{"title":"Theory Interpretation Narrativ","description":"\u003cp\u003eDelve into the fascinating world of literary theory and narrative interpretation with this compelling collection. Explore diverse perspectives and unlock deeper meanings within classic and contemporary texts. A must-read for literature enthusiasts.\u003c\/p\u003e","products":[{"product_id":"why-we-read-fiction-book-lisa-zunshine-lisa-zunshine-9780814251515","title":"Why We Read Fiction","description":"\u003ci\u003eWhy We Read Fiction\u003c\/i\u003e offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as Theory of Mind and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson's\u003ci\u003e Clarissa\u003c\/i\u003e, Dostoyevski's \u003ci\u003eCrime and Punishment\u003c\/i\u003e, and Austen's \u003ci\u003ePride and Prejudice\u003c\/i\u003e to Woolf's \u003ci\u003eMrs. Dalloway\u003c\/i\u003e, Nabokov's \u003ci\u003eLolita\u003c\/i\u003e, and Hammett's\u003ci\u003e The Maltese Falcon\u003c\/i\u003e. Zunshine's surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49515837030673,"sku":"GOR008416056","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50304703955217,"sku":"CIN081425151XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50559308300561,"sku":"CIN081425151XVG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51892182581521,"sku":"NIN9780814251515","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52592346202385,"sku":"NLS9780814251515","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/081425151X.jpg?v=1751043679"},{"product_id":"unnatural-voices-book-brian-richardson-9780814251577","title":"Unnatural Voices","description":"Brian Richardson presents a study that explores in depth one of the most significant aspects of late modernist, avant-garde, and postmodern narrative. \u003ci\u003eUnnatural Voices\u003c\/i\u003e analyzes in depth the creation, fragmentation, and reconstitution of experimental narrative voices that transcend familiar first- and third-person perspectives. Going beyond standard theories that are based in rhetoric or linguistics, this book focuses on what innovative authors actually do with narration. Richardson identifies the wide range of unusual narrators, acts of narration, and dramas with the identity of the speakers in late modern, avant-garde, and postmodern texts that have not previously been discussed in a sustained manner from a theoretical perspective. He draws attention to the more unusual practices of Conrad, Joyce, and Woolf as well as the work of later authors like Beckett and recent postmodernists. \u003ci\u003eUnnatural Voices\u003c\/i\u003e chronicles the transformation of the narrator figure and the function of narration over the course of the twentieth century and provides chapters on understudied modes such as second-person narration, \"we\" narration, and multiperson narration. It explores a number of distinctively postmodern strategies, such as unidentified interlocutors, erased events, the collapse of one voice into another, and the varieties of postmodern unreliability. It offers a new view of the relations between author, implied author, narrator, and audience and, more significantly, of the \"unnatural\" aspects of fictional narration. 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In the way that we believe in and hold in mind the idea that other human beings have minds of their own do we as readers of the novel believe we are in the presence of these other minds. But how?Imagining Minds explores how the novels of Austen, Eliot, and Hardy create the felt-quality of their authoring minds and of the minds they author by bringing their writing in relation to cognitive neuroscience accounts of the mind-brain, especially of William James and Antonio Damasio. It is in that relational space between the novels and theories of mind-brain that Kay Young works through her fundamental claim: the novel writes about the nature of mind, narrates it at work, and stimulates us to know deepened experiences of consciousness in its touching of our reading minds.While, in addition to James and Damasio, Young draws on a range of theories of mind-brain generated by current research in philosophy, neuroscience, cognitive science, psychology, psychiatry, and psychoanalysis to help her understand the novel s imagining of mind, her claim is that those disciplines cannot themselves perform the more fully integrated because embodied and emotionally stimulating mind work of thenovel mind work that prompts us as their readers to better know our own minds.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49777383244049,"sku":"GOR013781609","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":49999528362257,"sku":"CIN0814251749G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51915496653073,"sku":"CIN0814251749VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814251749.jpg?v=1750915007"},{"product_id":"narrative-dynamics-book-brian-richardson-9780814250921","title":"Narrative Dynamics","description":"This anthology brings together essential essays on major facets of narrative dynamics, that is, the means by which narratives traverse their often unlikely routes from beginning to end. It includes the most widely cited and discussed essays on narrative beginnings, temporality, plot and emplotment, sequence and progression, closure, and frames. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film. Narrative Dynamics includes such classic exponents as E. M. Forster on story and plot; Vladimir Propp on the structure of the folktale; R. S. Crane on plot; Boris Tomashevsky on story, plot, and, motif; M. M. Bakhtin on the chronotope; and Gerard Genette on narrative time. Richardson highlights essential feminist essays by Nancy K. Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire. These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. 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Theorists in these countries heavily participated in and shaped narratology, an outgrowth of the structuralist movement during the 1960s and 1970s. While US, German, and Scandinavian theorists took the forefront in the 1990s, narratology in France faded into the background. It was not until the turn of the century that a new interest in narratological issues among French researchers emerged. 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Despite a growing interest in collective characters and the we-form in narratology and beyond, narrative theory has not yet done justice to the plural voice in fiction. In fact, the formulation of a poetics of collective expression needs clear theoretical conventions and a reassessment of established concepts in order to approach plural voices and agents on their own terms. \u003ci\u003eWe-Narratives\u003c\/i\u003e addresses this demand by distinguishing between indicative and performative uses of the first-person plural pronoun in fiction and by identifying formal and rhetorical possibilities of stories told by group narrators. What does it mean for a multitude to speak as one? How can a truly collective narrative voice be achieved or lost? What are its aesthetic and political repercussions? In order to tackle these questions, Bekhta reads a range of contemporary novels and short stories by Jeffrey Eugenides, Joshua Ferris, Toby Litt, Zakes Mda, Joyce Carol Oates, and Julie Otsuka. 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This volume brings together a distinguished group of international critics, scholars, and historians that includes several of the world's leading narrative theorists. Together, they survey many basic areas of narrative studies from an unnatural perspective: story, time, space, voice, minds, narrative levels, \"realism,\" nonfiction, hyperfiction, and narrative poetry. Rarely have these fundamental concepts been subjected to such an original and thoroughgoing reconceptualization. Much of the book is directed toward an investigation of experimental and antirealist work. Each essay focuses on texts and episodes that narrative theory has tended to neglect, and each provides theoretical formulations that are commensurate with such exceptional, albeit neglected, works. \u003ci\u003eA Poetics of Unnatural Narrative\u003c\/i\u003e articulates and delineates the newest and most radical movement in narrative studies. 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Each chapter offers a sustained engagement with narrative theory and critical race theory as applied to ethnic American literature, exploring the interpretive possibilities of this critical intersection. Taken as a whole, these chapters demonstrate some of the many ways that the formal study of narrative can help us better understand the racial\/ethnic tensions of narrative fictions. Similarly, the essays advance the tools of narrative theory by redeploying or redesigning those tools to better account for and articulate the ways that race and ethnicity are formal components of narrative as well as thematic issues. \u003cp\u003e\u003c\/p\u003e Recognizing that racial\/ethnic issues and tensions are often contextualized geographically, this volume focuses on narratives associated with various racial and ethnic communities in the United States. By engaging with new developments in narrative theory and critical race studies, this volume demonstrates the vitality of using the tools of narratology and critical race theory together to understand how race influences narrative and how narratology illuminates a reading of race in ethnic American literature.\u003cbr\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52502693052689,"sku":"NLS9780814213544","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814213544.jpg?v=1760152297"},{"product_id":"somebody-telling-somebody-else-book-james-phelan-9780814213452","title":"Somebody Telling Somebody Else","description":"In \u003ci\u003eSomebody Telling Somebody Else\u003c\/i\u003e, James Phelan proposes a paradigm shift for narrative theory, a turn from viewing narrative as a structure to viewing it as a rhetorical action in which a teller selectively deploys the resources of storytelling in order to accomplish particular purposes in relation to particular audiences. Phelan explores the consequences of this shift for an understanding of various elements of narrative, including reliable and unreliable narration, character-character dialogue, and occasions of narration. \u003cp\u003e\u003c\/p\u003e In doing so, he offers new readings of a wide range of narratives from Jane Austen's \u003ci\u003ePride and Prejudice\u003c\/i\u003e to Joan Didion's \u003ci\u003eThe Year of Magical Thinking\u003c\/i\u003e, from Joseph Conrad's \u003ci\u003eLord Jim\u003c\/i\u003e to George V. Higgins's \u003ci\u003eThe Friends of Eddie Coyle, \u003c\/i\u003efrom Franz Kafka's Das Urteil to Toni Morrison's Recitatif, from David Small's \u003ci\u003eStitches\u003c\/i\u003e to Jhumpa Lahiri's Third and Final Continent, from John O'Hara's Appearances to Ian McEwan's \u003ci\u003eEnduring Love.\u003c\/i\u003e Phelan contends that the standard view of narrative as a synthesis of story and discourse is inadequate to handle the complexities of narrative communication, and he demonstrates the greater explanatory power of his rhetorical view. 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