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Writing and Imagery AJ Palmer

Writing and Imagery By AJ Palmer

Writing and Imagery by AJ Palmer


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Summary

How to use creativity to improve your writing Written by professional writer and very experienced creative writing teacher, this book explains the nature of creativity and how a basic understanding of the brain function can enhance the creative process.

Writing and Imagery Summary

Writing and Imagery by AJ Palmer

Writing and Imagery Paperback: 160 pages Publisher: Aber Publishing Language: English ISBN: 978-1842850619 Product Dimensions: 13.9 x 1.5 x 21.6 cm Book cover for Writing and Imagery: How to Deepen Creativity and improve your Writing Writing and Imagery: How to Deepen Creativity and improve your Writing Here is how to use creativity to improve your writing Written by professional writer and very experienced creative writing teacher, this book explains the nature of creativity and how a basic understanding of the brain function can enhance the creative process. This book explains how through cultural shifts, the use of imagery has become more mainstream in the last 25-years and how this is a jumping off point to using creative imagery to reframe writing for different markets. 5.0 out of 5 stars Creativity not Artistic skill - making images work for writers!, By Benjamin Scott This review is from: Writing and Imagery: How to Deepen Creativity and Improve Your Writing (Paperback) Writing and Imagery is a masterclass in finding, honing and magnifying a writer's creative power and prowess. Based on her own experience exploring and teaching using imagery, Ann Palmer gives writers at every level the opportunity and tools to get more out of every stage of the writing process, as well as more from writing classes, workshops and exercises. With a right brain, image-lead approach to idea-generation, this book will revolutionise the lives of aspiring and professional writers and well as workshop leaders and teachers everywhere. But Writing and Imagery is not a prescription, a quick fix in a pill. It's an invitation to go on an inner adventure - a powerful way to discover spontaneity, joy and surprises in writing. It works. And it works in different ways for different writers. Artistic skill is not important, in fact, it's almost irrelevant to the process of redefining the writer's brain. While image work may be alien to many writers, I've found this approach fundamentally shifting and inspiring. Not only does it encourage and build self belief, but harnesses the brains cooperation in the writing process. Ann Palmer is a midwife for the birth of the reader's own enhanced creativity; she guides the reader to make their own discoveries and journeys into the imaginative subconscious. Don't just read through the book, use to it to explore the wild creativity of your right-brain. Once you've started working with Writing and Imagery, writer's block may well be a thing of the past. This new approach to writing has help for every stage of writing, from idea generation to being more original, from struggling with show not tell to writing synopses. After years of going to Ann's workshops, it's wonderful to see these amazing methods brought to a wider audience. This is a book few writers can afford not to read. 5.0 out of 5 stars Breath of fresh air in the How To literary section By Daniela I. Norris In a compelling, easy to read and easy to follow guide to activating your right brain during the process of creative writing, Ann Palmer opens a window into a world full of inspiring images and stimulating ideas. A wonderful tool for Creative Writing students, aspiring writers and accomplished authors who find that silencing the inner, left-brain-dominated critic is hard work. Packed with practical tips, exercises and advice gathered during her years as a Creative Writing teacher, Writing and Imagery: How to Deepen Your Creativity and Improve Your Writing is a breath of fresh air in the How To literary section. Click here to buy 5.0 out of 5 stars An involving, encouraging and informative text By Susannah Format: Paperback I would warmly recommend reading Ann Palmer's `Writing and Imagery', even if you are not a writer of creative fiction. All readers interested in enhancing creative potential through Right Brain activity will benefit from this publication. In my professional role as an ESL teacher, I have found Ann's clear advice and suggestions directly related to storytelling strategies I employ in activities which help students manipulate language to personalise expression. As an interested reader, I have tried some of the variety of practical exercises Ann illustrates. You may be surprised to discover how much resonance these have within your outlook on life and the way in which they empower problem-solving tasks. Not only informative, this publication is involving, encouraging and a fun experience. 'Wholistic' in fact. f 5 stars An inspiring book from an inspiring teacher By Carri KP Format: Paperback Ann Palmer is an inspiring, enthusiastic and encouraging creative writing teacher. In this book she shares with generosity her impressive knowledge and experience of the writing process. Writing can be difficult, not least because much westernised education emphasises left brain attributes - strait-laced, orderly, rule-bound and censorious. By developing and learning to trust the more unusual and and even `quirky' - but highly creative - right brain, and giving it equal validity with the left, we can achieve a more `wholistic' approach to our work. By working with images we can interrogate our writing and find surprising and worthwhile meanings and directions. The book offers many fascinating exercises and suggestions. I'd never have believed they could reveal so much to me. The journey offered within these pages leads us towards deeper, more honest, more expansive and more original writing, and we may indeed find hidden treasures that will truly amaze. Read, explore and discover! An excellent guide By A reader Format: Paperback This is an excellent guide to the underexplored - and fascinating - world of imagery and its links to creativity in general and writing in particular. It offers valuable advice on how to make friends with your right brain, honour this relationship and, as a consequence, release your creative energies. Superb chapters about writing fiction are included towards the end; yet, the insights presented throughout the book are immensely beneficial also to non-fiction writers. This is a must-have book for all writers who want to proceed to another level on their creative journeys. Click here to buy Truly Inspirational By A. Radcliffe-Hart Format: Paperback Ann Palmer takes the intellectual passion we all, as writers in the least, feel for language and literature and enables us to connect this passion with image-based attributes of our right-brain. The organic image-work which follows this process has found new depths within my writing whilst I have been expanding the possibilities that have been trapped, just an image or two away. By understanding how to unlock the key right brain writer skills, Writing and Imagery allows you to reframe and recreate. This book is truly inspirational. 5.0 out of 5 stars Great book ... and a priceless free gift By Eileen Format: Paperback So often in the course of my work I have longed for Ann to be sitting in front of me, as she does in her workshops, guiding me through techniques to help me tap into my right brain to explore the deeper imagery within it. Now, it's as if she is. Her book is now a vital tool in my creative armoury ... and it came with a free gift: my dreams. 4.0 out of 5 stars A Scientific Study By Mrs. E. H. Hopkinson Format: Paperback For those of us who naturally work this way, Writing and Imagery provides a fascinating study of the science behind a seemingly intuitive process. For those who don't, it will open a new world of creativity. (Elizabeth Hopkinson: fantasy writer and member of Swanwick Writers' Summer School)

