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Writing the Monarch in Jacobean England
by Jane Rickard (University of Leeds)
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Memory and Intertextuality in Renaissance Literature
by Raphael Lyne (University of Cambridge)
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Bestsellers: Popular Fiction Since 1900
by Clive Bloom
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Turgenev
by Frank Friedeberg Seeley
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The Height of Summer: New Plays from Williamstown Theatre Festival 2015-2021
by Martyna Majok
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Early Modern Playhouse Manuscripts and the Editing of Shakespeare
by Paul Werstine, PhD. (University of Western Ontario)
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The Early Textual History of Lucretius' De rerum natura
by David Butterfield (University of Cambridge)
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Romanticism and Childhood
by Ann Wierda Rowland (University of Kansas)
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Lord Byron and Scandalous Celebrity
by Clara Tuite (University of Melbourne)
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Playing Hesiod
by Helen Van Noorden (Girton College, Cambridge)
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Modernism and Homer
by Leah Culligan Flack (Marquette University, Wisconsin)
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Edmund Spenser in Context
by Andrew Escobedo (Ohio University)
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Writing the Radio War
by Ian Whittington
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Trauma and Recovery in the Twenty-First-Century Irish Novel
by Kathleen Costello-Sullivan
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The Catullan Revolution
by Kenneth Quinn
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Sensation and Modernity in the 1860s
by Nicholas Daly (University College Dublin)
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Dancing with Disaster
by Kate Rigby
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A Cultural History of the Irish Novel, 1790-1829
by Claire Connolly (Cardiff University)
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Form and Function in Roman Oratory
by D. H. Berry (Dr, University of Edinburgh)
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Lord Rochester in the Restoration World
by Matthew C. Augustine (University of St Andrews, Scotland)
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Marina Warner and the Ethics of Telling Silenced Stories
by Lisa Propst
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Plays by Tom Taylor
by Martin Banham
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Stories of the Self
by Anna Poletti
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An English Carmelite
by Catharine Burton
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Writing and the Modern Stage
by Julia Jarcho (New York University)
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The Bigamy Plot
by Maia McAleavey (Boston College, Massachusetts)
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Paradoxes of Conscience in the High Middle Ages
by Peter Godman
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Walter Pater
by Wolfgang Iser
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The Elizabethan Country House Entertainment
by Elizabeth Zeman Kolkovich (Ohio State University)
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Sentencing Orlando
by Elsa Hogberg
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Thomas Middleton in Context
by Suzanne Gossett (Loyola University, Chicago)
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The European Encyclopedia
by Jeff Loveland (University of Cincinnati)
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Automatism and Creative Acts in the Age of New Psychology
by Linda M. Austin (Oklahoma State University)
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A Word or Two Before I Go
by Arthur Krystal
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Twilight of Torment - II. Heritage
by Leonora Miano
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The Cambridge Companion to Saul Bellow
by Victoria Aarons (Trinity University, Texas)
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Gatsby
by Bob Batchelor
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Science, Form, and the Problem of Induction in British Romanticism
by Dahlia Porter (University of Glasgow)
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Homer
by Jonathan S. Burgess
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Philosophy and German Literature, 1700-1990
by Nicholas Saul (University of Liverpool)
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Immortality and the Body in the Age of Milton
by John Rumrich (University of Texas, Austin)
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Medieval Affect, Feeling, and Emotion
by Glenn D. Burger
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Blake's Gifts
by Sarah Haggarty (University of Newcastle upon Tyne)
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Ovid in the Middle Ages
by James G. Clark (University of Bristol)
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Jorge Luis Borges in Context
by Robin Fiddian (University of Oxford)
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Monsters and the Poetic Imagination in the Faerie Queene
by Maik Goth
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A Question of Time
by Cindy Weinstein (California Institute of Technology)
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Literature of the 1980s: After the Watershed
by Joseph Brooker
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