{"title":"Studies In Medieval Romance","description":"\u003cp\u003eDelve into tales of knights, chivalry, and courtly love with the Studies in Medieval Romance series. Discover classic stories and scholarly insights into the captivating world of medieval romance literature.\u003c\/p\u003e","products":[{"product_id":"magic-and-the-supernatural-in-medieval-english-romance-book-corinne-saunders-9781843842217","title":"Magic and the Supernatural in Medieval English Romance","description":"The world of medieval romance is one in which magic and the supernatural are constantly present: in otherwordly encounters, in the strange adventures experienced by questing knights, in the experience of the uncanny, and in marvellous objects - rings, potions, amulets, and the celebrated green girdle in 'Sir Gawain and the Green Knight'. This study looks at a wide range of medieval English romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. The book opens with a survey of classical and biblical precedents, and of medieval attitudes to magic; subsequent chapters explore the ways that romances both reflect contemporary attitudes and ideas, and imaginatively transform them. In particular, the author explores the distinction between the  white magic' of healing and protection, and the more dangerous arts of  nigromancy', black magic. Also addressed is the wider supernatural, including the ways that ideas associated with human magic can be intensified and developed in depictions of otherworldly practitioners of magic. The ambiguous figures of the enchantress and the shapeshifter are a special focus, and the faery is contrasted with the Christian supernatural - miracles, ghosts, spirits, demons and incubi. Professor CORINE SAUNDERS Saunders teaches in the Department of English, University of Durham.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49733132484881,"sku":"NGR9781843842217","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52127445647633,"sku":"NLS9781843842217","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843842211.jpg?v=1751427341"},{"product_id":"cultural-translations-in-medieval-romance-book-victoria-flood-9781843846208","title":"Cultural Translations in Medieval Romance","description":"New approaches to this most fluid of medieval genres, considering in particular its reception and transmission.   Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions.  The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739626676497,"sku":"NGR9781843846208","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52148517175569,"sku":"NLS9781843846208","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843846209.jpg?v=1750995618"},{"product_id":"resistance-to-love-in-medieval-english-romance-book-hannah-piercy-9781843846727","title":"Resistance to Love in Medieval English Romance","description":"This book explores resistance as a widespread motif in medieval romance to consider themes of consent, gender, and desire.  JOINT WINNER: 2024 Swiss Association of Medieval and Early Modern Studies Book Prize.   Medieval romance is usually considered a genre that celebrates love, desire, and sexuality within marriage. However, moments of resistance within it offer a point of tension, where normative scripts and expectations are exposed and opened up to challenge.  This book explores such resistance as a widespread motif in the genre, tracing the subversive possibilities it presents, and through them uncovering how romance constitutes particular kinds of love as desirable, shaped by intersecting factors, including gender, status, race, religion, and morality. Drawing upon contemporary work on consent, the politics of desire, and asexuality, it examines how resistance is often transformed into acceptance, through consensual negotiation or coercive force: the romances discussed here demonstrate that a certain level of force, pressure, and persuasion is accepted as a means of forming relationships within the genre, but this reliance on coercion reveals the effort to which romances must go to uphold normative structures of desire. Considering a variety of works, from Marie de France's twelfth-century Guigemar to Thomas Malory's Morte Darthur, Geoffrey Chaucer's Franklin's Tale to William Caxton's fifteenth-century prose romances, this book argues that romance teaches its readers what and whom to desire, as well as how to behave when negotiating their desires, and explores the wider implications for understanding consent, gender, and desire in medieval England.   This book is available as an Open Access ebook under the Creative-Commons License CC-BY-NC-ND","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49744400285969,"sku":"NGR9781843846727","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51055314534673,"sku":"NIN9781843846727","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52450795782417,"sku":"NLS9781843846727","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843846721.jpg?v=1751026903"},{"product_id":"romance-rewritten-book-elizabeth-archibald-9781843845096","title":"Romance Rewritten","description":"New approaches to the everlasting malleability and transformation of medieval romance.  The essays here reconsider the protean nature of Middle English romance. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and forms, as they were \"rewritten\" during the Middle Ages and beyond. Ranging across popular, anonymous English and courtly romances, and taking in the works of Chaucer and Arthurian romance (rarely treated together), in connection with continental sources and analogues, the chapters probe this fluid and creative genre to ask just how comfortable, and how flexible, are its nature and aims? How were Middle English romances rewritten toaccommodate contemporary concerns and generic expectations? What can attention to narrative techniques and conventional gestures reveal about the reassurances romances offer, or the questions they ask? How do romances' central concerns with secular ideals and conduct intersect with spiritual priorities? And how are romances transformed or received in later periods? The volume is also a tribute to the significance and influence of the work of Professor Helen Cooper on romance.    Elizabeth Archibald is Professor of English Studies at Durham University; Megan G. Leitch is Senior Lecturer in English Literature at Cardiff University; Corinne Saunders is Professor of English andCo-Director of the Centre for Medical Humanities at Durham University.    Contributors: Elizabeth Archibald, Julia Boffey, Christopher Cannon, Neil Cartlidge, Miriam Edlich-Muth, A.S.G. Edwards, Marcel Elias, Megan Leitch, Andrew Lynch, Jill Mann, Marco Nievergelt, Ad Putter, Corinne Saunders, Barry Windeatt, R.F. 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Beginning with a discussion of biblical, classical and pre-Conquest treatments of the sea, it investigates how such works as the Anglo-Norman Voyage of St Brendan, the Tristan romances, the chronicles of Matthew Paris, King Horn, Patience, The Book of Margery Kempe and The Libelle of Englyshe Polycye shape insular ideologies of Englishness. Whether it is Britain's privileged place in the geography of salvation or the political fiction of the idyllic island fortress, medieval English writers' myths of the sea betray their anxieties about their own insular identity;  their texts call on maritime motifs to define England geographically and culturally against the presence of the sea. New insights from a range of fields, including jurisprudence, theology, the history of cartography and anthropology, are used to provide fresh readings of a wide range of both insular and continental writings.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50055750025489,"sku":"GOR011045973","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52334307934481,"sku":"NLS9781843841371","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843841371.jpg?v=1750802704"},{"product_id":"middle-english-romance-and-the-craft-of-memory-book-jamie-mckinstry-9781843844174","title":"Middle English Romance and the Craft of Memory","description":"An examination of the depiction and function of memory in a variety of romances, including Troilus and Criseyde and Sir Gawain and the Green Knight.  In Middle English romances many memories are created, stored, forgotten, and rediscovered by both the characters and audience; such memory work is not, however, either simple or obvious. This study examines the ways in which recollection is achieved and sustained through physical, cognitive, and interpretative challenges. It uses examples such as Sir Gawain and the Green Knight, Sir Orfeo, and Emaré, alongside romances by Chaucer and Malory,to investigate the genre's reliance on individual and collective memorial processes. The author argues that a tale's objects, places, dreams, discoveries, disguises, prophecies, and dramatic ironies influence that romance's essential memory work, which relies as much on creativity as it does accuracy. He also explores the imaginative crafts of memory that are employed by romances themselves.    Dr Jamie McKinstry teaches in the Department of English Studies at Durham University, where he is a member of the Institute of Medieval and Early Modern Studies.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50400303513873,"sku":"CIN1843844176VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52341486420241,"sku":"NLS9781843844174","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843844176.jpg?v=1751411642"},{"product_id":"guy-of-warwick-icon-and-ancestor-book-alison-wiggins-9781843841258","title":"Guy of Warwick: Icon and Ancestor","description":"Guy of Warwick is England's other Arthur. Elevated to the status of national hero, his legend occupied a central place in the nation's cultural heritage from the Middle Ages to the modern period. 'Guy of Warwick: Icon and Ancestor' spans the Guy tradition from its beginnings in Anglo-Norman and Middle English romance right through to the plays and prints of the early modern period and Spenser's 'Faerie Queene', including the visual tradition in manuscript illustration and material culture as well as the intersection of the legend with local and national history. This volume addresses important questions regarding the continuities and remaking of romance material, and the relation between life and literature. Topics discussed are sensitive to current critical concerns and include translation, reception, magnate ambition, East-West relations, the construction of 'Englishness' and national identity, and the literary value of 'popular' romance. ALISON WIGGINS is Lecturer in English Language at the University of Glasgow. ROSALIND FIELD is Reader in Medieval Literature at Royal Holloway, University of London. CONTRIBUTORS: JUDITH WEISS, MARIANNE AILES, IVANA DJORDJEVIC, ROSALIND FIELD, ALISON WIGGINS, A.S.G. EDWARDS, ROBERT ALLEN ROUSE, DAVID GRIFFITH, MARTHA W. 