About AJ Palmer

A.J. Palmer is well known in creative writing and is an expert in helping new writers to improve their writing.

Table of Contents

Introduction Chapter 1 - Writing & Imagery How blocks become stepping stones Effect of a cultural shift in attitudes towards writing Creative writing as a university discipline Students' attitudinal change Effect of a cultural shift in writer attitudes towards imagework The new writer and imagery Evidence from education supporting Right Brain learning methods. The self-generated image Accultured images v. personal ones Important I.D. of a self-generated image The ten key Right Brain writer skills Ways into Image Chapter 2 - Creativity - Students' perspectives Right Brain learning Students' understanding of creativity My learning from students' understanding of creativity Personalised I.D. of Creativity & the Learning Journal Research with students More research with students Outer reliance/inner reliance balance Word association game - a creative approach Something to visualise Ways into Image Chapter 3 - I.D. of Creativity Multidimensionality & commonality The double filter Natural human complexity The human dynamic multi-interactive system as evolving image Dendrites go round the world Left brain logical, Right brain AR-tistic Right brain/Left brain skills Right brain language of Image-speak A cross-over image to help reorientate Defining our brainview (as in 'worldview') Criticism v. creativity The cultural filter of literary criticism The personal filter of criticism Transforming the double filter Something to visualise Ways into Image Chapter Four - Understanding & mastering Right Brain I.D. Overview on purpose and function of this chapter First impressions of Right Brain I.D. The seven clusters The place of emotion Emotion as a whole body experience The effect of writing on the writer Important fine distinction concerning the clusters How the seven clusters work for writers Diversity of personal responses Image-speak - a new working strategy Something to visualise The Personalised Brainview Chapter 5 - Relating to Right Brain I.D. Learning personal image-speak Re-framing image-speak The Virtuous circle in relation to imagery for writers Way 1 Way 2 Way 3 How Left Brain bias sabotages image-speak 7 hurdles to learning image-speak Hurdles 1 - 7 Something to visualise Ways into Image-speak Step 1 Go through the barrier. Draw. Step 2 Become attuned and sensitive to the act of drawing Chapter 6 - Begin with your dreams Mastering the I.D. of dreams The multi-identity of dreams A new overview of imagery incorporating dreams 7 reasons for writers to do dreamwork How writers work with their dreams The double filter on dreams Strategies of Creative writing teachers to overcome student blocks Student objections to doing dreamwork Tackling nightmares Making sense of dreams and dreamwork Reframing dreams as important to writers Deep imagery work The process of learning The I.D. of dreams for writers Natural attitudinal changes accompanying dreamwork The content of dreams Interpreting dreams Writers' use of dreams Something to visualise Ways into dream images Chapter 7 - Artwork for writers Doodling Reinventing the concept of doodling Doodling for the Right Brain writer White space on a page Reasons to image big Doing what comes naturally The Inner child state as Right Brain Stylised artwork - an easy extension for non-artists Stylised artwork's simplicity Common features of stylised artwork Aboriginal style artwork Going through the unfamiliarity barrier Something to visualise Ways into Image Chapter 8 - Visualisation Methods to encourage Right Brain functioning The Image-happy writer The Image Flood Effects of Image Flood exercises Two Examples of Image Floods Image flood exercise Number One Image flood exercise Number Two Invent your own Image Flood Extended Visualisation The Professional Writer & Extended Visualisation Reality enhancement Something to visualise Ways into Image Chapter 9 - Metaphor What is a metaphor? Why metaphorise the corpus callosum? Writer development 13 Metaphors for the corpus callosum - Metaphor 1 - Bridge 1 Metaphor 2 - Bridge 2 Metaphor 3 - A movable staircase - as in Harry Potter Metaphor 4 - Undersea connector Metaphor 5 - Broadband Metaphor 6 - The Moonbounce Metaphor 7 - Pair of linked hands Metaphor 8 - A saloon door Metaphor 9 - An athletic tiger