By examining how female characters speak and act during coming of age, engagement, marriage, and intimacy, Consent in Shakespeare will enhance understanding about how and why women spoke, remained silent, or acted as they did in relation to their intimate partners in Early Modern and contemporary private and public situations in and around the Mediterranean.

Consent in intimate relationships is front and center in todays conversations. This book re-examines the verbal and physical interactions of female-identified characters in Early Modern and contemporary cultures in Shakespeares Mediterranean comedies and the sources from which he derived his plays. This re-examination of the words that women say or do not say, and actions that women do or do not take, in Shakespeares Mediterranean plays and his probable sources sheds light on how Shakespeares audiences might have perceived Mediterranean cultural mores and norms. Assessment of source materials for Shakespeares comedies set in the Balkans, France, Italy, the Near East, North Africa, and Spain suggests how women of diverse backgrounds communicated in everyday life and peak life experiences in the Early Modern era.

Given Shakespeares impact worldwide, this initiative to shift the conversation about the power of consent of female protagonists and supporting characters in Shakespeares Mediterranean plays will further transform conversations about consent in class, board and conference rooms, and the international stage.