
Japanese Horror Cinema and Deleuze by Rachel Elizabeth Barraclough
Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze.
In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.
This book provides an important intervention into the scholarship on Japanese horror by avoiding a well-worn hermeneutic approach to cinematic analysis, examining, instead, the many interconnections that develop between the bodies of audience members, films, and nations as cinematic works are created and viewed worldwide. In so doing, this study brings a fresh perspective to some of the iconic works of the genre. * Marc Yamada, Associate Professor, Comparative Arts & Letters, Brigham Young University, USA *
| SKU | Unavailable |
| ISBN 13 | 9781501368295 |
| ISBN 10 | 150136829X |
| Title | Japanese Horror Cinema and Deleuze |
| Author | Rachel Elizabeth Barraclough |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Bloomsbury Publishing Plc |
| Year published | 2022-02-10 |
| Number of pages | 264 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |