General Editors' Preface Acknowledgments 1. Introduction: Post-modernising D.H. Lawrence Lawrence's coming of age F.R Leavis and the 'moral formalism' of the sixties Decoding this Critical Reader Explaining the Reader's sections Materialist approaches Feminism Post-structuralism 'Radical indeterminacy': a post-modern Lawrence Part One: Class, History, Ideology 2. TERRY EAGLETON, D.H. Lawrence 3. GRAHAM MARTIN, D.H. Lawrence and Class 4. GRAHAM HOLDERNESS, Transition (The Rainbow) 5. TERRY EAGLETON, Psychoanalysis (Sons and Lovers) Part Two: Gender, Sexuality, Feminism 6. KATE MILLETT, D.H. Lawrence (Lady Chatterley's Lover, The Plumed Serpent, 'The Woman Who Rode Away') 7. HILARY SIMPSON, Lawrence, Feminsim and the War ('Tickets, Please', The Lost Girl) 8. JUDITH RUDERMAN, The Symbolic Father and the Ideal of Leadership ('Sun', Aaron's Rod, Kangaroo, The Plumed Serpent) 9. LYDIA BLANCHARD, Lawrence, Foucault and the Language of Sexuality (Lady Chatterley's Lover) Part Three: Post-Structuralist Turns 10. GAMINI SALGADO, Taking a Nail for a Walk: on Reading Women in Love 11. DANIEL O'HARA, The Power of Nothing in Women in Love 12. DANIEL J. SCHNEIDER, Alternatives to Logocentrism in D.H. Lawrence 13. ALASTAIR DAVIES, Contexts of Reading: the Reception of D.H. Lawrence's The Rainbow and Women in Love 14. TONY PINKNEY, Northerness and Modernism (The Rainbow, Women in Love) Further Reading Index
