
The Philosophy of Film by Thomas E Wartenberg
Organized around a series of philosophic questions about film, this title offers an accessible overview of the discipline. It provides a selection of readings drawn from philosophy, film studies, and film criticism. It has multiple points of view highlighted in discussion of film theory, narration, film and emotion, and social values of cinema.
“The Philosophy of Film presents a judicious selection of influential writings on the philosophy of film from across the spectrum of current opinion, though weighted toward the increasingly dominant cognitivist paradigm of film experience. The introductory and pedagogic material provided by the editors is uniformly helpful.”
Jerrold Levinson, University of Maryland, and Past President, American Society for Aesthetics
“Bringing together important writings by prominent philosophers and film theorists, this volume of readings with useful editorial commentary will prove a valuable resource for students of the philosophy of film.” Berys Gaut, University of St Andrews
Angela Curran teaches philosophy at Franklin and Marshall College in Pennsylvania. Her primary areas of research are ancient Greek philosophy, aesthetics, and philosophy of film. Her work in philosophy of film includes an essay on tragedy and film horror for Dark Thoughts: Philosophical Reflections on Cinematic Horror (2003).
| SKU | Unavailable |
| ISBN 13 | 9781405114424 |
| ISBN 10 | 1405114428 |
| Title | The Philosophy of Film |
| Author | Thomas E Wartenberg |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | John Wiley and Sons Ltd |
| Year published | 2004-12-15 |
| Number of pages | 320 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |