Medieval Avatars by Carla Maria Bino
This Element explores how medieval devotional and disciplinary practices acted as 'immersive technologies' for producing presence and configuring emotions. Through the comparative analysis of Aelred of Rievaulx's De Institutione Inclusarum and the Ordo ad Faciendum Disciplinam of the lay confraternity of Santo Stefano in Assisi, it investigates how the devout subject projected themselves into an imaginal, affective space, where memory, posture, and sensory experience converged to enable a participatory encounter with the divine. Drawing on the concept of the 'avatar' as a psychosomatic projection of the self within visionary and ritual practices, the Element traces how the 'theatre of the mind' redefined the relationship between interior vision, exterior action, and affective identity. By examining the dramaturgies of presence articulated within these memorial plays, this Element sheds light on the role of sensory discipline and emotional posture in shaping embodied devotional experience in the Latin Middle Ages.-
Sensorium
-
Emotional Labor
-
Colonial Senses
-
Sensory Contact Zones in the City
-
Feeling Modern European Imperial Architecture
-
Outdoor Singing in Modern Britain
-
Newborn Imitation
-
Emotion, Sense, Experience
-
Playful Virtual Violence
-
Scholastic Affect
-
Phantom Pains and Prosthetic Narratives
-
Love in Contemporary Technoculture
-
Sensory Perception, History and Geology
-
Disenchanting the Senses
-
Affective Touching
-
Making Sense of Knowledge
-
Embodied Epistemology as Rigorous Historical Method
-
Zionism
-
Satire and the Public Emotions
-
Beyond Compassion
-
Academic Emotions
-
Emotions and Temporalities
-
Boredom
-
Uncertainty and Emotion in the 1900 Sydney Plague
-
Feeling Terrified?
-
Making Noise in the Modern Hospital
-
The Evolution of Affect Theory
| SKU | Unavailable |
| ISBN 13 | 9781009610735 |
| ISBN 10 | 1009610732 |
| Title | Medieval Avatars |
| Author | Carla Maria Bino |
| Series | Elements In Histories Of Emotions And The Senses |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Cambridge University Press |
| Year published | 2026-03-31 |
| Number of pages | 75 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |