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The Lost Suitcase Nicholas Delbanco

The Lost Suitcase par Nicholas Delbanco

The Lost Suitcase Nicholas Delbanco


État - Bon état
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Résumé

Ruminates on the life of the writer and the significance of language as art. This title takes as its central conceit a famous anecdote about Ernest Hemingway's early work: Hemingway's first wife, Hadley, going by train from their apartment in Paris to visit him in Switzerland, brought along, at his request, a suitcase full of his work-in-progress.

The Lost Suitcase Résumé

The Lost Suitcase: Reflections on the Literary Life Nicholas Delbanco

We work, each one of us, in the deep dark with no notion of what lasts. With this phrase Nicholas Delbanco reveals one of his urgent concerns: Why does a writer write? How much of his work will seem meaningful to others? In The Lost Suitcase Delbanco ruminates on the life of the writer and the significance of language as art. The title novella, a stunningly crafted story that is the book's centerpiece, takes as its central conceit a famous anecdote about Ernest Hemingway's early work: Hemingway's first wife, Hadley, going by train from their apartment in Paris to visit him in Switzerland, brought along, at his request, a suitcase full of his work-in-progress. The suitcase was stolen, and the loss was devastating for both of them as well as for their marriage. Did it also cause irreparable damage to Hemingway's career? Delbanco imagines this event and its main characters in numerous extremely inventive ways that make the narrative itself a comment on creativity, fiction, and a writer's self-awareness. In the eight reflections that surround and frame the novella, Delbanco contemplates various aspects of his craft. From the pleasure of travel writing to the travails of historical fiction, from the question of artistic judgment to that question put to the author of The Decline and Fall of the Roman Empire, Edward Gibbon (Always scribble, scribble, scribble! Eh, Mr. Gibbon?)-Delbanco ranges far and wide through the literary landscape. By turns descriptive and prescriptive, he explores how literary virtuosity is achieved, how the writing of fiction can be taught, and the way literature functions for writer and reader equally. He reflects on his own history, his family, the standards of judgment and progress, and the ways we remember and revise what has happened to us. Fiction is a web of lies that attempts to entangle the truth. And autobiography may well be the reverse: data tricked up and rearranged to invent a fictive self. In both form and content, The Lost Suitcase is a tradition-steeped meditation on literary art and an original foray into the world of words.

The Lost Suitcase Avis

Delbanco has a fine intellect and a sharp pen, and he wields both with precision... The essays contain gems of wisdom and lovely turns of phrase. -- Helen Fremont Harvard Review #21, Fall 2001 Engaging... [The Lost Suitcaseis] distinguished by its technical virtuosity, self-reflexive perspective and an improvisational modus operandi. -- Andy Brumer The New York Times Book Review The lesson in the multiplying possibilities of fiction and the endless process of producing drafts is a useful one. Publisher's Weekly

À propos de Nicholas Delbanco

Nicholas Delbanco is Robert Frost Collegiate Professor at the University of Michigan and the author of eighteen books of fiction and nonfiction, including Old Scores; Group Portrait: Conrad, Crane, Ford, James, and Wells; Running in Place: Scenes from the South of France; and The Writers'Trade and Other Stories. A founding director of the Bennington Writing Workshops, he directs the Hopwood Awards Program and teaches writing at the University of Michigan.

Sommaire

1. Travel, Art, and Death 2. Judgment 3. Rumford: His Book 4. Telephone 5. The Lost Suitcase: A Novella 6. Letter to a Young Fiction Writer 7. A Prayer for the Daughters 8. Less and More 9. Scribble, Scribble, Scribble

Informations supplémentaires

CIN0231115431G
9780231115438
0231115431
The Lost Suitcase: Reflections on the Literary Life Nicholas Delbanco
Occasion - Bon état
Broché
Columbia University Press
2001-08-20
238
N/A
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