Coming Through Slaughter by Ondaatje Michael
Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
Author of eleven books of poetry, four novels and a fictionalized memoir, Michael Ondaatje was born in 1943 in Colombo, capital of the British colony of Ceylon (now Sri Lanka). Of Tamil, Sinhalese and Dutch descent, he was the youngest of four children. He grew up during the halcyon days of colonial Ceylon on the Kutapitiya tea estate, the most beautiful place in the world, as he described in an interview with The Guardian. His mother's real gift to Michael was her enthusiasm for the arts. Of his father, who served in the Ceylon light infantry, Ondaatje has said: My father was in tea and alcohol; he dealt in tea and he drank the alcohol. He died of a brain hemorrhage after Michael had left Sri Lanka, so Michael never got to know his father as an adult. He is still one of those books we long to read whose pages remain uncut. He was a sad and mercurial figure. There was a lot I didn't know about him ... In all my books there are mysteries that are not fully told. When Michael was five his parents separated. His mother soon went to England with two of her children; Michael stayed behind and lived with relatives, joining his mother and siblings at the age of eleven. He relinquished his sarong and donned a tie - an item of clothing he'd never seen before - to attend Dulwich College, whose alumni include writers Graham Swift, P. G. Wodehouse and Raymond Chandler. (One of Michael's former teachers expressed surprise when Ondaatje won the Booker, since he had always seemed more interested in cricket.) In 1962, at the age of nineteen, he went to Quebec, where his brother Christopher (today a businessman and explorer) was living. It was in Canada that Michael Ondaatje's writing life began in earnest: [Y]ou felt you could do anything. I wouldn't have been a writer if I'd stayed in England ... where you feel, what right do you have to do this because of John Donne and Sir Philip Sidney. England felt repressive in the fifties ... Moving, you learn twice as much; it doubles you in some way, like living three or four lives. Ondaatje obtained a B.A. from the University of Toronto and an M.A. from Queen's University, then taught at the University of Western Ontario and at York University. In the seventies he edited poetry, produced anthologies and critical works and short documentary films, and began his involvement with the small press Coach House. Although he was thrust onto the world stage by the tremendous success of The English Patient, Ondaatje, who lives in Toronto, remains an intensely private person. Privacy is essential, he says. I've seen a lot of writers being interpreted by their personalities - Ginsberg, Layton ...You want the book to be read, not the author. When he won the Booker Prize in 1992, he used the money to inaugurate the Gratiaen award - named after his mother - as an annual literary prize for Sri Lankan writers. In his writing Ondaatje employs a technique of blurring fact and fiction in an imaginative collage. His longer narrative works, often based on the unorthodox lives of real people, contain fact alongside fiction. For example, in Coming Through Slaughter he relates the real and imagined life of New Orleans jazz musician Buddy Bolden; in Running in the Family, he writes a fictionalized memoir of the unconventional life of his parents and grandparents in colonial Ceylon. Some of Ondaatje's major influences come from Henri Rousseau paintings, Diego Rivera murals, Sri Lankan temple sculpture and, most of all, the music and rhythms of jazz. If I could be Fats Waller, I wouldn't be writing.
| SKU | Unavailable |
| ISBN 13 | 9780676971767 |
| ISBN 10 | 0676971768 |
| Title | Coming Through Slaughter |
| Author | Ondaatje Michael |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Vintage Canada |
| Year published | 1998-10-04 |
| Number of pages | 176 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |