
Baroque Self-Invention and Historical Truth by Christopher Braider
In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carracci's picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.-
The Thriller and Northern Ireland since 1969
-
Proust's Cup of Tea
-
Displaced Persons: Conditions of Exile in European Culture
-
Translating Travel
-
The Poetics of Transubstantiation
-
Writing Russia in the Age of Shakespeare
-
Ovid and the Cultural Politics of Translation in Early Modern England
-
Fecal Matters in Early Modern Literature and Art
-
The Name and Nature of Tragicomedy
-
Imperiled Heritage: Tradition, History and Utopia in Early Modern German Literature
-
Chaucer's Dream Visions
-
We Europeans?
-
Tourism and Identity in Scotland, 1770-1914
-
Surrealism, Politics and Culture
-
Perspectives on Travel Writing
-
Romancing Decay
-
Literary Sociability and Literary Property in France, 1775-1793
-
Philosemitism, Antisemitism and 'the Jews'
-
Travels and Translations in the Sixteenth Century
-
Theater and Nation in Eighteenth-Century Germany
-
Authority, State and National Character
-
The Romanticism of Contemporary Theory
'.. a monument and a legacy to Baroque studies that works through an impressive body of material to reach broad and timely conclusions.' Tom Conley, Professor of Romance Languages and Literatures, Harvard University
Christopher Braider is Professor of French and Comparative Literature at the University of Colorado, Boulder. He is the author of Refiguring the Real: Picture and Modernity in Word and Image, 1400-1700 (1993) and Indiscernible Counterparts: The Invention of the Text in French Classical Drama (2002).
| SKU | Unavailable |
| ISBN 13 | 9780754638810 |
| ISBN 10 | 0754638812 |
| Title | Baroque Self-Invention and Historical Truth |
| Author | Christopher Braider |
| Series | Studies In European Cultural Transition |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Routledge |
| Year published | 2004-09-28 |
| Number of pages | 216 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |





















