Entertaining Uncertainty in the Early Modern Theater by Lauren Robertson

Entertaining Uncertainty in the Early Modern Theater by Lauren Robertson

Regular price
Checking stock...
Regular price
Checking stock...
Résumé

At the same time as it demonstrates how the theater transformed early modernity's crisis of uncertainty into stage spectacle, this book supplies a new account of early modern theatrical experience, one that is informed by the period's culture of playgoing and material conditions of performance.

The feel-good place to buy books
  • Free delivery in the UK
  • Supporting authors with AuthorSHARE
  • 100% recyclable packaging
  • B Corp - kinder to people and planet
  • Buy-back with World of Books - Sell Your Books

Entertaining Uncertainty in the Early Modern Theater by Lauren Robertson

Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.
'Lauren Robertson extends the conversation about early modern staging conventions in provocative new waysBeyond the practicalities and social functions of staging practices she investigates their psychological dynamics. Within her critical framework, perception in theatrical performance is a matter of expectations on the spectators' part – expectations that she argues were challenged in commercially successful play scripts, resulting in a state of uncertainty that spectators loved to experience and were willing to pay for again and again. The broad historical sweep of the book turns Caroline drama into a climax rather than an afterthought.' Bruce R. Smith, University of Southern California
'Lauren Robertson gives us an original and brilliantly compelling account of the provocations and pleasures of audience uncertainty in early modern English theatrical culture. Alert to a wide range of philosophical, historical, and performative concerns, she offers fascinating discussions of the evolving interplay between dramatic representation and spectatorial engagement within the commercial repertory from its Elizabethan beginnings with Marlowe, Kyd, and Shakespeare to its Jacobean and Caroline developments in Jonson, Middleton, Ford, and Massinger. Her readings are unfailingly perceptive – often arresting in their acuity and persuasive vigor – and the attention she devotes to the doubts and interpretive challenges faced by playgoers is exhilarating in its imaginative reach. This is a book not only for Shakespeareans and scholars of early modern drama but for all serious students and lovers of theater.' William Hamlin, Washington State University
Lauren Robertson is Assistant Professor of English and Comparative Literature at Columbia University. Her articles and reviews have appeared or are forthcoming in Shakespeare Studies, Renaissance Drama, Theatre Journal, and Shakespeare Quarterly.
SKU Non disponible
ISBN 13 9781009225151
ISBN 10 1009225154
Titre Entertaining Uncertainty in the Early Modern Theater
Auteur Lauren Robertson
État Non disponible
Éditeur Cambridge University Press
Année de publication 2023-02-09
Nombre de pages 290
Note de couverture La photo du livre est présentée à titre d'illustration uniquement. La reliure, la couverture ou l'édition réelle peuvent varier.
Note Non disponible