Metaphor 10 - A coastal headland with caves Metaphor 11 - Point of meeting of jungle & headland Metaphor 12 - A two-headed dragon Metaphor 13 - A double rainbow, arcing from land to ocean Debrief on the 13 metaphors for the corpus callosum Workshopping with corpus callosum metaphors Something to visualise Ways into Metaphor Chapter 10 - More on metaphor Nine ways the 'Life is..' metaphor works The 'Life is...' metaphor as a writing exercise - 7 benefits Mindmap of students' 'Life is...' metaphors Ways to interpret and relate to this metaphor mindmap The not-quite metaphors Useful learning from the 'Life is...' metaphor mindmap Working with half metaphors Startpoints into the 'Life is...' metaphor Extended metaphor - exploring metaphor's potential Extended metaphor as cliche reinvention. Example of extended metaphor as a poem Something to visualise Ways into Life metaphors Chapter 11 - The language and teaching of Creative Writing Concepts used in teaching Creative Writing Show, don't tell Make a scene of it Words jumping off the page Anecdote - Right Brain mini-stories How to deal with early mismatches The English language as writer's artistic medium Word-culls Reframing in action for the writer The English language - its downside and upside Can Creative Writing be taught? Seven learning styles Importance of what is taught What the new writer gets from each of these systems Something to visualise Ways into learning Chapter 12 - Entering the world of fiction The world of fiction from a new writer's perspective Informative Overviews on story... Story hook The character driven plot A reader-based understanding of story Three traps for new story writers concerning relationship with their story material Trap 1 - the real life model Trap 2 - believing/acting on negative feelings/moodstate Trap 3 - Dissociation Blocks into stepping stones Story and story development, Right Brain style Interrogation of material as a developmental technique Subjectivity as friend and enemy of the writer Expanding the strategy-base for development The four-point turnaround system Something to visualise Ways into fiction Chapter 13 - Story Writing - Way 1 Intuitive wisdom concerning story Storymaking as an iceberg metaphor Problems with new writers' stories Ways into story The interactive reading of story Way 1 - Read for plot Way 2 - Read for emotion Way 3 - Read for character & character development Way 4 - Read for mind-pictures Role-play your characters Four direct benefits of role-playing your characters Something to visualise Way into character Chapter 14 - Story Writing - Way 2 Action Images as fiction's source What is an Action Image Action Images and imagework Action Images and writers Inner imagery as universal currency Why it's important to know the power of deep imagery work Action Images Reading, interpreting and using Action Images in fiction. Fifty Action Images Something to visualise Ways into Action Images Chapter 15 - The Art of Creative Technique Fictional development using Action Images Following your intuition Creating a storyline from your own Action Images Bigging up working titles Example of four Action Images producing a storyline Rough storyline of 'Flying Flowers' Overview on storyline of 'Flying Flowers'. Analysis and Interrogation Different levels of questions Closed ended questions Questions that remain questions for a while Questions expansive of story A worked example of expansive questions applied to the storyline of 'Flying Flowers' What is this story about? Ways into creative technique Chapter 16 - Informative overviews and ongoing learning Right Brain qualities imaged The nation of images The larger picture Metaphor's larger picture Images for this book Journey - experiential metaphor for this book Further ways into Image Chapter 17 - Re-imaging A writer's evolution Reframing at the Right Brain level A re-classification of artwork and its importance for writers The ideal creative relationship Chapter 18 - Re-imaging 2 Decoding personal symbology longterm Doodling as a primer in Imagespeak Student speak in decoding personal symbology Re-imaging self generated images

Additional information

GOR006228196
9781842850619
184285061X
Writing and Imagery by AJ Palmer
Used - Very Good
Paperback
GLMP Ltd
20101001
212
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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