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The Eye's Mind Robert Kudielka

The Eye's Mind By Robert Kudielka

The Eye's Mind by Robert Kudielka


$75.99
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Summary

This is a compendium of Bridget Riley's candid writings and interviews, revealing her thoughts on art, the development of her own work and her views on other artists including Seurat, Mondrian and Nauman.

The Eye's Mind Summary

The Eye's Mind: Bridget Riley - Collected Writings, 1965-99 by Robert Kudielka

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Table of Contents

Part 1 Autobiographical: personal interview by Nikki Henriques, 1988; the pleasures of sight, 1984; student at the RCA - 1952-1955, 1988; continuing, 1991; the hermaphrodite, 1975; the artist and society, talking to David Thompson, 1973; holidays talking to Vanya Kewley, 1996. Part 2 Development as painter: in conversation with Maurice de Sausmarez, 1967; perception is the medium, 1965; interview with David Sylvester, 1967; statement, 1970; in conversation with Robert Kudielka, 1972; working with nature, 1973; into colour in conversation with Robert Kudielka, 1978; a visit to Egypt and the decoration for the Royal Liverpool Hospital, 1984; according to sensation, in conversation with Robert Kudielka; the experience of painting, talking to Mel Gooding, 1988; something to look at, in conversation with Alex Farquharson, 1995. Part 3 On art and other artists: the flowering of the abstracts, 1983; the colour connection, in conversation with Robert Kudielka, 1977; the artist's eye - Seurat, 1992; Mondrian perceived, 1997; Mondrian - the universal and the particular, 1995; painting now, 1996; Nauman's formalism.

Additional information

GOR011258890
9780500281659
0500281653
The Eye's Mind: Bridget Riley - Collected Writings, 1965-99 by Robert Kudielka
Used - Like New
Paperback
Thames & Hudson Ltd
19990628
238
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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