{"title":"Gallica","description":null,"products":[{"product_id":"lettering-the-self-in-medieval-and-early-modern-france-book-katherine-kong-9781843842316","title":"Lettering the Self in Medieval and Early Modern France","description":"Lettering the Self argues that letters in medieval and early-modern France reveal the contours of the pre-modern self. Letters in this period were complicated compositions which, in addition to their administrative and artistic functions, represented the self in relation to its various others: social superiors and subordinates; friends and lovers; teachers and students; allies and adversaries; patrons and supplicants. These relationships were expressed in the content and form of letters: the rule-bound medieval discipline of letter writing structured the expression of interpersonal relationships in exacting ways, and writers navigated its rules to express contradictory andeven illicit relations. Each chapter focuses on a particular epistolary exchange in its intellectual and cultural context, from Baudri of Bourgueil and Constance of Angers, through Heloise and Abelard, Christine de Pizan'sparticipation in the querelle du Roman de la rose, Marguerite de Navarre and Guillaume Bri onnet, to Michel de Montaigne and  tienne de La Bo tie, emphasizing the importance of letter-writing in pre-modern French culture and tracing a selective yet significant history of the letter, contributing to our understanding of the development of the epistolary genre, and the pre-modern self. 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WINNER: 2024 Society for the Study of Early Modern Women and Gender Book Award  In the 1520s, the French noblewoman Anne de Graville composed two poetic works, based on older, canonical, male-authored texts: Giovanni Boccaccio's Teseida and Alain Chartier's Belle dame sans mercy. The first, the Beau roman, she offered to Claude, queen of France and wife of Francis I, and the second, the Rondeaux, to the king's mother, Louise of Savoy. With the pro-feminine spin of her rewritings, Anne developed the legacy of another woman writer from 100 years earlier, Christine de Pizan, by entering the on-going debate known as the querelle des femmes. Like Christine, Anne sought to redress the negative view of women found in much contemporary popular literature and to offer role models for both men and women at the court of Francis I.    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Machaut, already considered the seminal figure in late-medieval poetics and music, here comes across in these respects more clearly than ever. Kelly also further contextualises him within what we might call the authorial  apprenticeship tradition' of Boethius, the Roman de la Rose, Dante, and later Gower, Chaucer, and Christine de Pizan. The fruit of one of the field's most distinguished scholars today. Nadia Margolis, Mount Holyoke College. Guillaume de Machaut was celebrated in the later Middle Ages as a supreme poet and composer, and accordingly, his poetry was recommended as amodel for aspiring poets. In his Voir Dit, Toute Belle, a young, aspiring poet, convinces the Machaut figure to mentor her. 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The story of Haveloc first appears in the oldest chronicle of the kings of England Britain, Geffrei Gaimar's Estoire des Engleis, and it is found in a substantial number of later accounts of English history. It is unusual in that it seemingly deals with \"real\" persons and events; but although names for the prototypes of Haveloc and other personages have been put forward, any search for historical evidence has been largely fruitless. The Haveloc story remains a legend, indeed one of the most compelling legends of the Middle Ages.  The Anglo-Norman lay of Haveloc survives in only two manuscripts, one (H) unedited since the nineteenth century and the other (P) since1925. This volume provides new editions of both versions and an English facing-page translation of the version in H. 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Gui of Burgundy extends the period of time spent in Spain by Charles and his army from seven to twenty-six years, which gives the sons of the Twelve Peers the opportunity to reach adulthood and come to the rescue of their fathers. Roland at Saragossa, composed in Occitan, takes place in the days immediately preceding the decisive defeat and relates in an heroi-comic manner how Roland sneaks into Saragossa at the request of the pagan Queen Braslimonda, who has been enraptured by his strength and beauty. Finally, Otinel tells of a Saracen envoy who comes to Paris to challenge Charlemagne on behalf of the Emir Garsile, who has his capital in Lombardy. The action takes place in France and northern Italy in a lull between the capture of Pamplona and the defeat at Roncevaux.   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The Essais' innovative open-mindedness is at odds with the dogmatism and intolerance of their times, the decades of civil and religious wars in France, and  their tolerant and searching human questions and ethics of difference remain compelling for twenty-first century readers. But the sceptical open-endedness that vitalizes this writing is also often troubled and troubling: personal losses and the collapse of cultural ideals moved Montaigne to write, and their attendant anxieties are not resolved into tranquil reflection.   Unsettling Montaigne reassesses Montaigne's scepticism. Informed by psychoanalytic and related theory, its close attention to Montaigne's complex uses of metaphor illuminates the psychic economy of his scepticism and tolerance and their poetics, while new readings ofhis Essais and other texts reveal the significance of disquieting questions, thought and affect for the ethos his writing fosters. The analysis deals with figures such as cannibals and cannibalism, hunger, shaking, tickling, place, the brother, and haunting in Montaigne's exploration of concepts which tested his understanding and self-understanding. The volume also demonstrates how figuration supports openness to difference for both writer and readers, and is fundamental to this writing's aesthetic, psychic and ethical creativity.    Elizabeth Guild lectures in French at the University of Cambridge, and is a Fellow of Robinson College.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52530720211217,"sku":"NLS9781843843719","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53015182704913,"sku":"NIN9781843843719","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843843719.jpg?v=1760653611"},{"product_id":"representing-mental-illness-in-late-medieval-france-book-julie-singer-9781843845126","title":"Representing Mental Illness in Late Medieval France","description":"An exploration of the medieval mind as a machine, and how it might be affected and immobiled, in textual reactions to the madness of Charles VI of France.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52530730500369,"sku":"NLS9781843845126","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":52755232948497,"sku":"NIN9781843845126","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843845126.jpg?v=1760653648"},{"product_id":"face-and-faciality-in-medieval-french-literature-1170-1390-book-alice-hazard-9781843845874","title":"The Face and Faciality in Medieval French Literature, 1170-1390","description":"Modern theoretical approaches throw new light on the concepts of face and faciality in the Roman de la Rose and other French texts from the Middle Ages.  In medieval French literature, faces feature heavily as markers of identity, mood, class, status, and even humanity. The information that they convey can be strategically concealed and revealed, but they are always understood to be legible.  This book explores the face as a medieval literary motif and as a modern phenomenon, charting its limits and interrogating the idea of face as a universal signifier. It examines what happens when faces are not legible, when they are found on non-human surfaces, and when they migrate across the human body. It looks at faciality in a series of texts from the twelfth and thirteenth centuries, moving from Arthurian tales, through the Roman de la Rose to the fabliaux, as well as examining fourteenth-century manuscripts in which faces appear as disembodied doodles. 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Gui of Burgundy extends the period of time spent in Spain by Charles and his army from seven to twenty-six years, which gives the sons of the Twelve Peers the opportunity to reach adulthood and come to the rescue of their fathers. Roland at Saragossa, composed in Occitan, takes place in the days immediately preceding the decisive defeat and relates in an heroi-comic manner how Roland sneaks into Saragossa at the request of the pagan Queen Braslimonda, who has been enraptured by his strength and beauty. Finally, Otinel tells of a Saracen envoy who comes to Paris to challenge Charlemagne on behalf of the Emir Garsile, who has his capital in Lombardy. The action takes place in France and northern Italy in a lull between the capture of Pamplona and the defeat at Roncevaux.   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