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Lost Futures Owen Hopkins

Lost Futures By Owen Hopkins

Lost Futures by Owen Hopkins


$41.99
Condition - Like New
Only 1 left

Summary

An in-depth exploration of the forgotten buildings of postwar Britain, charting their evolution from ambitious concepts to abandoned constructions.

Lost Futures Summary

Lost Futures: The Disappearing Architecture of Post-War Britain by Owen Hopkins

Lost Futures looks in detail at the wide range of buildings constructed in Britain between 1945 and 1979. Although their bold architectural aspirations reflected the forward-looking social ethos of the postwar era, many have since been either demolished or altered beyond recognition.Photographs taken at the time of their completion are accompanied by expertly researched captions that examine the buildings' design, creation, the ideals they embodied and the reasons for their eventual destruction. Lost Futures covers many building types, from housing to factories, commercial spaces and power stations, and presents the work of both iconic and lesser-known architects. The author charts the complex reasons that led to the loss of these projects' ambitious futures, and assesses whether some might one day be recaptured.

About Owen Hopkins

Owen Hopkins is a writer, historian and curator of architecture. He is Architecture Programme Curator at the Royal Academy of Arts. He is the author of Mavericks: Breaking the Mould of British Architecture (RA Publications, 2016), From the Shadows: The Architecture and Afterlife of Nicholas Hawksmoor (Reaktion, 2015) and Architectural Styles: A Visual Guide (Laurence King, 2014).

Additional information

GOR011071126
9781910350621
1910350621
Lost Futures: The Disappearing Architecture of Post-War Britain by Owen Hopkins
Used - Like New
Hardback
Royal Academy of Arts
2021-05-24
128
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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