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Art and Architecture in Italy, 1600-1750 Rudolf Wittkower

Art and Architecture in Italy, 1600-1750 By Rudolf Wittkower

Art and Architecture in Italy, 1600-1750 by Rudolf Wittkower


Summary

A first book in the three volume survey of Italian Baroque art and architecture which focuses on the arts in every centre between Venice and Sicily in the early, high, and late Baroque periods.

Art and Architecture in Italy, 1600-1750 Summary

Art and Architecture in Italy, 1600-1750: Volume 1: The Early Baroque, 1600-1625 by Rudolf Wittkower

This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition will also include color illustrations for the first time.

This is the first book in the three volume survey.

About Rudolf Wittkower

Rudolf Wittkower was Durning-Lawrence Professor of the History of Art at the University of London, chairman of the department of art history and archaeology at Columbia University, Kress Professor at the National Gallery, Washington, and Slade Professor at Cambridge. Jennifer Montagu was for many years the curator of the Photographic Collection at the Warburg Institute, University of London. Joseph Connors is professor of art history and archaeology at Columbia University. John Pinto is Howard Crosby Butler Memorial Professor, department of art history and archaeology, Princeton University.

Additional information

GOR012889229
9780300079395
0300079397
Art and Architecture in Italy, 1600-1750: Volume 1: The Early Baroque, 1600-1625 by Rudolf Wittkower
Used - Like New
Paperback
Yale University Press
19991011
132
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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