Casanova by Andrew Miller
A stunning successor to INGENIOUS PAIN, Andrew Miller's second novel brilliantly portrays the legendary Casanova at a turning point in his life and loves.
His writing is vivid, precise and constantly surprising I was absolutely captivated by it . . . I wish I'd written it -- Hilary Mantel * Sunday Times *
Sparkling and lavishly detailed . . . rich without being cloying; resonant of time and place while remaining fresh and modern . . . he captures brilliantly the downfall and partial redemption of this charming isolate * The Times *
Full-bodied yet razor-sharp . . . Period detail, which so often reveals only that the writer has commendably and carefully studied a contemporary portrait, in Miller's hands takes us into the heart of 18th-century London so that we can almost smell and touch it . . . its fetid atmosphere almost making the reader itch * Spectator *
Miller's prose is jewelled . . . What Casanova wrote with a swagger resurfaces here as an elegant, elegiac meditation on the death of purpose * Times Literary Supplement *
I was thoroughly amused, stimulated, entertained and instructed by the whole book . . . I don't think I've read anything which has brought 18th-century London so powerfully to life . . . brilliantly acute -- Jonathan Coe
Exquisite . . . Miller's elegant prose is laced with luxurious imagery and wry humour . . . beautifully and sensitively written * Daily Telegraph *
Miller is a pellucid, evocative writer: he brings alive the thick fogs over the Thames, the dreary winter countryside, the lamp-lit London streets . . . A beautiful evocation of a few months of this womaniser's life * Observer *
A perfectly crafted picture of 18-century London and its visiting predator in language as delicate as the tendrils of fog that curl off the Thames, and as forceful as the fetid odours conjured up in the background * The Times *
Andrew Miller's forte is painting verbal landscapes, laying the words just so. At times it's like a fine miniature, delicate with atmosphere and smoke and gleam * Time Out *
Miller again shows his mastery of historical fiction in this fine, elegiac book * Sunday Telegraph *
Miller's elegiac meditation on life, love and mortality is deep, poignant and funny * Glasgow Herald *
Glittering . . . There are descriptive passages of extraordinary power and beauty * Independent on Sunday *
Miller is knowing, ironic, and playful in his new novel . . . The prose is flawless * Australian *
Immensely readable . . . a well-crafted page-turner which certainly delivers * Sydney Morning Herald *
Miller is astonishingly assured in handling the novel's lush complexities of time and place, of nationality, and of the intricate workings of Casanova's troubled mind . . . His achievement here is to make of the legendary Casanova not some brightly colored historical oddity but, more subtly, a man * Newsday *
Worth reading for its evocation of 18th-century London alone. Silken boudoirs, pestilent hovels and pleasure gardens are all brought to magical life * Metro *
Sparkling and lavishly detailed . . . rich without being cloying; resonant of time and place while remaining fresh and modern . . . he captures brilliantly the downfall and partial redemption of this charming isolate * The Times *
Full-bodied yet razor-sharp . . . Period detail, which so often reveals only that the writer has commendably and carefully studied a contemporary portrait, in Miller's hands takes us into the heart of 18th-century London so that we can almost smell and touch it . . . its fetid atmosphere almost making the reader itch * Spectator *
Miller's prose is jewelled . . . What Casanova wrote with a swagger resurfaces here as an elegant, elegiac meditation on the death of purpose * Times Literary Supplement *
I was thoroughly amused, stimulated, entertained and instructed by the whole book . . . I don't think I've read anything which has brought 18th-century London so powerfully to life . . . brilliantly acute -- Jonathan Coe
Exquisite . . . Miller's elegant prose is laced with luxurious imagery and wry humour . . . beautifully and sensitively written * Daily Telegraph *
Miller is a pellucid, evocative writer: he brings alive the thick fogs over the Thames, the dreary winter countryside, the lamp-lit London streets . . . A beautiful evocation of a few months of this womaniser's life * Observer *
A perfectly crafted picture of 18-century London and its visiting predator in language as delicate as the tendrils of fog that curl off the Thames, and as forceful as the fetid odours conjured up in the background * The Times *
Andrew Miller's forte is painting verbal landscapes, laying the words just so. At times it's like a fine miniature, delicate with atmosphere and smoke and gleam * Time Out *
Miller again shows his mastery of historical fiction in this fine, elegiac book * Sunday Telegraph *
Miller's elegiac meditation on life, love and mortality is deep, poignant and funny * Glasgow Herald *
Glittering . . . There are descriptive passages of extraordinary power and beauty * Independent on Sunday *
Miller is knowing, ironic, and playful in his new novel . . . The prose is flawless * Australian *
Immensely readable . . . a well-crafted page-turner which certainly delivers * Sydney Morning Herald *
Miller is astonishingly assured in handling the novel's lush complexities of time and place, of nationality, and of the intricate workings of Casanova's troubled mind . . . His achievement here is to make of the legendary Casanova not some brightly colored historical oddity but, more subtly, a man * Newsday *
Worth reading for its evocation of 18th-century London alone. Silken boudoirs, pestilent hovels and pleasure gardens are all brought to magical life * Metro *
Andrew Miller's first novel, Ingenious Pain, was published by Sceptre in 1997. It won the James Tait Black Memorial Prize, the International IMPAC Dublin Literary Award and the Grinzane Cavour Prize for the best foreign novel published in Italy. It has been followed by Casanova, Oxygen, which was shortlisted for the Booker Prize and the Whitbread Novel of the Year Award in 2001, The Optimists, One Morning Like a Bird, Pure, which won the Costa Book of the Year Award in 2011, The Crossing, Now We Shall Be Entirely Free, The Slowworm's Song and The Land in Winter, which won the Winston Graham Historical Prize and the Walter Scott Prize for Historical Fiction, and was shortlisted for the Booker Prize in 2025. Andrew Miller's novels have been published in translation in twenty countries. Born in Bristol in 1960, he currently lives in Somerset.
| SKU | Unavailable |
| ISBN 13 | 9780340682104 |
| ISBN 10 | 0340682108 |
| Title | Casanova |
| Author | Andrew Miller |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Hodder & Stoughton |
| Year published | 1999-04-15 |
| Number of pages | 320 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |