A delightful look at the cultural history of our roads...Moran's reflections on traffic jams are also illuminating: after reading them the prospect of congestion is really quite alluring. -- Editor's Pick * The Bookseller *
Entertaining stuff, a blend of history, cultural and social observation and travel writing which motors along nicely. Quirky, funny and a great gift buy for Father's Day. -- Booksellers Choice * The Bookseller *
A warm-hearted, ingenious, endlessly fascinating exploration of our complicated relationship with the road. Joe Moran is single-handedly transforming the history of everyday life in modern Britain. -- David Kynaston
Wonderful. Joe Moran is the master of turning the mundane realities of everyday life into the stuff of history, and in this book he has surpassed himself. From speed limits to Travelodges, nothing escapes his forensic examination, and almost no page is without some surprising insight. Whoever could have known that roads were so fascinating?' -- Dominic Sandbrook
Joe Moran is one of the most interesting and original observers of the minutiae of British life to emerge in a long while. -- Matthew Engel
Truly wonderful...every minute devoted to this book is richly rewarded. It is hard to say which is the more remarkable here: the astonishing range and variety of what Joe Moran knows, or the easeful, evocative, luxuriously entertaining way he parcels it up and puts it across. -- David McKie, author of Great British Bus Journeys
Joe Moran has a genius for turning the prosaic poetic - this is a tone poem in tarmac. Motorway journeys will never be so dull again. A treat. -- Peter Hennessy, author of Having It So Good
A fascinating, thought-provoking and entertaining exposition of how we all get from A to B. Part history, part anthropology, Joe Moran gives meaning to the everyday in this compelling exploration of how Britain's roads function - and what they have come to mean. Somewhat akin to a modern day JB Priestley, he has gone in search of modern Britain by travelling its motorways, stopping at its service stations - and checking out its road rage. A wonderful book. Moran has fast become Britain's foremost explorer and explainer of the disregarded. -- Juliet Gardiner, author of Wartime: Britain 1939-1945
a really fascinating insight into everything from motorways to byways by one of Britain' s best cultural studies academics. This is a really necessary book - one wonders why it hasn't been done before - that combines travel writing, history and anthropology to delve into roads as a social phenomena. -- Giles Foden * Conde Nast Traveller *
Engaging... wide-ranging but succinct...he delves knowledgably into the history of the British road system...very instructive it is too. -- Robert Low * Standpoint *
Strangely fascinating...Joe Moran has delved into the brute asphalt of the post-war British highway and found a curious poetry there. Moran's special interest is in the mundane parts of our lives that we often take for granted... On Roads, a beautifully-written, quiet masterpiece, looks at our experience of roads from the motorway age onwards... The book was inspired by a song by the band Black Box Recorder, declaring that the English motorway system is beautiful and strange. Moran gives a wonderful sense of both the beautiful and strange... [H]e has a knack for weaving together fascinating nuggets with a rare lightness of touch... Moran's genius is to show us what was right in front of us all along. -- Bee Wilson * Sunday Times *
Joe Moran, a young academic with a healthy ego (he writes an interesting blog), an enviable ease with words and a dry sense of humour... The section on road signs is fascinating... -- Linda Christmas * Daily Telegraph *
His terrific book is an imaginative history, then: a study of roads as cultural artefacts as much as concrete ones, which psychoanalyses post-war Britain through its road-network. Along the way he takes numerous turn-offs and diversions into subjects that really shouldn't be interesting, but which he makes fascinating: the development of the road atlas, for instance, or the history of the roadside verge... He is beautiful on flyovers as concrete sculptures, on ringroads as the condensation of motopian dreams; and his account of asphalt's near-miraculous deflective pliability is - forgive me for this - pitch-perfect. One of the many pleasures of this book is Moran's tone. Subtle parody and self-parody roll through the pages, preventing his obvious affection for roads from ever congealing into sentimentalism. His prose is tinged with a Morrisseyish melancholy for the glamour of seediness. He writes with knowingly glum bravado of Travelodges, petrol stations and road-kill. At the other end of his tonal range is a version of JG Ballard's techno-sublime, which sees roads as both inciting and earthing the psychopathologies of a culture. But most often he sounds to me like the Elvis Costello of London's Brilliant Parade: a singer of lugubrious songlines, geekily affectionate towards his chosen terrain, but suspicious of any easy declarations of love. Part extended essay, part prose-poem, On Roads is doubly successful. It offers a textualisation of the road-system as a unique archive of cultural history; and it offers a re-enchantment of the road, peddling a neoromanticism of the tarmac, according to which the Red House Interchange, the Redditch Cloverleaf and the Almondsbury Four-Level Stack are as resonant a series of place-names as the Ridgeway, Stonehenge and Silbury Hill. What Moran manages above all, in this entertainingly contrarian book, is to reclaim the road as a country of its own: a terrain vague, as worthy of exploration and study as a moorland or wood-pasture. The land surrounding rural motorways is ... vast and unknown, he notes in a typically fine early riff. If you are ever on the run from the law, I would strongly recommend that you hide in the wooded motorway verges of our oldest motorways, like the M1 or M6. There is just enough room for a tent in the half-century of undergrowth, and you could surely live like Stig of the Dump, undisturbed for months or years, in this uninhabited wilderness just a cone's throw from the road. -- Robert Macfarlane * The Guardian *
