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Stael's Philosophy of the Passions Tili Boon Cuille

Stael's Philosophy of the Passions By Tili Boon Cuille

Stael's Philosophy of the Passions by Tili Boon Cuille


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Summary

This volume examines the philosophical, political, and personal convictions that informed Stael's theory of the passions and the social and aesthetic innovations to which it gave rise. Moving from her affective theory to her literary practice, we explore Stael's transformative influence on the communities of women artists she fostered.

Stael's Philosophy of the Passions Summary

Stael's Philosophy of the Passions: Sensibility, Society and the Sister Arts by Tili Boon Cuille

Sensibility, or the capacity to feel, played a vital role in philosophical reflection about the natural sciences, the social sciences, and the arts in eighteenth-century France. Yet scholars have privileged the Marquis de Sade's vindication of physiological sensibility as the logical conclusion of Enlightenment over Germaine de Stael's exploration of moral sensibility's potential for reform and renewal that paved the way for Romanticism. This volume of essays showcases Stael's contribution to the affective revolution in Europe, investigating the personal and political circumstances that informed her theory of the passions and the social and aesthetic innovations to which it gave rise. Contributors move seamlessly between her political, philosophical, and fictional works, attentive to the relationship between emotion and cognition and aware of the coherence of her thought on an individual, national, and international scale. They first examine the significance Stael attributed to pity, happiness, melancholy, and enthusiasm in The Influence of the Passions as she witnessed revolutionary strife and envisioned the new republic. They then explore her development of a cosmopolitan aesthetic, in such works as On Literature, Corinne, or Italy, On Germany, and The Spirit of Translation, that transcended traditional generic, national, and linguistic boundaries. Finally, they turn to her contributions to the visual and musical arts as she deftly negotiated the transition from a Neoclassical to a Romantic aesthetic. Stael's Philosophy of the Passions concludes that, rather than founding a republic based on the rights of man, Stael's reflection fostered international communities of women (artists, models, and collectors; authors, performers, and spectators), enabling them to participate in the re-articulation of sociocultural values in the wake of the French Revolution. Contributors: Tili Boon Cuille, Catherine Dubeau, Nanette Le Coat, Christine Dunn Henderson, Karen de Bruin, M. Ione Crummy, Jennifer Law-Sullivan, Lauren Fortner Ravalico, C. C. Wharram, Kari Lokke, Susan Tenenbaum, Mary D. Sheriff, Heather Belnap Jensen, Fabienne Moore, Julia Effertz

Stael's Philosophy of the Passions Reviews

This volume, edited by Cuille and Szmurlo, positions Madame Germaine de Stael at the crossroads of emotion and cognition, bridging the Enlightenment's intellectual heritage and Romanticism's passions. Stael lays the groundwork for much of 19th-century literature and opens many fruitful avenues of inquiry, ranging from anthropology and psychology, the philosophical and the political, to nationhood and gender. North American scholars from fields within and beyond the academy contribute chapters that seem particularly coherent, given the remarkable breadth of Stael's thought and works. The sections entitled The Politics of the Passions, International Aesthetics, and Philosophy and the Arts represent ensembles that fit well together. While each contributor's work is strong, of particular note are chapters by Karen de Bruin on the use of melancholy as seen through the character of Corrinne and the superiority that she represents, and Heather Belnap Jensen's study of Stael's depiction of women art collectors in Napoleonic Europe. For its ability to offer entry into Stael's work from a variety of perspectives and disciplines, this is an extremely valuable resource for understanding the evolution of intellectual thought at the beginning of the 19th century. Summing Up: Highly recommended. Undergraduates through faculty, general readers. * CHOICE *
This impressive and useful study examines Germaine de Stael's views on the passions, the language of the heart, and their revolutionary impact. . . On the whole, the chapters offer engaging and intelligent studies, as well as strong argumentation and documentation. The collection includes a valuable bibliography. . . . this collection highlights Stael's role in the affective revolution aimed at the betterment of individuals and society. Through its interdisciplinary nature, the work exemplifies the themes of exchange so dear to Stael in her quest for reform. * Nineteenth-Century French Studies *
Tili Boon Cuille's Introduction situates Stael in relation to Enlightenment thinkers and their treatments of sensibility as it pertains to politics, art, and relations between the two. ... The two editors have made crucially important contributions to the advancement of Stael studies, and their generous encouragement of young scholars, who are well represented here, is exemplary. * French Studies *

About Tili Boon Cuille

Tili Boon Cuille is associate professor of French at Washington University in St. Louis and specializes in eighteenth-century French literature, philosophy, and aesthetics. She is the author of Narrative Interludes: Musical Tableaux in Eighteenth-Century French Texts (Toronto University Press, 2006) as well as of several articles on opera, painting, and the novel. Karyna Szmurlo is professor of French in the College of Architecture, Arts and Humanities at Clemson University. Her research on eighteenth- and nineteenth-century women writers combines history, feminist theory, and the philosophy of language. Among her several collections of essays on Stael is the recently edited volume Germaine de Stael: Forging a Politics of Mediation (2011).

Table of Contents

List of Illustrations Acknowledgments Introduction: Setting the Stage Tili Boon Cuille Part I. The Politics of the Passions 1. The Mother, the Daughter, and the Passions Catherine Dubeau, translated by Sylvie Romanowski 2. The Virtuous Passion: The Politics of Pity in Stael's The Influence of the Passions Nanette Le Coat 3. Passions, Politics, and Literature: The Quest for Happiness Christine Dunn Henderson 4. Melancholy in the Pursuit of Happiness: Corinne and the Femme Superieure Karen de Bruin Part II. International Aesthetics 5. The Peripheral Heroine Takes Center Stage: From Owenson's National Tale to Stael's European Genre M. Ione Crummy 6. Ethnography and Autoethnography in Corinne ou l'Italie Jennifer Law-Sullivan 7. Liquid Union: Listening through Tears and the Creation of Community in Corinne Lauren Fortner Ravalico 8. Aeolian Translation: The Aesthetics of Mediation and the Jouissance of Genre C.C. Wharram 9. British Legacies of Corinne and the Commercialization of Enthusiasm Kari Lokke Part III. Philosophy and the Arts 10. The Power to Corrupt: A Staelian Perspective on the Fine Arts Susan Tenenbaum 11. The Many Faces of Germaine de Stael Mary D. Sheriff 12. Stael, Corinne, and the Women Collectors of Napoleonic Europe Heather Belnap Jensen 13. Germaine de Stael Defines Romanticism, or the Analogy of the Glass Harmonica Fabienne Moore 14. Between Ideal and Performance: Corinne in Female-Authored Singer Narratives of the 1830s Julia Effertz Bibliography Index About the Contributors

Additional information

NLS9781611486360
9781611486360
161148636X
Stael's Philosophy of the Passions: Sensibility, Society and the Sister Arts by Tili Boon Cuille
New
Paperback
Bucknell University Press
2014-09-29
346
N/A
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