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This book offers a fresh perspective on these conventions, arguing that authors used them, and the expectations they generate, as a form of shorthand to interiority.  Understanding romance conventions in this way reveals that romance characters' complex and often contradictory inner lives are made available precisely through the genre's narrative structures, shapes, and norms. Drawing upon recent work in the History of Emotions and Affect Theory, the author explores character and subjectivity in a variety of English romance texts from 1100 to 1500 - such as Amis and Amiloun, Le Bone Florence of Rome, The Squire of Low Degree, Sir Orfeo, Sir Gawain and the Green Knight and Malory's Le Morte Darthur. Through new readings of these texts, the book demonstrates the contribution made by romance to the growing significance of the individual in fiction after the twelfth century by paying particular attention to the ways in which convention, expectation, and genre intersect with character-formation and the representation of identity.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51628011454737,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51628012437777,"sku":"NIN9781843846895","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51628012503313,"sku":"NGR9781843846895","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52530755567889,"sku":"NLS9781843846895","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843846896.jpg?v=1751092179"},{"product_id":"women-and-magic-in-medieval-romance-book-jane-elizabeth-bonsall-9781843846659","title":"Women and Magic in Medieval Romance","description":"Explores the conventions and contradictions inherent in archetypes of magical femininity - from loathly ladies to monstrous mothers - in a range of popular late medieval English romances.   The female characters in Middle English romances with particular power and agency are often portrayed as supernatural, possessing either magical abilities or identities. This book argues that a genre-focused reading of these supernatural women reveals romance's strategies for working through and articulating anxieties about the changing world of the late medieval period, as well as exposing their contemporary audiences' unexpectedly flexible attitudes toward feminine authority and moral ambiguity.   It explores five distinct types of magical femininity: the Tristan tradition's marvelously gifted healers; the Muslim princess in Bevis of Hampton; the endlessly wealthy fairy imagined by Sir Launfal and Partonope of Blois; the monster-mother Melusine; and Morgan le Fay, the prototypical witch. By tracking the way each type first establishes then complicates generic patterns, this study highlights the tension between romance's persistent fascination with feminine power, and its simultaneous reiteration of the social and generic bounds on women's agency and authority. Interrogating generic expectations from an intersectional feminist perspective, it makes a case for a recuperative re-reading of romance, one that asks us to revise our assumptions about the potentialities of women's power in the medieval imaginary.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51631722561809,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51631722823953,"sku":"NIN9781843846659","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51631722856721,"sku":"NGR9781843846659","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52530777653521,"sku":"NLS9781843846659","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843846659.jpg?v=1751248514"},{"product_id":"companion-to-medieval-popular-romance-book-raluca-l-radulescu-9781843842705","title":"A Companion to Medieval Popular Romance","description":"A comprehensive guide to the medieval popular romance, one of the age's most important literary forms.  Popular romance was one of the most wide-spread forms of literature in the middle ages, yet despite its cultural centrality, and its fundamental importance for later literary developments, the genre has defied precise definition,its subject matter ranging from tales of chivalric adventure, to saintly women, and monsters who become human. The essays in this collection seek to provide an inclusive and thorough examination of romance. They provide contexts,definitions, and explanations for the genre, particularly in, but not limited to, an English context. Topics covered include genre and literary classification; race and ethnicity; gender; orality and performance; the romance and young readers; metre and form; printing culture; and reception.    CONTRIBUTORS: ROSALIND FIELD, RALUCA L. RADULESCU, MALDWYN MILLS, GILLIAN ROGERS, JENNIFER FELLOWS, THOMAS H. 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How was Alexander the Great - controversial king, conqueror, explorer, and pupil of Aristotle, the subject of histories, romances, epic poetry, satires, and sermons in most of the languages of Europe and the Middle East - read, written and rewritten during the High Middle Ages? Aiming to illuminate not only the conqueror's history but also the fast-changing and complex literary landscape that existed between 1150 and 1350, this study considers Alexander narratives in Latin, varieties of French and English - the Alexandreis, the Roman d'Alexandre, the Roman de toute chevalerie, and Kyng Alisaunder - to address this vast and wide-ranging question. These important Alexander works are compared with the fortunes of other prestigious inherited tales, such as stories of Arthur and Troy, highlighting the various forms of translatio studii then prevalent across northern France andBritain. The book's historically appropriate focus on Latin, French and English allows it to take a multilingual and comparative approach to linguistic, literary and political cultures, moving away from interpretations driven by post-medieval nationalism to set the expansive phenomenon that is Alexander in its historical and transnational context.    VENETIA BRIDGES is Assistant Professor in the Department of English Studies at Durham University.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52134029230353,"sku":"NLS9781843845027","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843845027.jpg?v=1757538218"},{"product_id":"heroes-and-anti-heroes-in-medieval-romance-book-neil-m-r-cartlidge-9781843844952","title":"Heroes and Anti-Heroes in Medieval Romance","description":"Investigations into the heroic - or not - behaviour of the protagonists of medieval romance.  Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up until now. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depend on contradictions implicit in the very ideal of heroism.    NEIL CARTLIDGE  is Professor of English Studies at the University of Durham    Contributors: Neil Cartlidge, Penny Eley, David Ashurst, Meg Lamont, Laura Ashe, Judith Weiss, Gareth Griffith, Kate McClune, Nancy Mason Bradbury, Ad Putter, Robert Rouse, Siobhain Bly Calkin, James Wade, Stephanie Vierick Gibbs Kamath","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52135692927249,"sku":"NLS9781843844952","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52755686457617,"sku":"NIN9781843844952","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843844952.jpg?v=1757550394"},{"product_id":"women-s-power-in-late-medieval-romance-book-amy-n-vines-9781843842750","title":"Women's Power in Late Medieval Romance","description":"A reading of how women's power is asserted and demonstrated in the popular medieval genre of romance.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52147270779153,"sku":"NLS9781843842750","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843842750.jpg?v=1757599985"},{"product_id":"orient-in-chaucer-and-medieval-romance-book-carol-f-heffernan-9780859917957","title":"The Orient in Chaucer and Medieval Romance","description":"A study of romance and the Orient in Chaucer and in anonymous popular metrical romances.  The idea of the Orient is a major motif in Chaucer and medieval romance, and this new study reveals much about its use and significance, setting the literature in its historical context and thereby offering fresh new readings of anumber of texts. The author begins by looking at Chaucer's and Gower's treatment of the legend of Constance, as told by the Man of Law, demonstrating that Chaucer's addition of a pattern of mercantile details highlights the commercial context of the eastern Mediterranean in which the heroine is placed; she goes on to show how Chaucer's portraits of Cleopatra and Dido from the Legend of Good Women, read against parallel texts, especially in Boccaccio, reveal them to be loci of medieval orientalism. She then examines Chaucer's inventive handling of details taken from Eastern sources and analogues in the Squire's Tale, showing how he shapes them into the western form ofinterlace. The author concludes by looking at two romances, Floris and Blauncheflur and Le Bone Florence of Rome; she argues that elements in Floris of sibling incest are legitimised into a quest for the beloved, and demonstrates that Le Bone Florence be related to analogous oriental tales about heroic women who remain steadfast in virtue against persecution and adversity.     Professor CAROL F. 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The essays in this volume take a representative selection of English and Scottish romances from the medieval period and explore some of their medieval contexts, deepening our understanding not only of the romances concerned but also of the specific medieval contexts that produced or influenced them. The contexts explored here include traditional literary features such as genre and rhetorical technique and literary-cultural questions of authorship, transmission and readership; but they also extend to such broader intellectual and social contexts as medieval understandings of geography, the physiology of swooning, or the efficacy of baptism. A framing context for the volume is provided by Derek Pearsall's prefatory essay, in which he revisits his seminal 1965 article on the development of  Middle English romance.    Rhiannon Purdie is Senior Lecturer in English, University of St Andrews; Michael Cichon is Associate Professor of English at St Thomas More College in the University of Saskatchewan.    Contributors: Derek Pearsall, Nancy Mason Bradbury, Michael Cichon, Nicholas Perkins, Marianne Ailes, John A. 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Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up until now. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depend on contradictions implicit in the very ideal of heroism.    Dr Neil Cartlidge is Lecturer in English at the University of Durham.    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