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In looking specifically at books designed as collaborative efforts, it establishes the photo-text as a genre related to and yet distinct from other documentary efforts. Key Features: - Explores through a series of case studies some of the seminal photo-texts of the 1930s, 40s and 50s from documentary realism of the Depression years to post-war studies of the American landscape. - Examines photo-texts by Doris Ulmann, Walker Evans, James Agee, Dorothea Lange, Margaret Bourke White, Wright Morris, Paul Strand, Roy DeCarava and Robert Frank. - Enables students and scholars of both American photography and literature to rethink the intersections between writing and photography in political as well as aesthetic terms. 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