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Designing Interactions for Music and Sound Michael Filimowicz (Simon Fraser University, Canada)

Designing Interactions for Music and Sound By Michael Filimowicz (Simon Fraser University, Canada)

Designing Interactions for Music and Sound by Michael Filimowicz (Simon Fraser University, Canada)


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Summary

Designing Interactions for Music and Sound presents multidisciplinary research and case studies in electronic music production, dance-composer collaboration, AI tools for live performance, multimedia works, installations in public spaces, locative media, AR/VR/MR/XR and health.

Designing Interactions for Music and Sound Summary

Designing Interactions for Music and Sound by Michael Filimowicz (Simon Fraser University, Canada)

- Comprehensive overview offering a careful balance of the practical and theoretical
- No competing titles
- Diverse set of contributors from a range of geographical regions and professional/academic backgrounds

About Michael Filimowicz (Simon Fraser University, Canada)

Michael Filimowicz is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University. He has a background in computer mediated communications, audiovisual production, new media art and creative writing. His research develops new multimodal display technologies and forms, exploring novel form factors across different application contexts including gaming, immersive exhibitions and simulations.

Table of Contents

List of Figures

List of Tables

Contributor Bios

Volume Introduction

Chapter 1: Designing Interactive Musical Interfaces by Dan Overholt

Chapter 2: Collective Controllerism: a Non-musician's Perspective of Interactive Dance as Controllerist Practice by Manoli Moriaty

Chapter 3: Compute and Resonate: Creating Electronic Music of the Acid Genre for Presentation within a Club Environment Utilizing Accessible Artificial Intelligence and Computer-based Generative Tools by Dylan Davis

Chapter 4: Sonic Poetics of the Tidal Flats by Prophecy Sun, Freya Zinovieff, Kristin Carlson and Reese Muntean

Chapter 5: Designing Sound Installations in Public Spaces: A Collaborative Research Creation Approach by Catherine Guastavino, Valerian Fraisse, Simone D'Ambrosio, Etienne Legast and Maryse Lavoie

Chapter 6: Embodied Listening within Geolocative Sonic Art by Jimmy Eadie

Chapter 7: Sound Mixed Reality Prompts for People with Dementia: a Familiar and Meaningful Experience by Shital Desai, Joel Ong, Deborah Fels and Arlene Astell

Chapter 8: Leveraging Motion and Conceptual Frameworks of Sound as a Novel Means of Sound Design in Extended Reality by Tom A. Garner.

Index

Additional information

NPB9780367691370
9780367691370
036769137X
Designing Interactions for Music and Sound by Michael Filimowicz (Simon Fraser University, Canada)
New
Hardback
Taylor & Francis Ltd
2022-04-18
208
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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