[E]ngaging... His book is more a road rhapsody than a road requiem... On Roads, a richly enjoyable read, offers the sort of accessible cultural history once championed by New Society magazine. It has an eye for the everyday, the easily overlooked and the downright unlikely - service stations, road humps, speed limits, hitch-hiking, dawdling caravans, lorries...impeccably researched. -- Stephen McClarence * The Times *
Sparkling ... Moran steers effortlessly away from jargon, and his tone maintains a delicious balance between sardonic amazement at the strange people we are and joy in the surprises and absurdities he bumps into along his way...The theme is a love affair and its end, a tale sad and uplifting. -- Tom Fort * Sunday Telegraph *
There's considerable beauty in this book. Moran has a poet's eye for detail and expression and an astonishing range of cultural reference... It is rich with anecdote...In this lucid, entertaining book, Moran illuminates dark corners of experience, opens our eyes to fresh narratives and, yes, even brings the romance of the road to life. -- Martin Fletcher * The Independent *
[A] pleasant book... Read it before a long journey, and you may regard the boring old motorway with a new appreciation. -- Not attributed * The Economist *
[P]acked with fascinating detail. One reads on in the way one pushes on just one more service station or one more Travelodge on a long journey, partly because the journey is too hypnotic to interrupt... On Roads restores some of the modernist excitement off fast travel and the existential dread of gridlock. -- Brian Morton * The Glasgow Herald *
I enjoyed On Roads immensely... pro-road propaganda so balanced and erudite that it might tempt some of us into getting off the bus and on to the M25, or at least on to some of the lesser-known roads Moran writes about so elegantly... -- Owen Hattersley * New Statesman *
[A] book that is fresh and original... Moran is terrific on all the quirky nonsense... He accurately chronicles the way attitudes flipped quickly from the 1960s, when new motorways were seen as cool and modern - and, indeed, beguilingly American - to the environmentally-minded 1970s. -- Matthew Engel * Financial Times *
I've been reading, with equal parts pleasure and profit, Joe Moran's On Roads. It's expansive, unexpected cultural history and in some ways an ideal companion volume to Traffic ... it's loaded with strange and delightful details ... I've got many pages folded over... -- Tom Vanderbilt, author of Traffic
[A] clever and engaging history... fascinating...takes a slippery subject...and succeeds brilliantly in making it meaningful. -- Nick Rennison * Waterstone's Books Quarterly *
[A]n imaginative and original attempt to make roads interesting. -- Laurie Taylor * BBC Radio 4 Thinking Allowed *
Every page contains something enthralling or bizarre or funny or perceptive ... Moran has the poet's ability to finds the remarkable in the commonplace ... This is a beautiful little book: an argument, if ever there was one, for staying home this summer, finding the nearest traffic jam and enjoying it. -- Craig Brown * Mail on Sunday, Book of the Week *
Blending history, anthropology and social observation with understated wit, this is a surprisingly compelling portrait of things most of us ignore... Moran changes the way you'll look at lay-bys, flyovers, road signs - even concrete - forever. -- Clover Stroud * Sunday Telegraph *
It isn't easy to write a love poem to highways, and Moran deserves our thanks for making such a valiant effort. This is a part-bonkers, part-brilliant book, as many of the best books are. -- Jonathan Wright * The Tablet *
A very perceptive look at our relationship with motorways -- Sir Christopher Frayling * Daily Telegraph *
The optimism and sense of wonder of the era is evoked brilliantly by the academic and cultural historian Joe Moran... Moran's account is an elegant piece of scholarship, lightened by some engrossing facts... -- Alasdair Reid * Sunday Herald *
Books of the Year 2009: Delightful...A beautifully written, funny and original book to place alongside the psychogeographies of Iain Sinclair. -- Harry Eyres * FT *
Books of the Year 2009: One of the most surprisingly enjoyable and informative books of the year, a highly original work that playfully alights, in its efforts to reinvest the motorway with meaning, on all sorts of unheralded phenomena, from road kill to the growth of the service station -- Andrew Holgate * The Sunday Times *
Books of the Year: [A] fascinating read... full of memorable passages -- Roddy Woomble [singer from Idlewild] * Sunday Herald *
