutungen. 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Bury's sculptures are almost always accessible, and the contingent changes in perspective do not only thematise the basic requirements of the human experience of form and space; they also articulate people's experience in their surroundings, impressively underpinning Hegel's theory that the world has a 'house character' and that man is fundamentally a domestic creature. A spectacular review of Claus Bury's monumental works in ships, gates, houses, arches, bridges and temples.        Text in English and German.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52688685400337,"sku":"NLS9783897905726","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783897905726.jpg?v=1762333569"}],"url":"https:\/\/www.worldofbooks.com\/fr-fr\/collections\/auteur-livres-de-volker-fischer.oembed","provider":"World of Books ","version":"1.0","type":"link"}