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Royal Goldsmiths Christopher Hartop

Royal Goldsmiths By Christopher Hartop

Royal Goldsmiths by Christopher Hartop


Condition - Very Good
Out of stock

Summary

The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style

Royal Goldsmiths Summary

Royal Goldsmiths: The Art of Rundell and Bridge, 1797-1830 by Christopher Hartop

Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell & Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell & Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell & Bridge did more than promote innovative styles; they marketed new types of tableware. Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.

Royal Goldsmiths Reviews

'[M]uch-needed ...'--Silver Studies; '[W]onderfully illustrated, with well written and thought out essays by leading scholars; it brings our knowledge of these royal goldsmiths up to date.'--Spencer Marks

About Christopher Hartop

Christopher Hartop's books include: The Huguenot Legacy (1996); East Anglian Silver (2004); A Noble Feast (2008); The Classical Ideal (2010), A Noble Pursuit (2010); and Norfolk Summer: Making The Go-Between (2011).

Table of Contents

Foreword His Royal Highness The Prince of Wales; Acknowledgements; Chronology; Introduction Philippa Glanville; The Business of Luxury; At the Sign of the Golden Salmon; 'The First of Its Kind in the Empire'; A Patriotic Age: Rundell's and Their Gold Box Suppliers (by Charles Truman); '... the most splendid collection of jewels ... in Europe ...'; 'A Manufactory on a large and liberal plan': The Lure of Egypt (by David Watkin); 'Ten thousand ounces of sterling silver monthly'; Our 'greatest patron & best friend': George IV and Jewellery (by Diana Scarisbrick); George IV and the Grand Service (by Matthew Winterbottom); The Great Accumulator; An Imperial Style; Naturalism and Exoticism; The Final Years; Bibliography; Index

Additional information

GOR005885646
9780952432234
0952432234
Royal Goldsmiths: The Art of Rundell and Bridge, 1797-1830 by Christopher Hartop
Used - Very Good
Paperback
John Adamson Publishing Consultants
2005-07-01
168
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

Customer Reviews - Royal Goldsmiths