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The Paying Guests Sarah Waters

The Paying Guests By Sarah Waters

The Paying Guests by Sarah Waters


£4.40
New RRP £10.99
Condition - Very Good
<30 in stock

Summary

The extraordinary bestselling author, who wrote three astonishing Victorian novels before moving to the 1940s with The Night Watch and The Little Stranger, now turns to the 1920s.

The Paying Guests Summary

The Paying Guests: shortlisted for the Women's Prize for Fiction by Sarah Waters

SHORTLISTED FOR THE WOMEN'S PRIZE

This novel from the internationally bestselling author of The Little Stranger, is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' (Guardian)

It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.

For with the arrival of Lilian and Leonard Barber, a modern young couple of the 'clerk class', the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be.

This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all a wonderful, compelling story.

'You will be hooked within a page . . . At her greatest, Waters transcends genre: the delusions in Affinity (1999), the vulnerability in Fingersmith (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But The Paying Guests is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep' -Charlotte Mendelson, Financial Times

The Paying Guests Reviews

Absolutely brilliant -- Jacqueline Wilson * Sunday Times *
A page-turning melodrama and a fascinating portrait of London on the verge of great change * Guardian *
Waters's page-turning prose conceals great subtlety. Acutely sensitive to social nuance, she keeps us constantly alert . . . From a novelist who has been shortlisted for the Booker three times, this is a winner * Intelligent Life (The Economist) *
The novel's remarkable depth of field - from its class-ridden background to its individuals' peccadilloes - is sharply portrayed by an author writing at her best. Waters's 20-20 vision perceives the interior world of her characters with rare acuity in a prose style so smooth it pours down the page in a book to be prized * Scotland on Sunday *
A sumptuously subdued story of making do and getting by after the great war -- Philip Hensher * Guardian *
Brilliantly involving . . . juicy, beautifully observed [and] not afraid to be explicit * Metro *
A triumph * Woman & Home *
You will be hooked within a page . . . At her greatest, Waters transcends genre: the delusions in Affinity (1999), the vulnerability in Fingersmith (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But The Paying Guests is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep -- Charlotte Mendelson * Financial Times *
A masterpiece of social unease . . . It isn't so much the plot that makes you read on - the novel's armature is a comparatively uncomplicated suspense narrative but barnacled to it is an astonishing accretion of detail . . . A virtuoso feet of storytelling -- Jane Shilling * Evening Standard *
She give(s) us a poignant love story which symbolically sees in the death of the old order, the death of the old fashioned husband and maybe the birth of an era of love without secrets * Independent *
Waters is brilliant * The Times *
A nod towards Little Dorrit also seems perceptible in the book's quiet ending amid the bustle and clamour of London. Unillusioned but tentatively hopeful, it is a beautifully gauged conclusion to a novel of ambitious reach and triumphant accomplishment -- Peter Kemp * Sunday Times *
The Paying Guests demonstrates the writerly qualities for which Waters is esteemed, proving as 'fantastically moody and resonant', in terms of the rendering of domestic space, as a novel the author herself described as such and which she once said she would like to have written: Daphne du Maurier's Rebecca * Literary Review *
Sarah Waters is, quite simply, one of our greatest writers -- Joanna Briscoe * Sunday Express *
Another wild ride of a novel . . . [I was] helplessly pulled along by the magnetic storytelling -- Tracy Chevalier * Observer *
Sumptuous . . . The writing is impeccable. A joy in every respect -- Lionel Shriver * New Statesman *
An uninterruptable joy of a novel . . . Sarah Waters at her tip-top best -- Juliet Nicolson * Evening Standard *
The Paying Guests is so evocative and compelling that all the time I was reading, I had a feeling it was me who had done something terrible, instead of her characters -- Rachel Joyce * Observer *

Fiction book of the year

This novel magnificently confirms [Sarah Waters's] status as an unsurpassed fictional recorder of vanished eras and hidden lives

* Sunday Times *
The Paying Guests reminded me just how clever it is to create characters that captivate through their adventures in a world so well-realised that you can almost reach out and touch it -- Zoe Strachan * Sunday Herald *
I raced through it, breathing fast and when I had finished had to reread parts of the wonderful early chapters. I don't like historical novels but this is the exception. I shall let a few months go by and then read it all over again with, I'm sure, undiminished pleasure -- Ruth Rendall * Guardian *
Super-gripping . . . There is a huge momentum to this story -- William Leith * Evening Standard *
Sickeningly tense - and thumpingly good * Daily Mail *
You know you are in the hands of a skilful, confident writer when you read a Sarah Waters book. She slowly reels you in. She weaves plots and themes that creep up and entangle you while you are innocently following her characters. They go about their shadowy business and by the time you raise your head from the page to take a breath, you're hooked -- Viv Albertine * Telegraph *
Waters is an author to cherish * Guardian *
Masterly... delightful... tremendously vivid... Waters is a cracking storyteller * Tatler *
Waters is not simply one of our best historical novelists, but one of our best novelists . . . sooner or later, she's going to be given the Booker. If you haven't already, start reading her now, and be one step ahead of the crowd * Independent on Sunday *

About Sarah Waters

Sarah Waters, who was born in Wales, has been described as 'one of the best storytellers alive today' (Matt Thorne, Independent), and there can be no doubt that readers and critics alike have been gripped by her extraordinary imagination. Sarah Waters' first novel, Tipping the Velvet, won a Betty Trask Award, and was shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize. Her next novel, Affinity, won the Somerset Maugham Award and the Sunday Times Young Writer of the Year Award while Fingersmith and The Night Watch were both shortlisted for the Man Booker Prize and the Orange Prize. The former also won the CWA Ellis Peters Dagger Award for Historical Crime Fiction and the South Bank Show Award for Literature. The Little Stranger was shortlisted for the Man Booker Prize in 2009 and The Paying Guests was shortlisted for the Baileys Prize in 2015. Tipping the Velvet, Affinity, Fingersmith and The Night Watch have all been adapted for television, The Little Stranger was adapted as a film by Lenny Abrahamson, and Fingersmith inspired Park Chan-wook's film, The Handmaiden. Sarah Waters has been named Author of the Year five times: by the British Book Awards, The Booksellers' Association, Waterstone's Booksellers, Glamour Magazine Awards and the Stonewall Awards. In 2019 she was awarded an OBE for services to literature.

Additional information

GOR006715028
9780349004600
0349004609
The Paying Guests: shortlisted for the Women's Prize for Fiction by Sarah Waters
Used - Very Good
Paperback
Little, Brown Book Group
20150604
608
Winner of IBW Book Award 2015 (UK) Long-listed for The Walter Scott Prize for Historical Fiction 2015 (UK) Long-listed for Baileys Women's Prize for Fiction 2015 (UK) Long-listed for IMPAC Dublin Literary Award 2016 (UK)
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

Customer Reviews - The Paying Guests