
Lost Sounds by Tim Brooks
Biographies of the first African-American recording stars, and how they succeeded against tremendous odds. The first in-depth history of the involvement of African-Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. black artists who recorded commercially in a wide range of genres and provides in-depth biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Because they were viewed as novelty or folk artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumultuous and creative period. T history of the recording industry, as well as the racially complex landscape of post-Civil War society at large. Lost Sounds also includes Brooks's selected discography of CD reissues, and an appendix from Richard K. Spottswood describing early recordings by black artists in the Caribbean and South America.-
The Heart of a Woman
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Earl Scruggs and Foggy Mountain Breakdown
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The Sounds of Place
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The Music of the Stanley Brothers
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Hard Luck Blues
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Leonard Bernstein and the Language of Jazz
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Bean Blossom
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Music in the Age of Anxiety
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A Guru's Journey
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Oh, Didn't He Ramble
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HPSCHD
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Spirituals and the Birth of a Black Entertainment Industry
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Blues Before Sunrise 2
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Homer Rodeheaver and the Rise of the Gospel Music Industry
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The Creolization of American Culture
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When Sunday Comes
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A City Called Heaven
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Woody, Cisco and ME
Winner of an ASCAP Deems Taylor Award, 2005Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— ASCAP
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— ARSC
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— Society for American Music
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— ARSC
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— ARSC
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— Society for American Music
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— ARSC
Tim Brooks is Executive Vice President of Research at Lifetime Television. He is the author of Little Wonder Records: A History and Discography and other books, as well as past president of the Association for Recorded Sound Collections. Dick Spottswood is a freelance author, broadcaster, and record producer. He is the author of the seven-volume reference work, Ethnic Music on Records.
| SKU | Unavailable |
| ISBN 13 | 9780252073076 |
| ISBN 10 | 025207307X |
| Title | Lost Sounds |
| Author | Tim Brooks |
| Series | Music In American Life Ser |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | University of Illinois Press |
| Year published | 2005-07-08 |
| Number of pages | 656 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |

















