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True Blood Dr Brigid Cherry (St Mary's University, Twickenham, UK)

True Blood By Dr Brigid Cherry (St Mary's University, Twickenham, UK)

Summary

From viral webisodes depicting vampires announcing themselves on TV to the steamy title sequence and the show's uninhibited use of language, sex and gore, True Blood has quickly gained status as cult TV with bite. This title explores the hidden depths of True Blood's vampire bars, small town communities and haunted bayous.

True Blood Summary

True Blood: Investigating Vampires and Southern Gothic by Dr Brigid Cherry (St Mary's University, Twickenham, UK)

As seen in HBO's True Blood, vampires have never been more edgy, gory or sexy. Since its arrival on screen in 2008, Alan Ball's adaptation of The Southern Vampire Mysteries by Charlaine Harris has exploited the creative freedoms of the HBO brand and captured a cult audience with its passionate, blood-drenched visuals and stories. From viral webisodes depicting vampires announcing themselves on TV to the steamy title sequence and the show's uninhibited use of language, sex and gore, True Blood has quickly gained status as cult TV with bite. True Blood posed the question of what would happen if vampires 'came out of the coffin' and this book considers the representations of sexuality, race and class in a series that engages directly with prejudice and civil rights. It also considers True Blood's generic roots in television horror, paranormal romance and Southern Gothic, the wider contexts of fairy tales and religion, the marketing of the series and the activities of its fans. Written for students, scholars and fans, True Blood: Investigating Vampires and Southern Gothic explores the hidden depths of True Blood's vampire bars, small town communities and haunted bayous.

About Dr Brigid Cherry (St Mary's University, Twickenham, UK)

Brigid Cherry is a senior lecturer in Film and Popular Culture at St Mary's University College. She is the author of Horror in the Routledge Film Guidebook series and the co-editor of Twenty-First-Century Gothic. Her publications include chapters in Fanpires: Audience Consumption of the Modern Vampire, Supernatural: TV Goes to Hell, British Science Fiction in Film and Television and Horror Zone.

Table of Contents

Contents: Introduction Before the Night is Through: True Blood as Cult TV Brigid Cherry Part 1 The True Face of Vampires: Production and Style TV Love Fangs: The Televisuality of HBO Horror Stacey Abbott More Than Cold and Heartless: The Southern Gothic Milieu of True Blood Caroline Ruddell and Brigid Cherry Part 2 There's a Bigger Picture: Myths and Meanings 'I'm a Fairy? How Fucking Lame!': True Blood as Fairy Tale Mikel J. Koven Drink in Remembrance of Me: Blood, Bodies, and Divine Absence in True Blood Gregory Erickson Minoritarian Romantic Fables in HBO's True Blood Dennis Rothermel Part 3 A Button You Can Push On People: Characters and Identities Mad, Bad and Delectable to Know: True Blood's Paranormal Men and Gothic Romance Ananya Mukherjea Blacks and whites, trash and good country people in True Blood Victoria Amador The Homosexual Vampire as a Metaphor For ... the Homosexual Vampire?: True Blood, Homonormativity and Assimilation Darren Elliott-Smith Part 4 Knowing What It Means To Love: Marketing and Fandom It's Not Television, It's Transmedia Storytelling: Marketing the 'Real' World of True Blood U. Melissa Anyiwo The Fangtasia Experience: True Blood Fans, Commodification & Lifestyle Maria Mellins 'Oh Great! Now I Have to Deal with Witches?!': Exploring the 'Archontic' Fan Fiction of True Blood Erin Hollis Episode Guide/Index

Additional information

GOR013108096
9781848859401
1848859406
True Blood: Investigating Vampires and Southern Gothic by Dr Brigid Cherry (St Mary's University, Twickenham, UK)
Used - Like New
Paperback
Bloomsbury Publishing PLC
20120817
232
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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