{"title":"The New Southern Studies","description":"\u003cp\u003eDelve into The New Southern Studies, a vital collection exploring the American South's complex history, culture, and identity. Discover insightful perspectives on race, class, gender, and more in these compelling works.\u003c\/p\u003e","products":[{"product_id":"sounding-the-color-line-book-erich-nunn-9780820347370","title":"Sounding the Color Line","description":"\u003cp\u003e\u003ci\u003eSounding the Color Line\u003c\/i\u003e explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eLike Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49730361196817,"sku":"NGR9780820347370","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51008364871953,"sku":"NIN9780820347370","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/082034737X.jpg?v=1750818741"},{"product_id":"borges-s-poe-book-emron-esplin-9780820355375","title":"Borges's Poe","description":"\u003cp\u003eEdgar Allan Poe's image and import shifted during the twentieth century, and this shift is clearly connected to the work of three writers from the R o de la Plata region of South America--Uruguayan Horacio Quiroga and Argentines Jorge Luis Borges and Julio Cort zar. In\u003ci\u003e Borges's Poe\u003c\/i\u003e, Emron Esplin focuses on the second author in this trio and argues that Borges, through a sustained and complex literary relationship with Poe's works, served as the primary catalyst that changed Poe's image throughout Spanish America from a poet-prophet to a timeless fiction writer. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eMost scholarship that couples Poe and Borges focuses primarily on each writer's detective stories, refers only occasionally to their critical writings and the remainder of their fiction, and deemphasizes the cultural context in which Borges interprets Poe. In this book, Esplin explores Borges's and Poe's published works and several previously untapped archival resources to reveal an even more complex literary relationship between the two writers. Emphasizing the spatial and temporal context in which Borges interprets Poe--the R o de la Plata region from the 1920s through the 1980s--\u003ci\u003eBorges's Poe\u003c\/i\u003e underlines Poe's continual presence in Borges's literary corpus. More important, it demonstrates how Borges's literary criticism, his Poe translations, and his own fiction create a disparate Poe who serves as a precursor to Borges's own detective and fantastic stories and as an inspiration to the so-called Latin American Boom. \u003cp\u003e\u003c\/p\u003eSeen through this more expansive context, \u003ci\u003eBorges's Poe \u003c\/i\u003eshows that literary influence runs both ways since Poe's writings visibly affect Borges the poet, story writer, essayist, and thinker while Borges's analyses and translations of Poe's work and his responses to Poe's texts in his own fiction forever change how readers of Poe return to his literary corpus.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49732296835345,"sku":"NGR9780820355375","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0820355372.jpg?v=1750947278"},{"product_id":"borges-s-poe-book-emron-esplin-9780820349053","title":"Borges's Poe","description":"\u003cp\u003eEdgar Allan Poe's image and import shifted during the twentieth century, and this shift is clearly connected to the work of three writers from the R o de la Plata region of South America--Uruguayan Horacio Quiroga and Argentines Jorge Luis Borges and Julio Cort zar. 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Emphasizing the spatial and temporal context in which Borges interprets Poe--the R o de la Plata region from the 1920s through the 1980s--\u003ci\u003eBorges's Poe\u003c\/i\u003e underlines Poe's continual presence in Borges's literary corpus. 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This interdisciplinary study slips beneath the bar of rigid national and literary periods, embarking upon deeper--more rhythmic and embodied--signatures of time. It swings low through ecologies and symbolic orders of creolized space. And it reappraises pluralistic modes of knowledge, kinship, and authority that have sustained vital forms of agency (such as jazz) amid abysses of racialized trauma. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eDrawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santer a, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Turning to an orphan girl's West African initiation tale to follow a remarkably traveled body of feminine rites and writing (in works by Paule Marshall, Zora Neale Hurston, Lydia Cabrera, William Faulkner, James Weldon Johnson, and LeAnne Howe, among others), Cartwright argues that only in holistic form, emergent from gulfs of cross-cultural witness, can literary and humanistic authority find legitimacy. Without such grounding, he contends, our educational institutions blind and even poison students, bringing them to swallow lye, like the grandson of Phoenix Jackson in Eudora Welty's A Worn Path. Here, literary study may open pathways to alternative medicines--fetched by tenacious avatars like Phoenix (or an orphan Kumba or a shell-shaking Turtle)--to remedy the lies our partial histories have made us swallow.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50793718120721,"sku":"","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50793718219025,"sku":"GOR014074760","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0820345997.jpg?v=1750883036"},{"product_id":"latining-america-book-claudia-milian-9780820344362","title":"Latining America","description":"With Latining America, Claudia Milian proposes that the economies of blackness, brownness, and dark brownness summon a new grammar for Latino\/a studies that she names “Latinities.” Milian’s innovative study argues that this ensnared economy of meaning startles the typical reading practices deployed for brown Latino\/a embodiment.  Latining America keeps company with and challenges existent models of Latinidad, demanding a distinct paradigm that puts into question what is understood as Latino and Latina today. Milian conceptually considers how underexplored “Latin” participants—the southern, the black, the dark brown, the Central American—have ushered in a new world of “Latined” signification from the 1920s to the present.  Examining not who but what constitutes the Latino and Latina, Milian’s new critical Latinities disentangle the brown logic that marks “Latino\/a” subjects. She expands on and deepens insights in transamerican discourses, narratives of passing, popular culture, and contemporary art. 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Scholars in history, literature, and other disciplines have developed an ad­vanced understanding of the historical, social, and cultural forces that have helped to shape the U.S. South. However, most of the debates on these subjects have taken place within specific academic disciplines, with few attempts to cross-engage.  Navigating Souths broadens these exchanges by facilitating transdisciplinary conversations about southern studies scholarship. The fourteen original essays in Navigating Souths articulate questions about the significances of the South as a theoretical and literal “home” base for social science and humanities researchers. They also examine challenges faced by researchers who identify as southern studies scholars, as well as by those who live and work in the regional South, and show how researchers have responded to these challenges. 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The U.S. South, long defined in terms of its differences with the U.S. North, is moving out of this national and oppositional frame of reference into one that is more international and integrative. Likewise, as the South (home to UPS, CNN, KFC, and other international brands) goes global, people are emigrating there from countries like India, Mexico, and Vietnam—and becoming southerners. Much has been made of the demographic and economic aspects of this shift. Until now, though, no one has systematically shown what globalism means to the southern sense of self.  Anthropologist James L. Peacock looks at the South of both the present and the past to develop the idea of \"grounded globalism,\" in which global forces and local cultures rooted in history, tradition, and place reverberate against each other in mutually sustaining and energizing ways. Peacock's focus is on a particular part of the world; however, his model is widely relevant: \"Some kind of grounding in locale is necessary to human beings.\"  Grounded Globalism draws on perspectives from fields as diverse as ecology, anthropology, religion, and history to move us beyond the model, advanced by such scholars as C. Vann Woodward, that depicts the South as a region paralyzed by the burden of its past. Peacock notes that, while globalism may lift old burdens, it may at the same time impose new ones. He also maintains that earlier regional identities have not been replaced by the rootless cosmopolitanism of cyberspace or other abstracted systems. Attachments to place remain, even as worldwide markets erase boundaries and flatten out differences and distinctions among nations. 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Romancing the Gullah seeks to fill a gap and correct the maps. While there is a veritable industry of books on literary Charleston and on “the lowcountry,” along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Great Migration and the Harlem (and Charleston) Renaissance.   By giving voice to artists and culture makers on both sides of the color line, uncovering buried histories, and revealing secret connections between races amid official practices of Jim Crow, Romancing the Gullah sheds new light on an only partially told tale. 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His novels— including Look Homeward, Angel (1929); Of Time and the River (1935); and the posthumously published The Web and the Rock (1939) and You Can’t Go Home Again (1940)—remain touchstones of U.S. literature.  In Look Abroad, Angel, Jedidiah Evans uncovers the “global Wolfe,” reconfiguring Wolfe’s supposedly intractable homesickness for the American South as a form of longing that is instead indeterminate and expansive. Instead of promoting and reinforcing a narrow and cloistered formulation of the writer as merely southern or Appalachian, Evans places Wolfe in transnational contexts, examining Wolfe’s impact and influence throughout Europe. 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By taking up Griggs’s work, these essays open up a new historical perspective on African American literature and the terms that continue to shape American political thought and culture.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51008444334353,"sku":"","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51008447283473,"sku":"NIN9780820345987","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0820345989.jpg?v=1750979591"},{"product_id":"southern-hospitality-myth-book-anthony-szczesiul-9780820355511","title":"The Southern Hospitality Myth","description":"Hospitality as a cultural trait has been associated with the South for well over two centuries, but the origins of this association and the reasons for its perseverance of­ten seem unclear. Anthony Szczesiul looks at how and why we have taken something so particular as the social habit of hospitality—which is exercised among diverse individuals and is widely varied in its particular practices—and so generalized it as to make it a cultural trait of an entire region of the country.  Historians have offered a variety of explanations of the origins and cultural practices of hospitality in the antebellum South. Economic historians have at times portrayed southern hospitality as evidence of conspicuous consumption and competition among wealthy planters, while cultural historians have treated it peripherally as a symptomatic expression of the southern code of honor. Although historians have offered different theories, they generally agree that the mythic dimensions of southern hospitality eventually outstripped its actual practices. Szczesiul examines why we have chosen to remember and valorize this particular aspect of the South, and he raises fundamental ethical questions that underlie both the concept of hospitality and the cultural work of American memory, particularly in light of the region’s historical legacy of slavery and segregation.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51008446234897,"sku":"","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51008449904913,"sku":"NIN9780820355511","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0820355518.jpg?v=1751264895"},{"product_id":"anne-spencer-between-worlds-book-noelle-morrissette-9780820362939","title":"Anne Spencer between Worlds","description":"Anne Spencer between Worlds provides an indispensable reassessment of a critically neglected figure. Looking beyond the poetry she published during the Harlem Renaissance, Noelle Morrissette provides a new critical lens for interpreting Spencer’s expansive life and imagination through her archives, giving particular focus to her manuscripts authored from 1940 to 1975.  Through its attentiveness to Spencer’s published and unpublished work, her work as a librarian and an activist, and the political dimensions of her writing, Anne Spencer between Worlds transforms our understanding of Spencer. It offers a sustained examination of poetry and ecology, and the relationships among race, gender, and archives, through its analysis of the manuscripts that Spencer produced and revised throughout her life. Morrissette argues that the expansiveness, depth, and range of Spencer’s writing has not been appreciated because she did not publish this incomplete, ongoing work. She also demonstrates that careful reading of the manuscripts challenges many of the assumptions that have governed Spencer’s reception.  In Anne Spencer between Worlds, Spencer emerges as a deeply engaged political poet who used the creative possibilities of the unpublished manuscript to explore pressing political and cultural concerns and to develop experimental cultural forms. In her unpublished manuscripts, Spencer pushed beyond the lyric mode to develop experimental forms that were alert to the expressive possibilities of the epic, prose, correspondence, and mixed genres. 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Gina Caison argues that popular misconceptions of Native American identity in the U.S. South can be understood by tracing how non-Native audiences in the region came to imagine indigeneity through the presentation of specious histories presented in regional literary texts, and she examines how Indigenous people work against these narratives to maintain sovereign land claims in their home spaces through their own literary and cultural productions. As Caison demonstrates, these conversations in the U.S. South have consequences for how present-day conservative political discourses resonate across the United States.  Assembling a newly constituted archive that includes regional theatrical and musical performances, pre-Civil War literatures, and contemporary novels, Caison illuminates the U.S. South’s continued investment in settler colonialism and the continued Indigenous resistance to this paradigm. 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In so doing Taylor advances a provocative, even counterintuitive claim: that the U.S. South and its Native American survivors have far more in common than mere geographical proximity. Both cultures have long been haunted by separate histories of loss and nostalgia, Taylor contends, and the moments when those experiences converge in explicit and startling ways have yet to be investigated by scholars. These convergences often bear the scars of protracted colonial antagonism, appropriation, and segregation, and they share preoccupations with land, sovereignty, tradition, dispossession, subjugation, purity, and violence.  Taylor poses difficult questions in this work. In the aftermath of Removal and colonial devastation, what remains—for Native and non-Native southerners—to be recovered? Is it acceptable to identify an Indian “lost cause”? Is a deep sense of hybridity and intercultural affiliation the only coherent way forward, both for the New South and for its oldest inhabitants? 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