
An Octoroon by Branden Jacobs-Jenkins
The Obie Award-winning play about race and identity in America today.'Coruscating comedy of unresolved history… this decade's most eloquent theatrical statement on race in America today'
-- Ben Brantley * New York Times *'A giddy mix of the angry and the absurd… Jacobs-Jenkins is considering important issues about race and representation and making something playful and provocative from them… inspired, invigorating'
* The Times *'Bizarrely brilliant… a work that is both infinitely playful and deeply serious and which dazzlingly questions the nature of theatrical illusion'
* Guardian *'Half of the fun – and there is a hell of a lot of fun – in watching An Octoroon is witnessing people squirm with discomfort, unsure if to laugh, when to laugh or if they are even allowed to laugh… Jacobs-Jenkins is like one of those magicians who shows you how the trick works and still leaves you agog with wonder'
* The Upcoming *'A dazzlingly playful and sharply provocative look at ideas of race, representation and the nature of theatre itself'
* Evening Standard *'A dazzling deconstruction of racial representation… deeply shocking, but darkly hilarious; satire at its most scornful… with a savage and sophisticated sense of irony, Jacobs-Jenkins sinks his teeth into the relationship between representations and reality'
* WhatsOnStage *'A major work of new American drama… borrowing [from original play The Octoroon] is a stroke of inspiration in itself – melodrama being a self-referential genre, the satiric contexts of then and now contrast very nicely – but it's the richness of Jacobs-Jenkins's own imagination that really sets this show soaring.. make no mistake about it, Branden Jacobs-Jenkins is a playwright to watch'
* The Arts Desk *'How do you deal with slavery as a black American playwright? Take someone else's play, and play with it. Problematise it. Take the piss out of it. Take the piss out of the idea, too, of a 'black playwright' being constantly expected to confront race issues. But don't forget to still punch the audience in the guts. That's what Branden Jacobs-Jenkins does in An Octoroon… the play keeps you on your toes. It's bold, fearless playwrighting: laughing in the face of racism as well as allowing the horror of history to spell itself out'
* Time Out *'Totally, totally bonkers… Jacob-Jenkins' text has a madcap mania and a rich vein of absurdist humour… An Octoroon is a play that refuses to kowtow to the audience's preconceptions, that dances with stereotypes and teases relentlessly with sly race politics'
* The Stage *'A fresh and thought-provoking examination of the uniquely American experience of race and colour… forces the audience to confront uncomfortable issues and yet remains funny and incredibly engaging'
* Broadway World *'So energetic, funny, and entertainingly demented, you can't look away'
* New York Post *'The play uses the plot of the Irish playwright Dion Boucicault's 1859 melodrama The Octoroon... as the starting point for a bigger, wilder, more hilarious play about the tremendous, often tragic difficulties of identity, and life, for us all'
* New Yorker *'A wildly imaginative new work'
* Village Voice *Branden Jacobs-Jenkins is an American playwright. He won the 2014 Obie Award for Best New American Play, for his plays Appropriate and An Octoroon. His play Gloria was a finalist for the 2016 Pulitzer Prize for Drama.
| SKU | Unavailable |
| ISBN 13 | 9781848426412 |
| ISBN 10 | 1848426410 |
| Title | An Octoroon |
| Author | Branden Jacobs-Jenkins |
| Series | Nhb Modern Plays |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Nick Hern Books |
| Year published | 2017-05-18 |
| Number of pages | 96 |
| Prizes | Winner of Most Promising Playwright, Critics' Circle Awards 2018, Winner of Most Promising Playwright, Evening Standard Awards 2017, Winner of OBIE Award for Best New American Play 2014 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |