AUDINTUnsound:Undead by Steve Goodman

AUDINTUnsound:Undead by Steve Goodman

Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead.

For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound: Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena).

For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present.

This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present.

The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead.

Contributors
Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agn s Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.

Eleni Ikoniadou is senior lecturer of media and communication at Kingston University and executive member of the London Graduate School. Her writing has appeared in journals such as Body & Society, Senses and Society, Culture Machine, and Leonardo and she is the author of The Rhythmic Event (Technologies of Lived Abstraction series, 2014). Scott Wilson is professor of media and psychoanalysis at Kingston University. His most recent books include The Order of Joy; Beyond the Cultural Politics of Enjoyment (2008) and Stop Making Sense: Music from the Perspective of the Real (2015).

SKU	Unavailable
ISBN 13	9781916405219
ISBN 10	1916405215
Title	AUDINTUnsound:Undead
Author	Toby Heys
Series	Urbanomic Art Editions
Condition	Unavailable
Binding Type	Paperback
Publisher	Urbanomic Media Ltd
Year published	2019-06-18
Number of pages	320
Cover note	Book picture is for illustrative purposes only, actual binding, cover or edition may vary.