Images by Paul Roberts
(Amadeus). Paris at the turn of the 20th century was obsessed with the interrelations of the arts. It was a time when artists and writers spoke of poetry as music, sounds as colors, and paintings as symphonies. The music of Claude Debussy, with its unique textures and dazzling colors, was the perfect counterpart to the bold new styles of painting in France. Paul Roberts probes the sources of Debussy's artistic inspiration, relating the impressionist titles to the artistic and literary ferment of the time. He also draws on his own performing experience to touch on all the principal technical problems for a performer of Debussy's piano music. His many suggestions about interpreting the music will be particularly valuable to performers as well as listeners.Paul Roberts is Professor of Criminal Jurisprudence at the University of Nottingham, UK. Paul has been visiting professor or invited lecturer at the International Islamic University Malaysia (IIUM), the University of Warsaw, the Jagiellonian University in Krakow, the University of Gottingen, the University of New South Wales (UMSW), Sydney, and the University of Natal (Pietermaritzburg), RSA. He is editorial board member of four academic journals: International Commentary on Evidence (ICE); Criminal Law & Philosophy; Law, Probability and Risk and Law and Philosophy. He was also a founding editorial board member of The International Journal of Evidence and Proof (E & P), serving as Reviews Editor (1995-2005) and General Editor (2005-9).
| SKU | Unavailable |
| ISBN 13 | 9780931340970 |
| ISBN 10 | 0931340977 |
| Title | Images |
| Author | Paul Roberts |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Hal Leonard Corporation |
| Year published | 2003-04-01 |
| Number of pages | 374 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |