{"title":"Liverpool Studies In International Slavery","description":"\u003cp\u003eDelve into the crucial Liverpool Studies in International Slavery series. These scholarly works offer profound insights into the history, legacies, and ongoing fight against slavery worldwide. Start your exploration now.\u003c\/p\u003e","products":[{"product_id":"creating-memorials-building-identities-book-alan-rice-9781846317590","title":"Creating Memorials, Building Identities","description":"This book investigates memorials and monuments to slavery throughout the African diaspora, but with an emphasis on Europe. It analyses not only the increasing number of physical monuments, but also the practice of remembering (and forgetting) in museums and plantation houses, and in contemporary cultural forms – visual arts, literature, music and film. A series of case studies, ranging from the 18th to the 21st century, from Senegal and Montserrat to Manchester and Paris, explore issues such as the Lancashire cotton famine, the debates around the first quayside memorial to the victims of the slave trade in Britain in Lancaster, black soldiers in World War II and the 2007 commemorations of abolition in regional museums. The book also looks at ‘guerrilla memorialisation’, its refusal to consider amnesia as an option, and the artistic interventions it has provoked.  The study promotes a wide Black Atlantic perspective, while the case studies emphasise a decidedly local approach to memorialisation. Using theoretical work on memory and memorialisation, the book expands on these ideas to include the work of contemporary thinkers and writers on the Black Atlantic, such as Toni Morrison, Jackie Kay and Caryl Phillips. Comparisons are made with monuments to the holocaust and critical writings on the way it has been memorialised.  The book interrogates a range of complex issues, and makes a case for the continuing importance of the legacy of slavery, whilst looking at what kind of monuments and memorials are appropriate and effective.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49562478870801,"sku":"GOR010114651","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1846317592.jpg?v=1751091673"},{"product_id":"beyond-the-slave-narrative-book-deborah-jenson-9781846317606","title":"Beyond the Slave Narrative","description":"The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is the first to present an account of a specifically Haitian literary tradition in the Revolutionary era. Beyond the Slave Narrative shows the emergence of two strands of textual innovation, both evolving from the new revolutionary consciousness: the remarkable political texts produced by Haitian revolutionary leaders Toussaint Louverture and Jean-Jacques Dessalines, and popular Creole poetry from anonymous courtesans in Saint-Domingue's libertine culture. These textual forms, though they differ from each other, both demonstrate the increasing cultural autonomy and literary voice of non-white populations in the colony at the time of revolution. Unschooled generals and courtesans, long presented as voiceless, are at last revealed to be legitimate speakers and authors.  These Haitian French and Creole texts have been neglected as a foundation of Afro-diasporic literature by former slaves in the Atlantic world for two reasons:  because they do not fit the generic criteria of the slave narrative (which is rooted in the autobiographical experience of enslavement); and because they are mediated texts, relayed to the print-cultural Atlantic domain not by the speakers themselves, but by secretaries or refugee colonists.  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The book enriches our understanding of French and Atlantic history in the revolutionary and postrevolutionary years when Haiti was menaced with the re-establishment of slavery and when class, race, and gender identities were being renegotiated. It offers in-depth readings of works by Germaine de Staël, Claire de Duras, and Marceline Desbordes-Valmore. In addition to these now canonical French authors, it calls attention to the lives and works of two lesser-known but important figures—Charlotte Dard and Sophie Doin. Approaching these five women through the prism of paternal authority, Fathers, Daughters, and Slaves explores the empathy that daughters show toward blacks as well as their resistance against the oppression exercised by male colonists and other authority figures. The works by these French women antislavery writers bear significant similarities, which the book explores, with twentieth and twenty-first century Francophone texts. These women’s contributions allow us to move beyond the traditional boundaries of exclusively male accounts by missionaries, explorers, functionaries, and military or political figures. They remind us of the imperative for ever-renewed gender research in the colonial archive and the need to expand conceptions of French women’s writing in the nineteenth century as being a small minority corpus. Fathers, Daughters, and Slaves contributes to an understanding of colonial fiction, Caribbean writing, romanticism, and feminism. 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Just as they did in the eighteenth and nineteenth centuries, British people continue to make sense of this 'national sin' by looking close to home, drawing on local histories and myths to negotiate their relationship to the distant horrors of the 'Middle Passage', and the Caribbean plantation. For the first time, this collection brings together localised case studies of Britain's history and memory of its involvement in the transatlantic slave trade, and slavery. These essays, ranging in focus from eighteenth-century Liverpool to twenty-first-century rural Cambridgeshire, from racist ideologues to Methodist preachers, examine how transatlantic slavery impacted on, and continues to impact, people and places across Britain.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739743756561,"sku":"NGR9781800348677","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1800348673.jpg?v=1750723562"},{"product_id":"visualising-slavery-book-celeste-marie-bernier-9781800349216","title":"Visualising Slavery","description":"The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. 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This comprehensive volume breaks new ground by theorizing her development of an alternative visual and textual language within which to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery. For Himid, the act of forgetting within official sites of memory is indivisible from the art of remembering within an African diasporic art historical tradition. She interrogates the widespread distortion and even wholesale erasure of Black bodies and souls subjected to dehumanizing stereotypes and grotesque caricatures within western imaginaries and dominant iconographic traditions over the centuries. Creating bodies of work in which she comes to grips with the physical and psychological realities of iconic and anonymous African diasporic individuals as living breathing human beings rather than as objectified types, she bears witness not only to tragedy but to triumph. 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British anti-slavery efforts and imperial agendas were tightly bound in the nineteenth century, inseparable from ideas of national identity. 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Reflecting on the profound influence of the American miniseries Roots and the Brazilian telenovela A Escrava Isaura on their respective genres, the book traces the evolution of serialized slave narratives on screen. These productions are explored through the lens of communal memory, shaped by culturally bound understandings of shared histories across both homogenous and disparate groups.   Taking a transnational approach, the book examines how these televisual series delicately balance respect for cultural sensibilities with the demands of historical accuracy, archival material, and global engagement.   By considering a wide range of series from the Anglophone, Hispanophone, Lusophone, and Francophone worlds, Myriam Mompoint highlights how these works circulate as cultural commodities in both domestic and export markets. In doing so, she explores how they reinscribe the legacies of slavery within the constraints of contemporary media.   Engaging with memory studies, media studies, trauma theory, and spectrality, Televising Transnational Trauma brings a fresh perspective to comparative African diaspora scholarship. 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Exploring 25 years of activism, from the build-up to the 150th anniversary of the Abolition Act (1998) through to the present day, the book:     Investigates strategies used by the French State to delink the recognition of France’s enslaving past from contemporary issues with anti-Black racism and reparation. Asks why, in the wake of the first Taubira law that recognized slavery as a crime against humanity (2001), the state has legitimized the work of certain activist groups, while delegitimizing others. Uses critical race theory and decolonial theory to examine the extent to which the State’s approach to recognizing its past is structured by a ‘colonial matrix of power’. Highlights and contests political and media misconceptions about reparations by showcasing the work of grassroots activists operating in France, the Caribbean and the Indian Ocean.   In doing so, Legacies of Enslavement showcases some of the key shifts that have taken place in the recent history of activist work operating in parallel with the successive metamorphoses of the French state as it responds to social and political pressure to recognize and repair the nation’s enslaving past and its racial legacies today.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51632178462993,"sku":"","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51632178757905,"sku":"NGR9781836242697","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1836242697.jpg?v=1751248287"},{"product_id":"breaking-the-dead-silence-book-christina-horvath-9781802075885","title":"Breaking the Dead Silence","description":"An Open Access edition is available.   The murder of George Floyd in 2020, the renewed international take up of the cry Black Lives Matter and the subsequent toppling of a statue commemorating slave-merchant-turned-philanthropist Edward Colston in Bristol provoked urgent questions on memorialisation, white privilege, social justice and repair. Debates on how legacies of colonialism and empire in Britain should be addressed spilled out of the scholarly world into the public discourse. In the immediate wake of the statue toppling this book offers a unique, distinctive and timely contribution to those debates: a series of voices and experiences are offered as critical commentaries and accounts of recent interventions on an official heritage narrative. It sets out to break the ‘dead silence’, by bringing together diverse perspectives from academics, artists, activists, heritage professionals and tourist guides. The book offers fresh insights, referencing work attending to the impacts and legacies of colonisation primarily in Bath and Bristol, augmented with comparative contributions from Lancaster and Mexico offering significant and pertinent resonances. 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What united them was the belief that Britain was uniquely equipped, indeed destined, to end slavery. Abolitionism, it seemed, was baked into the national character.   This book challenges that comforting narrative. Britons were never uniformly or persistently anti-slavery. Certainly, not all Victorian Christians were enthused by anti-slavery. Indeed, some of the most influential theological trends of the day, like Tractarianism, were indifferent to emancipation, if not actively hostile. Nor was Britain’s brand of industrial capitalism the antidote to enslavement. On the contrary, British capitalism sustained slavery in the many parts of the Atlantic world in the so-called Age of Emancipation.   These tensions are traced through the intertwined lives of three cousins. One was an industrialist who pro ted from enslaved copper miners in Cuba. Another, a Royal Naval chaplain, turned against Britain’s anti-slavery mission in southern Africa. 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