The Collected Essays and Criticism, Volume 1
The Collected Essays and Criticism, Volume 1
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The Collected Essays and Criticism, Volume 1 by Clement Greenberg
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of "The Collected Essays and Criticism". "Volume 3: Affirmations and Refusals" presents Greenberg's writings from the period between 1950 and 1956, while "Volume 4: Modernism with a Vengeance" gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing "Vogue" and "Harper's Bazaar" to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art.
Greenberg, Clement: - Clement Greenberg (1909 1994), champion of abstract expressionism and modernism of Pollock, Miro, and Matisse has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of the new American painting, and a central figure in the postwar cultural history of the United States.
Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic forThe Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, Avant-Garde and Kitsch set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic forThe Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, Avant-Garde and Kitsch set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
| SKU | Unavailable |
| ISBN 13 | 9780226306216 |
| ISBN 10 | 0226306216 |
| Title | The Collected Essays and Criticism, Volume 1 |
| Author | Clement Greenberg |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | The University of Chicago Press |
| Year published | 1988-02-15 |
| Number of pages | 296 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |