
Gilles Deleuze by Paola Marrati
In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and Andre Bazin's film theory? What does it tell us about perceiving a world in images-indeed about our relation to the world? These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life.-
Writing History, Writing Trauma
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Hypertext 2.0
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Subversive Pleasures
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Death and Representation
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Food for Thought
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France and the Holy Land
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Hypertext 3.0
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Interrupted Dialectic
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The Audience
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Suburban Ambush
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The Aesthetics of Murder
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On the Edge of the Cliff
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The Well-Tempered Self
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Heterocosmica
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The Past as Text
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Grotesque Figures
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Passions of the Sign
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Color of Melancholy
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Styles of Enlightenment
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Revolutionary Acts
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The Fate of Carmen
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Fictional Truth
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Torrid Zones
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Fortune's Faces
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The Cryptographic Imagination
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Cultural Imperialism
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The Office of the Scarlet Letter
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The Frame of Art
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Rules for the Endgame
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National Culture and the New Global System
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Decadent Subjects
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Comparative Literature in the Age of Multiculturalism
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The Translator's Turn
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The Transparent Society
Marrati's slender but incisive treatment of Deleuze's unification of philosophy with the art of cinema is an indispensable work for new and advanced Deleuze scholars grappling with the thick weave of film analyses cum philosophical expositions.. Essential. Choice Beautifully written and expertly translated, Paola Marrati's Gilles Deleuze: Cinema and Philosophy brings much needed clarity to Deleuze's two monumental works on cinema. -- Joe Hughes Rain Taxi Review of Books Readers looking for an introduction to Deleuze's work on cinema will find it in Marrati's evident commitment to precision and her remarkable clarity in the face of a series of notoriously complex texts. -- Alexander Thimons Scope A surprising, rewarding, and insightful text that breaks new ground, Cinema and Philosophy does a great service: it helps us believe in a 'new' and compelling future for Deleuzian studies of film and philosophy. -- Meredith C. Ward MLN Marrati's highly informative and carefully argued book touches on significant elements of the link between cinema and philosophy in Deleuze's work. This is a stimulating, sharp and keenly argued book. Analysis and Metaphysics
Paola Marrati is a professor of humanities and philosophy at the Johns Hopkins University.
| SKU | Unavailable |
| ISBN 13 | 9780801888021 |
| ISBN 10 | 0801888026 |
| Title | Gilles Deleuze |
| Author | Paola Marrati |
| Series | Parallax: Re-Visions Of Culture And Society |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Johns Hopkins University Press |
| Year published | 2008-07-02 |
| Number of pages | 160 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |

































