
Music and Protest in 1968 by Beate Kutschke
Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.-
The Graph Music of Morton Feldman
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The Royal College of Music and its Contexts
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Stravinsky's Piano
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Prokofiev's Soviet Operas
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Yugoslav Avant-Garde Music, 1945–1991
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Musical Witness and Holocaust Representation
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Stravinsky and the Russian Period
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New Music at Darmstadt
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John Cage and David Tudor
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The Spectral Piano
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Britten's Unquiet Pasts
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Transformations of Musical Modernism
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French Music and Jazz in Conversation
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Music in Germany since 1968
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Schoenberg's Atonal Music
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Elliott Carter's Late Music
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Alan Bush, Modern Music, and the Cold War
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Performance Practice in the Music of Steve Reich
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John Cage and Peter Yates
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British Musical Modernism
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Schoenberg's Twelve-Tone Music
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Avant-Garde on Record
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Harrison Birtwistle's Operas and Music Theatre
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The Orchestral Music of Michael Tippett
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Luigi Dallapiccola and Musical Modernism in Fascist Italy
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Gerard Grisey and Spectral Music
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Ideology in Britten's Operas
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Lateness and Modernism
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Peter Maxwell Davies, Selected Writings
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The Musical Language of Pierre Boulez
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Luigi Nono
' detailed and convincing' The Times Literary Supplement
Beate Kutschke is Wissenschaftliche Mitarbeiterin at the Universität Leipzig. Her research focuses on music and protest around the year 1968 and she has published a monograph, a volume of collected papers and numerous articles on this topic. She is an internationally active researcher, who has presented papers around the world in German, English and French. She has taught in Europe, the United States (at Harvard University) and Asia (at the University of Hong Kong). A recipient of various scholarships including a three-year research grant by the German Research Foundation, she is currently writing a third monograph. Her interests range from Baroque music and music after 1945 to music and aesthetics, music and politics, and music and ethics. Barley Norton is a senior lecturer in ethnomusicology at Goldsmiths, University of London. He has carried out extensive field research in Vietnam and other countries in Southeast Asia and is the author of Songs for the Spirits: Music and Mediums in Modern Vietnam (2009). As part of a Getty-funded research project on experimental music performance in Vietnam, he made the ethnographic film Hanoi Eclipse: The Music of Dai Lam Linh (2010), which has been screened at numerous international film festivals.
| SKU | Unavailable |
| ISBN 13 | 9781107007321 |
| ISBN 10 | 1107007321 |
| Title | Music and Protest in 1968 |
| Author | Beate Kutschke |
| Series | Music Since 1900 |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Cambridge University Press |
| Year published | 2013-04-25 |
| Number of pages | 342 |
| Prizes | Winner of American Musicological Society Ruth A. Solie Award 2014 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |






























