The Intangibilities of Form by John Roberts
Many people who look at art decry it for the lack of craft skill in its production, whether it be painting, photography or sculpture. This work sheds light on this obsolescence of traditional craft skills in contemporary art, exploring the technological and social developments that gave rise to those postmodern theories.
A profoundly original approach to the fate of the aesthetic and the avant-garde in contemporary society through the labour theory of culture.. Over the last two decades, John Roberts has established himself as probably the most original Marxist critic of the contemporary visual arts around. -- Andrew Hemingway
Roberts' Intangibilities of Form is a truly important book. It offers an unusually thoughtful, and genuinely radical, alternative to dominant ways of understanding the nature of art in the twentieth century and at the beginning of the twenty-first. -- Alex Potts
The Intangibilities of Form proposes nothing less than a powerfully original labor theory of culture, highlighting the prominence of a context shaped by the readymade, to account for the constitutive interlacing of contemporary art and technology, skill and deskilling. By situating the instance of conceptual art within an environment of production marked by the structuring logic of the commodity form and social division of labor, he has both restored to art criticism and art history a lost vocation, and delivered to cultural studies and its current explanatory ambitions a demanding challenge. -- Harry Harootunian
Roberts' Intangibilities of Form is a truly important book. It offers an unusually thoughtful, and genuinely radical, alternative to dominant ways of understanding the nature of art in the twentieth century and at the beginning of the twenty-first. -- Alex Potts
The Intangibilities of Form proposes nothing less than a powerfully original labor theory of culture, highlighting the prominence of a context shaped by the readymade, to account for the constitutive interlacing of contemporary art and technology, skill and deskilling. By situating the instance of conceptual art within an environment of production marked by the structuring logic of the commodity form and social division of labor, he has both restored to art criticism and art history a lost vocation, and delivered to cultural studies and its current explanatory ambitions a demanding challenge. -- Harry Harootunian
John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton. His books includeThe Art of Interruption: Realism, Photography and the Everyday, The Philistine Controversy (with Dave Beech), Philosophizing the Everyday, and The Necessity of Errors. He is also a contributor to Radical Philosophy, Oxford Art Journal, Historical Materialism, Third Text, and Cabinet magazine.
| SKU | Unavailable |
| ISBN 13 | 9781844671670 |
| ISBN 10 | 1844671674 |
| Title | The Intangibilities of Form |
| Author | John Roberts |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Verso Books |
| Year published | 2007-11-17 |
| Number of pages | 256 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |