
Alois Riegel by Margaret Iversen
Alois Riegl (1858-1905) was one of the founders of art history as a discipline. This is the first general introduction to the work of the celebrated Austrian who brought complex philosophical considerations to bear on art and its history. Ranging easily over diverse fields and among a large group of thinkers, Margaret Iversen establishes Riegl's relevance to recent critical thinking while clearly delineating his extraordinary critical powers. Iversen contextualizes Riegl's thought among the wider cultural crosscurrents of his time, pointing for example to his denunciation of the sub-Semperians and his profound influence on Walter Benjamin. She is equally concerned to relate Riegl's work to contemporary theoretical interests, arguing that he pioneered an approach to art history that took into consideration the role of the spectator. She devotes a chapter to Riegl's theory of spectator/depiction relationships, comparing it with more recent writing on the subject by commentators like Fried, Foucault, and others. In a sympathetic reading of Riegl, Iversen interprets his theory of Kunstwollen or artistic volition, as a concept that ran counter to narrowly empiricist and determinist histories of art that were dominant in his time. She provides extended critical commentary on his most important works, Questions of Style, Late Roman Art Industry, and The Dutch Group Portrait, enriched by explorations of the theoretical background of his systematic art history, including the work of Kant, Hegel, Herbart, and Hildebrand. Iversen also details Erwin Panofsky's early response to Riegl, arguing that Panofsky's search for an authoritative viewpoint collapsed Riegl's multiple typology of style into an art history constructed around a single aesthetic norm.-
Introduction to Algorithms
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The Virtual Community
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Loneliness
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Films And Feelings
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Visual Agnosia
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The Evolution of Central Banks
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About Face
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The Maze of Ingenuity
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The Cerebral Code
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Consciousness Reconsidered
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Understanding the Representational Mind
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Does Consciousness Cause Behavior?
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Beyond the Cognitive Map
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Gambling with Truth
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The Modern Metropolis: Its Origins, Growth, Characteristics, and Planning
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The Visionary Eye
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Repeated Games with Incomplete Information
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The Estimation Of Probabilities
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A General Theory of Equilibrium Selection in Games
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Visual and Spatial Structure of Landscapes
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Visual Cognition
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Electromagnetic Fields, Energy, and Forces
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Cognitive Carpentry
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Vitruvius
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Evaluation in Environmental Planning
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Cellular Biophysics
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Housing Partnerships
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Model City
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White Queen Psychology and Other Essays for Alice
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Internet Economics
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A Logical Journey
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The Shape of Actions
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Nanotechnology
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The Genesis of Quantum Theory (1899-1913)
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Exchange Rates and Inflation
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Vaulting Ambition
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Lived-In Architecture
Margaret Iversen is a University of Essex Professor of Art History and Philosophy. Alois Riegl: Art History and Theory and Beyond Pleasure: Freud, Lacan, and Barthes are two of her books.
| SKU | Unavailable |
| ISBN 13 | 9780262590242 |
| ISBN 10 | 0262590247 |
| Title | Alois Riegel |
| Author | Margaret Iversen |
| Series | Mit Press |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | MIT Press Ltd |
| Year published | 2003-03-17 |
| Number of pages | 233 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |




































