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Damned to Fame James Knowlson

Damned to Fame By James Knowlson

Damned to Fame by James Knowlson


$68,99
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Summary

This biography recreates Beckett's youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Continent, where he plunged into the multicultural literary society of late-1920s Paris.

Damned to Fame Summary

Damned to Fame: Life of Samuel Beckett by James Knowlson

Samuel Beckett's long-standing friend, James Knowlson, recreates Beckett's youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Continent, where he plunged into the multicultural literary society of late-1920s Paris. The biography throws new light on Beckett's stormy relationship with his mother, the psychotherapy he received after the death of his father and his crucial relationship with James Joyce. There is also material on Beckett's six-month visit to Germany as the Nazi's tightened their grip. The book includes unpublished material on Beckett's personal life after he chose to live in France, including his own account of his work for a Resistance cell during the war, his escape from the Gestapo and his retreat into hiding. Obsessively private, Beckett was wholly committed to the work which eventually brought his public fame, beginning with the controversial success of Waiting for Godot in 1953, and culminating in the award of the Nobel Prize for Literature in 1969. James Knowlson is the general editor of The Theatrical Notebooks of Samuel Beckett.

Additional information

GOR010685785
9780747527190
0747527199
Damned to Fame: Life of Samuel Beckett by James Knowlson
Used - Like New
Hardback
Bloomsbury Publishing PLC
19960926
887
Winner of Southern Arts Literary Prize 1998 Winner of Southern Arts Literature Prize 1998
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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