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Arte y Oficio del Director Teatral En America Latina
by Gustavo Geirola
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BlowIn
by Sam Montana
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theatre journal 1960-1974
by Michael Townsend Smith
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COURAGE A Play in One Act for and about High School Students
by Jeffrey Kinghorn
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Cuba
by Rosa Ileana Boudet
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Here Not There and My Name is Walter James Cross - Two Plays
by David Laing Dawson
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Powerfully Fragile
by Briohne Joy Sykes
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Top Hollywood Acting Teachers
by Bonnie J Wallace
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THE MODEL'S HANDBOOK 2nd ed.
by William Robert Gately
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To Love Another Person
by John E Morrison (Human Resources Research Organization, Fort Knox, Kentucky)
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Balancing Tricks and Stunts
by Dr. Dropo
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Birds
by Aristophanes
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Casting Directors' Secrets
by Ginger Howard Friedman
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White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour
by Marvin McAllister
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Performance and Activism
by Kamran Afary
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Busking as a Mercenary Art
by Alfie King of the Street Conjurors
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Theatre Matters
by Richard Boon (University of Leeds)
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John Barrymore, Shakespearean Actor
by Michael A. Morrison
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The Cambridge Guide to African and Caribbean Theatre
by Martin Banham (University of Leeds)
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The Russian Theatre after Stalin
by Anatoly Smeliansky
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Wilde: Salome
by William Tydeman (University of Wales, Bangor)
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Sophocles: Oedipus Tyrannus
by Fiona Macintosh (University of Oxford)
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Moliere: Don Juan
by David Whitton (Lancaster University)
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Performance and Identity in the Classical World
by Anne Duncan (Arizona State University)
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The French Actress and her English Audience
by John Stokes (King's College London)
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Native American Drama
by Christy Stanlake (United States Naval Academy, Maryland)
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Modernism, Drama, and the Audience for Irish Spectacle
by Paige Reynolds (College of the Holy Cross, Massachusetts)
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Remaking American Theater
by Scott T. Cummings (Boston College, Massachusetts)
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The Censorship of English Drama 1824-1901
by John Russell Stephens
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Early Responses to Renaissance Drama
by Charles Whitney (University of Nevada, Las Vegas)
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Censorship of the American Theatre in the Twentieth Century
by John H. Houchin (Boston College, Massachusetts)
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Rainer Werner Fassbinder and the German Theatre
by David Barnett (University College Dublin)
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Modernism to Realism on the Soviet Stage
by Nick Worrall
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The Orient on the Victorian Stage
by Edward Ziter (New York University)
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The Play out of Context
by Hanna Scolnicov
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Early American Theatre from the Revolution to Thomas Jefferson
by Heather S. Nathans (University of Maryland, College Park)
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Staging the Holocaust
by Claude Schumacher
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Performing Shakespeare in the Age of Empire
by Richard Foulkes (University of Leicester)
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Theatres and Encyclopedias in Early Modern Europe
by William N. West (University of Colorado, Boulder)
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Acting and How to Survive it
by Peter Feeney
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Riotous Performances
by Helen Burke
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Violence Performed
by P. Anderson
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Entertainment, Propaganda, Education
by Anselm Heinrich
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A Cultural History of Theatre in the Modern Age
by Kim Solga (Professor of Theatre Studies, Western University, Canada)
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A Cultural History of Theatre in the Early Modern Age
by Robert Henke (Professor of Drama and Comparative Literature, Director of Undergraduate Studies, Washington University, St. Louis, USA)
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Staging America
by Christopher Bigsby
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Educational Theatre for Women in Post-World War II Italy
by Daniela Cavallaro
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Encounters on Contested Lands
by Julie Burelle
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